All Heavens: Achieving Great Supernatural Powers from the Journey to the West

After reading only a few chapters, the author simply embarrassed Tang San. The first few pictures also said to use this and that. As a result, a lot of holes were dug at the back, but none were filled. Finally met Tang San. Black is hard black. A setting that seemed incomplete at the time. Just pure hard black. What are the top ten core competitiveness? It is a guess about the combination of martial souls, soul rings and soul skills. As a result, I heard that this doesn't work and that doesn't work. Just stolen. If you don't like Tang San, you don't have to write it. But please don't be too harsh. An ancient person traveled through time. It is still a dead house among ancient people. Tang San's character is actually very simple. Even in the second part, Tang San is just a test for Huo Yuhao from his father-in-law to his son-in-law. People raised such a big cabbage for free, but it was eaten by a pig. No matter where the father-in-law comes from, he has to have some opinions about his son-in-law. It doesn't mean that Tang San suppressed Huo Yuhao to prevent him from getting out of his hands. The original setting of the second part was that Tang San took a fancy to Huo Yuhao and wanted him to inherit his divine throne. The suppression is really not so much as it is just a bit of an opinion and I can't stand it. It's not as dark as "Douluo Dalu".

As mentioned, especially when I first arrived on my journey to the West, the great immortal art and the Bodhi Patriarch came to my door. But there are many poisonous points. The writing is not very good, and most of the content can be skipped. Instead of skipping one or two paragraphs, he can skip four, five, five, six, or page after page. But it's not that good. Except for some small settings that are good, most of the content is tasteless and it's a pity to abandon it.

I read it again. The biggest advantage of this book is that it doesn't play with the theory of releasing water from the heaven. It is suitable for fans of the original work. Unfortunately, the comment area has been tainted by cloud readers who have not seriously read the original work and do not pretend to understand.

You can see, it would be better if Tang San died this time, after all, it is really disgusting to see a piece of shit jumping repeatedly.

The world view of Journey to the West is barely stellar. If it's crazy, I didn't say it.

I've read more than ninety chapters and I can't say it's not good. It's just my personal feeling. The author is Journey to the West, especially Monkey Blowing. This is why I can't stand it. If you don't care about Monkey Blowing, you can still read it. Okay, I'm going to run away.

Those who say Monkey King is bad are those who have never read the original work, right? Could these people have been brainwashed because of prehistoric times? ………… Although Sun Wukong cannot be said to be the strongest, he can be said to be in the first echelon. In addition, Journey to the West does not have the realm of saints (saints are just created by the prehistoric times. In fact, I don't like this realm. For me, saints have never been a realm, but a contribution to the world.) ………… When it comes to combat power in the original Journey to the West, there are actually three types: force (martial arts, combat abilities, etc.) And magical powers. Magic Weapon The novel's force, in terms of the period of Uprising in Heaven, Sun Wukong was evaluated by many gods as having very high force and being invincible. The only one who could tie with him was Yang Jian. (One thing to say here is that force cannot be cultivated by anyone. There are more gods who are proficient in magical powers and spells, followed by gods with functional magic weapons. Apart from Yang Jian, it should be difficult for more people to have top-notch martial arts. The important point here is that this is not the prehistoric era, and the journey to the west in the prehistoric era is chaos. Magical transformation, because of the magic transformation, many people are inexplicably stronger than Yang Jian in terms of force) (One more thing to mention here is that Tathagata defeated Sun Wukong with great magical powers, not force, Tathagata has top-level magical powers.) Back to the Havoc in Heaven, at this stage, only Yang Jian can equal Sun Wukong in terms of military power. (If there is one, there should be a second immortal fighting with Sun Wukong.) As for magical powers, Sun Wukong should not have practiced specialization at this time, so magical powers and spells are considered to be at an above-average level and are prone to flaws. Needless to say, the magic weapon has too low functionality. There is no problem with being an elite bastard, but when faced with a strong person of the same level, its function is of no use. At most, it can be used as a stick to beat. In the Eighty-One Difficulties, Sun Wukong's strength has not declined, and it is still top-notch. He can fight Sun Wukong for dozens of rounds, and only those who are defeated after hundreds of rounds are monsters with good strength. As for the monsters that are tied, there are almost no monsters. (It can be said that Sun Wukong's force is a good test of the monster's force. Being able to fight dozens of rounds is a good force, and being able to fight hundreds of rounds is a superior force. Unless he is as talented as Yang Jian, he can be on an equal footing with Sun Wukong.) The troublesome part in the Eighty-One Dilemma has always been magical powers and magic weapons. Sun Wukong's magical powers and spells are much stronger than before. There were too many flaws when fighting the gods before. Now he is obviously more proficient, but he is not at the top level yet. In addition, monsters weaker than Sun Wukong can defeat Sun Wukong because the magical powers and spells restrain Sun Wukong's weakness. There is really no way to do this. (Journey to the West is different from other novels. In other novels, if the protagonist has a weakness, it is as if there is no one at all. The protagonist determines the weakness and destroys the enemy, and is very speechless. There are even protagonists who inexplicably leapfrog and kill the enemy. They don't even look for the enemy's weakness and only attack the enemy's strongest place to leapfrog and kill the enemy.) As for the magic weapon, Sun Wukong has not changed. The magic weapon in the monster's hand has many functions and is strong in restraint. It will definitely defeat Sun Wukong 100%. This weakness cannot be helped. (It can give Sun Wukong a magic weapon with good functions) ………… In the original work of Journey to the West, different characters, whether Buddha, Heaven, Earthly Immortal, Monster, etc., All have corresponding strengths Some strengths are magical powers, some are magic weapons, and some are strong in force. (There should be no top-notch ones in all three. This is more reasonable. Modern novels are always the strongest in all aspects, but I personally think it is too exaggerated. To be able to reach the heights of others in thousands of years in just a few years and decades, and still be top-notch in all aspects, is too much.) (I am I feel that it is enough for everyone to be specialized. In addition, war is never about the savior, but about everyone. Everyone's specialized abilities can be used in some way, just like parts to run the whole machine. ) It is indeed a big mistake to comment on Sun Wukong from the perspective of a novel.

