
Dragon Raja: Becoming a Super Evil God-King, Starting with Strange Tales from the Tao
龙族:从道诡开始做超级邪祟王
- Status
- Completed
- Length
- 227k Words
- Subgenre
- Myriad Worlds
- Updated
- 2y ago
- English
- Request a translation
Synopsis
Stats
110Chapters
4.4kRecommendations
6.7kFans
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Reader comments 25
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What kind of powerful figure is Ming Fei, who started practicing the first male path in a mental hospital?
Chapter 18 of tm hasn't even seen him fight any powerful figures yet.
The author's previous book, in terms of both its use of references and its ability to seamlessly integrate different elements, was arguably on par with Black Sails, if not surpassing them. Moreover, it was written earlier, yet it didn't achieve the same level of popularity, let alone become a massive hit; at best, it only received moderate success. Was it because it was an original work?
The old books section is marked as finished, so I can't send out notifications for new books...
The author must grasp the fundamentals of his character.
You write about madmen well, but madmen shouldn't be long-winded. The scene involving beating Dan Yinzi was drawn out and not funny. It described the meeting with Hu Weide in the ghost story as quite pleasant, but the later parts lacked the necessary "madness" (this "madness" refers to the madness of a madman in the ghost story, not the madness of a forum).
You've successfully grasped the essence of the Daoist mystery; it's too outrageous, normal people really can't stand watching it.
Young author, would you like to have my monthly votes included in your novel?
[Sitting in Oblivion in the Red Center] [Elder Ao Jing] [Close Friend of Zhuge] [Disciple of Danyang] ... These are all the identities and experiences I once had under my destiny [Seasonal Calamity Master], some of my [fate] that I can't escape at all. My name is Li Huowang.
Personally, I feel that the main problem with the fanfiction is that it focuses too much on the plot and storyline. For fanfiction of two books, it's best to emphasize one, like the currently popular "return story" genre, where one world serves as the cheat code and the past, while the focus is on the world after the return. Trying to have it both ways is no longer feasible in the last two years.
This book feels better than the last one. Your last book went completely mad without much buildup, and the abstract aspects of daily life and the consequences of those madness weren't well-developed. You were constantly going on killing sprees—how could you possibly be abstract? If you don't treat others as equals, who are you abstracting for? Their reactions are also part of the abstraction.