I’m Rebelling, So What?

The starting point is too inhumane. Yesterday I was a eunuch, and today you gave me poison and dried my body in the air. It was really smoking from the defective area.

Fast forward to the time when he single-handedly defeated the entire TMD world 😡

The gimmick of this theme is beheading. So far, there have been too few beheadings and too much pulling. When everyone sees the introduction, the title of the book is to jump around with steamed buns and behead heads to eat them with blood. I have read two books so far similar to Cut, Cut, Cut, and both achieved good results. A book of beheadings points directly at the Waiguo people. All contradictions turn to external contradictions. They are all nationalism. It is similar to a copy system. Thousands of people are killed in one day. After beheading all the Waiguo people, they switch to another world to slaughter other foreigners. Without combat power, the protagonist is completely invincible. After writing a few copies, I will probably get tired of aesthetics and prepare to finish. The other book gives the protagonist a nearly omniscient but merit-consuming plug-in to ensure that he does not kill the wrong person. At the same time, it gives the protagonist a world view in which nine out of ten people are shot and one escapes the net. Because it is only one world, the protagonist has fewer heads to behead. He can only behead a few hundred people a day, and the end day is to behead all the bad guys. A few years ago, I read a book about beheading. The protagonist beheaded his boss after entering officialdom for more than ten chapters. One thing they all have in common is that the background of these books must be in troubled times. You write the book to be read by more people. In troubled times, small people rebel and behead their heads, which is natural justice. Everyone likes to read it, but there are only a few people who like to watch rebellion in prosperous times. If you set a prosperous age for the background of your book, it will easily dissuade many people. People who come to this subject are just for the fun of it. The detailed writing method and prosperous background you showed in this book are completely unsuitable for this subject. There are too few people killed by the protagonist. There are not many people who can kill the protagonist without making the audience angry. In this background, there are not many people.

Suddenly, a madman sharpens his knife at night, and the emperor's star flutters high. 😡😡😡

The wisdom of our ancestors, you unfaithful, unfilial, unkind, unrighteous and unbelieving person.

Readers who like this book are also asked to read more. This is the last bit of struggle. At least some readers like it and can comfort themselves.

To put it bluntly, if I hadn't read the author's previous book and knew that the author was a master, I would have automatically skipped the title at first glance. The same goes for the last book. It is obviously top-notch content, but there is a very poor title that has delayed it from even being a top-quality book. Author, you can't just focus on the content, the title of the book is also very important. As long as you choose a good name, those studios at the starting point will be your opponents.

I don't know if Thief Zhang wants to rebel, but the author is definitely planning an uprising.

What do you say about the new book? What I want to see is a massacre in all directions, killing everyone who deserves to be killed, not this kind of officialdom struggle in a world of high martial arts. . . . . . .

The last book was almost perfect (except that it was too studly for me), and this one must be good too, especially when I saw the name of the protagonist, Zhang Xianzhong. Just based on this name, I felt that the future was promising.