Hogwarts Doesn't Need a Savior

The first 50 chapters gave me a feeling of watching Professor Magic Pattern, and I had abandoned it because of this before. This time, due to the shortage of books, I patiently finished reading it. Although the early stage is somewhat similar to the setting of Professor Magic Pattern, in the middle and late stages (starting from the third grade), the author has developed a completely different story line and magical worldview, extending his vision to the United States, France, Africa, South America, etc., Instead of just being limited to the United Kingdom. The author also provides magical explanations/processing of myths, legends and characters from various places, which I personally like very much. Although I personally feel that the ending of the story is a bit hasty, it does not affect the fact that this novel is still a piece of food (at least I did not marry one of my students 😏). Out of 10 points, I would give it 7-8 points

Author, come up with a Nantianmen plan! Magic has almost solved the problems that technology cannot solve. Magic and technology have reached an almost perfect balance, space aircraft carrier (large floating spell + rune), space jump technology (floo powder + large phantom disembodiment spell + door key). Add a traceless stretching spell to the plane, and a whole brigade of people will jump out of the plane! Invisibility technology (Disappearance Charm + Muggle Expelling Charm + Confusion Charm + Silent Charm), the Shadowless Curse of the Divine Edge solves the cutting problem, the Permanent Sticking Curse solves the sticking problem, and the Repair as First Curse solves the wear and tear problem.

Really nice to look at. I regret that I missed such a good-looking article and did not reward the author. The protagonist created has a distinctive personality, is tough, strong, and well-founded, but not at all proud, arrogant, and arrogant. The protagonist practices magic seriously and pursues the true meaning of magic, but he also has flesh-and-blood and like-minded partners to progress and grow together and form a club with lofty ambitions, not for fame and fortune. In terms of relationships, he is also serious, a strong and compatible partner, and he respects his partner. There are no bad feelings, no ambiguity. It's so rare to find such a male protagonist with normal outlook, career, and humaneness. The author's writing is good, and the storyline is expanded without being limited to the original work. At the same time, he does not discredit the original characters, such as Dumbledore. He does not steal the spotlight from others, nor does he cover up his own highlights. Anyway, this is a good book

Nice! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

The author avoids pitfalls in this book: 1. After entering Hogwarts, I didn't start writing from the first grade, and there is no plot about the iron hat queen Hannah Abbott. 2 The author does not stress about his strength. The protagonist is very strong. Before entering the school, he killed the Death Eater and the dark wizard. Everyone in the black and white circles was afraid of him (like the retired Keanu Reeves of John Wick). Anyway, the protagonist is very strong. 3 I didn't always write according to the original work. The plot of the Chamber of Secrets puts Gilderoy Lockhart and the three little ones aside to destroy him. I solved it with the students in my club, and even made a show of it in front of the students. 4 I didn't go to the Defense Against the Dark Arts class, I taught runes and runes 5 Dumbledore expressed his displeasure fully, without any kneeling. It was dissatisfying to see him dissatisfied, but the protagonist has strength.

I have always wanted to ask, why is it that magic has such a convenient power, but no one has thought about using magic or magic and technology to explore space? Apparition may be the first version of the hyperspace engine. Exploring alien planets, exploring galaxies, there are infinite possibilities in the universe. Who knows what will be out there?