Let's talk about the advantages first. The author's writing style is still very good. There are no big problems with the story structure and power system. It can be said that the problem of Zhutianliu's world view and combat power has not been wrongly written. Let's talk about the shortcomings. The first problem is the protagonist's cultivation, and Tang San's handling is too poor. I feel like writing this is just to screen readers and add to the trouble. Obviously the protagonist has learned so much from Patriarch Bodhi, and he can still practice deformity. Patriarch Bodhi, as a great magical power user in the three realms, as a master, has given the protagonist all the basic knowledge. Although he only learned it for more than a month, when watching this plot, there is always a feeling of being forced. There is also the emotional line of the protagonist, which is simply written. It doesn't look like a modern person. If you are writing about an ancient indigenous person, that would be normal, but writing about a protagonist who travels through modern times feels particularly inconsistent. I feel that the emotional line with the dragon girl is a failure. You might as well keep the protagonist alone. The recent love lines in the male and female direction are simply too embarrassing. They are like innocent junior high school students. No, it should be said that the junior high school students in the current school that I have come into contact with are more mature than the protagonist in his own feelings.

I didn't want to read any of Tang San's unofficial stories. It was actually so disgusting that I felt like vomiting when being promoted by Douluo at that time. It was because I felt sick when I saw Douluo characters appearing, so I quit decisively.

The Westward Journey system you wrote is not suitable for chat group competitions. The system of Journey to the West itself is not related to combat effectiveness. With the protagonist's useless qualifications, I advise you to go to the eternal world and eat Fang Han's leftovers. Fang Han will naturally be able to directly promote you to the Immortal King in a few decades. What kind of Heavenly Immortal Technique is he practicing? That was practiced by a top figure like Sun Houhou. What is the level of the protagonist?

I feel like writing about Tang San is completely unnecessary, right? I don't like Tang San myself, and I don't even read books about Tang San. This book has Tang San as the villain, but it has no effect at all except disgusting the readers, right? Douluo itself is like a floor tile, and the so-called strong ones in it can even be injured by hidden weapons, which is quite outrageous. I understand the author's idea of ​​​​creating a villain, which can bring a lot of fun, but the problem is that it is also good to see the protagonist and the group of friends cooperate. The addition of Tang San feels like a mouse droppings ruining the pot of porridge.