First, let me report to you book friends about the current basic status of this book. We are now in the first round of recommendation period, and the goal is naturally to continue to make breakthroughs. The total number of collections is currently less than 3,000, but I can see many active and supportive book friends. Thank you very much. I will continue to work hard and hope to write works that satisfy everyone. In the past few days, I have seen some questions from book friends about the plot, characters, etc. Of this book. Some of them were within my expectations, and some were slightly unexpected, but this is also a normal phenomenon. As an author, I can clearly perceive the structure and direction of this work, but readers do not have such a perspective, and will naturally have different feelings when reading the same text. Therefore, I will open a special post today to respond to the above issues in general (including the female protagonist issue that many book friends are concerned about). 1. Plot style The first volume of this book is based on the second Harry Potter. The plot of the Chamber of Secrets will be roughly divided into two story lines. One is that Lynn as a professor participates in the story of Hogwarts, and the other is that Lynn, as a wizard, has plans inside and outside Hogwarts. The two story lines will be intertwined and unfolded, and the methods of intervening in the "original plot" and rewriting these plots will be reflected. The overall goal is to rely on the overall narrative style and time logic of the seven original Harry Potter works to participate in the plot with a reasonable degree and method of intervention and change the direction of the story. According to my writing habits, there are more or less foreshadowings in many of the previous plots. Some have been seen by book friends (although they may not have guessed the follow-up yet), and some are still buried deep in the text. They will be echoes of future plots. If one day I can win a knowing smile from book friends, I will be very happy. 2. Character design Because this book is a professorial text, the appearance of the protagonist must be accompanied by a "mysterious past". These pasts constitute his personality traits and behavior, and of course the intricate network of relationships. I tend to spread it out in a layer-by-layer manner. Therefore, although some detailed settings have received different opinions from book friends, they are indeed difficult to modify because of their deeper meanings. After talking about the protagonists, they are various characters from the original work. They must echo the protagonist, and they will have different relationships with him due to differences in their personalities and growth experiences. I generally don't have a strong dislike for the original characters in this series of novels (excluding pure villains). The presentation style will be designed based on the original content + reasonable deduction + protagonist's perspective. For example, James Potter's life experience can be roughly divided into two, that is, six Before grade 1 and after grade 6, and his school time overlapped with Lynn's by four years, which happened to separate the two stages of his life and affected Lynn's evaluation of him. These historical events also indirectly affected Lynn's views on some related characters (such as Dumbledore). From this perspective, most of the characters in the original work have distinct advantages and disadvantages. They should neither be beaten to death with a stick, nor should they blindly praise and praise someone. Especially for most of the original characters who are students, the protagonist, who is a professor, should influence them through his words and deeds. Therefore, in this book, the relationship between the protagonist and most of the original characters will be developed from the two perspectives of teaching and educating people. Naturally, there will be human preferences, but it must be as fair as possible. This is one of my own understandings of education. Finally, there are original characters. There will be a considerable number of original characters in this book, including students, professors, friends of the protagonist, etc. I love them no less than the original characters, and I will integrate them into the plot as reasonably as possible, and the narrative logic will be consistent. 3. The heroine The issue of the heroine seems to have been discussed a lot recently, and there was a debate not long ago - my solution is to delete the posts at the same time to avoid intensification of conflicts. To put it straight to the point, there will be no CP between teachers and students in this book. This is my biggest minefield, no one. The protagonist is nearly thirty years old at the beginning of the plot. His love and appreciation for students are based on the perspective of teachers and elders. There should not and will not be other forms of development. All interactions will be strictly based on the relationship between teachers and students, including those students who seem to be about to become adults or have already reached adulthood. On this basis, the current heroine setting is considered to be no heroine/single heroine. It is still under consideration. The decision will be made based on the direction of the plot, feedback from book friends, and changes in my own ideas - it will probably be presented within a month. 4. Update Updated 2 times a day before going on sale, and initially scheduled to update 3 times a day after going on sale, excluding additional updates and outbreaks. The writing speed of this book is slower than my previous two books. The main reason is that after each chapter is written, the language and content will be refined, which may be more time-consuming than the writing itself, and also results in the number of completions per day being lower than before. But I think this is a way to hone my writing skills and be responsible for my book friends. I hope everyone understands. In the future, with the improvement of efficiency, the rhythm of daily updates should also be adjusted, so please look forward to it. In addition, this book is still in a critical period of competition for recommendation, and the reading data is very important. I hope that all book friends will try not to keep books and support the reading data every day. Finally, I would like to thank all the book friends for their support over the past half month. I will do my best to write a work that satisfies everyone. If you have comments and suggestions on the above categories of content, please leave a message for discussion below this post. As long as I have time, I will read them one by one. Thank you all again!

It looks good. I admire this kind of protagonist very much. She has her own ideas and a charming personality. I hope Miss Fei can become the heroine. After all, our protagonist is so charming.