The structure of the worldview is not very good. Those who are truly detached and those who are pseudo-detached are divided into first, second and third levels. They have no convincing or expressive power. They simply talk about detached cause and effect and laws. Especially detached people will be bound to the realm of true detachment. See I'm speechless. It's all over the world. The world is infinite. Beyond infinity there is infinity. The infinite world is restricted by a shabby chat group. It made me laugh. These detached people have the beauty of children arguing over each other. They are so pure.

I'm convinced by a bunch of authors who wrote about Journey to the West. No matter where they go, they can have a relationship with the Dragon Girl. The main character is a monkey. The Dragon Girl of the East China Sea arranges it. Just go to the wilderness and there are rivers, lakes, seas and wells with the Dragon Girl. It's outrageous.

I feel like my potential has been exhausted and there's not much left to see.

Your ancient ancestors, Buddha, have never even traveled to the West, but you guys just read a few books about Xia's ancestors' ancient suture monsters, are you a bitch? Some rare foreign butterflies admit that Sun Wukong's ability is equal to that of Jesus, but they shamelessly complain about Journey to the West's low combat power.

I feel that the style of calligraphy and painting has changed. The next step should be to conquer the heavens. I feel that the chat group has become the background board and backstage. The other group members have also become the objects of kindness for the protagonist to set off the protagonist. What I originally looked at in terms of creativity has now become like a running account. Once the world master changes to the world, the next step will probably be the journey to the west and the protagonist will conquer the heavens on his own.

You, Journey to the West, don't take on the prehistoric era, your combat power is at the level of a fairy, and the protagonist is not suitable for the system of Journey to the West. You in the chat group have almost doomed the fate of the entire world, and the way of heaven has come to encompass everything. However, you also wrote the protagonist with a lot of resources. As a result, the entire system that focuses on cultivating the mind is not suitable at all. You want the whole Fang Laomo to be able to level up quickly by eating resources, and the one with a high upper limit is better.

The division of the protagonist's realm and strength is too vague, and you will lose the desire to read more than 100 pictures. The sea, you are all water, the author of Journey to the West blows the Westward Journey up infinitely, and pulls down other worlds infinitely.

Hello everyone, I am the person responsible for helping the author catch bugs. Everyone is welcome to speak.

I have read more than 70 chapters, and the protagonist looks down on melee combat! If you still want to be a Dharma Protector, if you don't take up lessons when you have shortcomings, let alone Bodhi Patriarch, you will have boundless magical power and it will be useless. Facing monkeys, Yang Jian, Nezha, Huang Tianhua, Lei Zhenzi and others, you can't beat them Really, you don't have to be proficient, but you can't practice close combat skills at all, right?

The world view of the original Journey to the West is great, and there are not many books on the Internet. Unfortunately, because of Tang San, I still don't want to read it.

I think the head of the 36 Tiangang Changes mediates creation and is quite awesome. To exaggerate, it is something that points directly to the end of the road. In essence, it is the embodiment of fantasy, a creation of the void. If you think about it carefully, this is the opposition between existence and non-existence. The Philosopher's Stone of alchemy is also a wish fulfillment, a fantasy come true. East and West, both East and West, have essentially similar mysticisms. You are like the Supreme Being, the Trilogy of Covering the Sky, and the final state. Why do you want to reduce and seek emptiness? Why do you have to sacrifice everything? It is all for the sake of transcending the realm of the great road. In that state, you can make all your wishes come true, create everything, and create something out of nothing.

The fighter among the garbage, crazily suppressing the protagonist, and he is also a nanny tool man, you might as well just become the God of Cooking

The types of chat groups tend to change, show off, and group portraits. You can see that the ten or so chapters after the paid chapters have been describing the protagonist. Others have written very little. The proportion is about 9 protagonists and 1 supporting role. Then why don't you write a Journey to the West fan?

The growth of immortality is too fast. Fang Han has grown to the realm of the Gate of Eternal Life in less than twenty years. If there is no extra story about Zhe Tian, ​​the Sacrifice Realm cannot pass the Immortal Golden Immortal. It is better to modify the flow rate of world time. Otherwise, Fang Han will become immortal, and Ye Fan and Luo Feng have not left the Novice Village yet!

The author is forcing the protagonist. The first few dozen chapters look okay, but the protagonist has no strength and moves, and is a waste. There are many poisonous points.

The part about Dragon Clan was so disgustingly written

Hehe

Are there any novels about Journey to the West without conspiracy theories? I'm tired of reading conspiracy theories.

It's not too much to add a bit of refinement.