I have almost finished the second volume. How should I put it? First of all, I feel that the protagonist, as a wizard of his own generation, has a partial understanding of the original work, but it has basically not affected the war originally provoked by Voldemort, and many tragedies have remained roughly unchanged. Secondly, the false gods introduced in the second volume are powerful and weird. The problem is, you can't set it up so that only a few people have the strength to deal with it. Harry Potter is a low-demon world. In the seventh part of the original book, after Old Deng disappeared, when Voldemort attacked Hogwarts, he would still be temporarily entangled by a few wizards. Also, on the one hand, you created an organization of stargazers and said that magic is constantly developing and progressing. On the other hand, you also elaborated on how powerful the ancient false gods were. Therefore, your era is the weakest? Or another eight hundred years buried by the world government?

It feels significantly better than before. The text is very concise and comfortable to read, and the plot is also very compact. Although there are many characters involved, only a few sentences can highlight the characters. Dumbledore's deep thoughts and calculations brought from the original work, but sometimes he also has an old naughty temperament. The two combine well, and the relationship between the protagonist and him is also reasonable. Maybe you don't agree with the point of view, but you respect the other person's efforts and the person. I like this state very much and it is in line with the protagonist's experience. The family interaction between the Weasleys made me feel more comfortable, especially the relationship between Molly and Arthur. It felt very vivid and real when I read it, and several details were particularly exquisite. There are also Miss Fei, who is suspected to be the heroine, Grandma Neville, Sprout, many characters with little writing have their highlights, and even the Auror in the first chapter is quite interesting. Looking forward to the follow-up!

After reading more than 20 chapters, my assessment is that he is another Professor of Magic Patterns. Resigning, criticizing the hierarchy, publishing a book, using toys (that one is a figure), experience (changing colleges and then having the same experience (killing the snake house)

I don't really like what some people say. Mixing magic with various things from the Muggle world makes it feel a lot more "vulgar". I think it's not advisable to have to exploit various "loopholes" in the original works. It's very boring The reason why there are stories like Harry Potter and One Thousand and One Nights is that they are impossible to appear in reality, which makes people fascinated. But if you insist on bringing it to reality, what is it if it's not vulgar? Who doesn't know it's a story? Everyone is dreaming, but some people insist on slapping you and telling you that this is a dream, why don't you wake up quickly. There's nothing wrong with it, but it's just boring.

Why is it that such a good book is not popular? I haven't seen it on any list! Is it so difficult to get on the list now?

I have read a fanfic, and the author handled it this way: the protagonist used only one question to complete the decisive victory over the pure-blood faction: "Is the world's first wizard considered a mudblood?" The so-called pure-blood faction's logic itself is a false proposition.

I'm a little speechless. The protagonist traveled through more than ten years, during which time he destroyed a pure-blood family. Then, Malfoy and Arthur fought in the bookstore just like in the original book. If nothing else, even if Malfoy or Arthur went out a few minutes later, they might not be able to see each other, or somewhere else. I can even say this, just as an analogy, if before Ginny was born, the protagonist had said a word to Arthur or Arthur had heard of him, it might cause the chromosomes of Arthur and his wife to meet a few seconds late at night, causing Ginny to become a boy. It doesn't mean that you have to be so rigorous, but at least you have to be clear that after you have done so many things, others may not follow the set procedures like an NPC. If you are not so capable of writing out every change, then try to avoid those insignificant original plots, or just brush them off. This is actually not a big poisonous point, after all, many fans are like this. Personally, I started to persuade the heroine to quit when writing about it. It doesn't matter if there is no heroine, single heroine, or multiple heroines. The problem is that it is more difficult to write the emotional drama to suit the taste of most book lovers than to write other plots. It's the same sentence as above, or just avoid it and write it off in one sentence. Of course, it's just a personal opinion. Maybe other people like this. I haven't read much of it without spending any money. It's not directed at the author. I just found many books with such plots. The beginning of this book made me have expectations, so I had a feeling of "hating it". Delete if you don't like it.

Read Chapter 235 Advantages: The author's story is logical, adding a false god in addition to the villain Voldemort, it is self-consistent, it borrows the Harry Potter world view from the main line, it is not a nanny, and it does not involve too many three little ones. The protagonist's system... Emm is not very useful, it just gives a reason for the protagonist's source of strength. The system says that gaining knowledge increases strength. He has strength from the beginning because he also served as Professor Bubaston 11 years after graduation. Since entering Hogwarts, it seems that only the inheritance of the Big Four (Helpach and Rakkenlaw) and the knowledge of Haierbo have given him a little strength. It feels like a pity to abandon and tasteless. The protagonist is powerful and has his own power. He is just a little bit worse than Dumbledore and his men, and he can also pose a threat to them. Why is it that the writing is not that exciting even though it is powerful? It is logical but not that exciting. Even when the strength is increased, it feels mediocre. It depends on the author to dig holes, just like the Riddler in Gotham City. My first favorite point when reading this book was the same as most people in the comment section. It came from the scene where the protagonist killed Bella Lestrange. However, I was just happy that the author also dug a hole for Voldemort to take away the blackened remains. He was not completely dead. I didn't see it when I read 235 later. Even if I slaughtered the warlords outside the ruins and fought against the International Federation of Magic and gained thousands of galleons of their magic materials later, it was not satisfying. Summary: The protagonist has the strength and the plot is not satisfying, the improvement is not written to be satisfying, the battle is not written to be satisfying, and the benefits are not satisfying. This is not an enjoyable novel. But it is okay to write about daily life, not a nanny story. The protagonist was in the third grade when he became a professor at Hogwarts and was only in the second year. The plot with the third kid is only a short section in the secret room. Most of them are with the students in his club and solving the diary and the basilisk with them. The rest are plots about the ruins of false gods and monsters laid out by the author. Only when I wrote this did I realize that the end of this volume, chapter 235, was within the year of entering Hogwarts.

I have to sigh, this novel has only collected dozens of chapters, and now, other websites do not have chapters except for free, which is quite amazing.

To be honest, when I read Harry Potter fanfiction, I automatically skip it when I see that Hermione is not the heroine. After all, Emma is too beautiful. But I have to say that this is an exception. From the beginning of reading, I felt amazed. For example, the concept is different from the principal's, etc. It is very special, and the author's writing style is also very comfortable. The heroine is also great, not a vase. The Stargazers organization was the plot that completely sucked me in. The only drawback is that there are too few, and updates are too slow. Woohoo.

This book is good but not popular. I feel that it is very good at preventing theft and no random people come in to re-order 😅

The writing is fluent and the dialogues are smooth, but unfortunately it is not written like a web novel at all. Not to mention the golden three chapters, I have no interest in continuing after reading the first five chapters, and there is still a bit of Riddler in the beginning.

It feels a bit outrageous, the alien appearance technology has been perfected, especially after Goblet of Fire and later, the more I look at it, the more outrageous it becomes.

After reading a little bit, I feel that the protagonist's student days are more attractive than his professor days. Maybe it's because of the writing style? The writing is good, but the plot is too flat. It lacks Ron's character. At the same time, the descriptions of magic are many and detailed, but they don't make people feel charming.

Read 43 chapters in one go. Suddenly the plot felt a bit boring and anxious. Find an assistant and give private lessons. . I'm not here to learn magic, but to see you write a novel. And some of the dialogue feels out of place.

First monthly pass! !

Is this a teacher's lesson plan?

It won't work anymore, and it will become a self-titled article.

The book is very good, but there are few chapter reviews.

The plot is a mess, with ruins being explored for a while, hundreds of dark wizards appearing for a while, and unkillable monsters appearing for a while. More than 20 original characters were fabricated out of thin air. These characters can be replaced by abcd, because they have no characteristics at all. What are you writing??? The battle scene is a shitty homework. From the beginning to the end, it's either "ice runes freeze the enemy" or "fire sets the enemy on fire." Since your writing is so bad, why do you need original skills? The description of daily life is even more incomprehensible. The purpose of writing daily life is to advance the plot and shape the characters. The daily life of this novel is either a messy setting for self-pleasure, or xxx has learned new knowledge! Delete the entire 800,000 words of daily life, and guess what? Hey! It has no impact on the plot at all! A very toxic fan, please don't read it, it's eye-catching!

I just discovered this book. It's well written. When will I get another copy?

Looking forward to the author's new book. For example, the protagonist wizard Zhutian film and television. Various American TV series Grimm, Supernatural, The Vampire Diaries, Secret Society, HP, American Horror, Lord of the Rings, Fairy Tail and Marvel movies in anime