Whatever You Do, Don't Mess with the Senior Brother

I didn't realize it when I read Spy Play House before, but now that I'm reading this book, I realize that the mind-reading characters help the novel more than the comics. The best thing about this book is that the story and narrative structure are beautifully handled. It starts directly from the basically invincible state, and then starts to thread the thread with the great suspense of the end. It skips the adaptation period and the grassroots growth period, which are the most obscure paragraphs of all time travel novels, and directly reveals the ending of training and upgrading. Instead, it uses puzzles as the driving force, and it also establishes a light novel style relaxed tone, so that the book starts very quickly. The shortcomings of this approach are also well dealt with. The freshness and digestion process of the world view can be supplemented through the perspective of the junior sister. The role of the junior sister also has unquestionable character attributes, which is rare among the majority of starting writers who are not good at writing non-facial female characters. It can be said that this book finds a good balance between narrative and explanation. It's no wonder that the author seems to have started his career in light novels. The most interesting parts of the book are indeed some of the dramatic character interactions built around mind-reading. The mind-reading setting can forcibly connect the bright side to save the world and take care of the children, and the dark side to set fire to the sharks. It is indeed the same fun as the spy family with the big spy behind it, and it is even better, because the novel uses large sections of psychological activities in more ways and is more adaptable. In general, this book looks and feels like refreshing juice. It can be read very easily and very smoothly. But this is not a completely positive evaluation. Although refreshing is good, people in the world have different tastes. There will always be people who like to drink spicy wine and drink fizzy soda. Whether intentionally or not, this book is somewhat reserved in its in-depth characterization. The most striking example is that there are obvious gaps in the fighting scenes, and the descriptions are quite satisfactory. In addition, as a travel system writer, you can actually write a burial system and a 1% dodge rate bonus at the starting point, which are extremely low-level settings without dying suddenly. It's really your fault. If you think about it carefully, this may also be some of the differences between the Qidian Shuangwen series and the Japanese light series. In order to achieve the pleasure of heavy oil and heavy salt, the former often puts great effort into the novelty of the system, mechanism settings, humanized feedback and the main thread behind the scenes, and then creates one climax after another through extremely exaggerated fighting scenes and foreshadowing; while the latter pays more attention to character dialogue, and most of the content is for the sake of moderate interest and the purpose of the whole book. So this is not actually a shortcoming, because there is actually no need to change. It just makes people wonder whether the author has the skill to consistently describe the merits of these 100 chapters.

Beautiful

Good news: This book is quite interesting🙂 Bad news: Why did I encounter this problem when I was in the seedling stage😭

Please be dedicated in emotional scenes, junior sisters will be junior sisters, and princesses will be princesses. Currently, the scenes with my junior sister feel more natural. The princess's is too routine.

Without looking at the IP, I guess the author must be from Guangdong. Most Guangdong authors have a common wording habit, using some outrageous words or words to enhance the fighting atmosphere. The three words "most ferocious, evil, and domineering" are the most used. Occasionally, some authors will also intersperse "Fist of the North Star" and Cantonese 😂😂😂

I feel like the human race is too cowardly. If it weren't for the protagonist Dragon Emperor, who almost killed all the younger generation, would he be the first to break up the fight? The protagonist can kill him but he still stops him. He really just goes wild on top of the human race. Don't worry about offending the dragon race. He is obviously looking for trouble to kill the younger generation. The emperor of the human race also expressed his position. If it really succeeds, what else can the human race do to enter the top ten races? The younger generation will be killed soon.

If you haven't seen it yet, then if you guard the ant nest, you will be invincible.

A pure and refreshing article, with an invincible start, clear narrative, and good pace. It's a read.

(￣へ￣) There are hundreds of ethnic groups, so I don't ask for more. Isn't it too much for you to write down the names of 60 ethnic groups? Let me start, Terran.

It felt like the protagonist was being taken advantage of and was being led by Taiyu (junior sister) from beginning to end. First, the protagonist led the team to Lingyuan, and the junior sister stepped in. They found an abnormality in Lingyuan and started running around. Secondly, the junior sister is the reincarnation of Taiyu (perhaps the person who seizes the body), and she will definitely not be the silly and sweet character she appears to be. If he hadn't met his senior brother, in 25 years, Taiyu would have been extremely talented and amazing. At most, he would have reached the imperial realm, and the protagonist's cheating would only be at this level. Secondly, reading people's minds is a bit unbelievable. No one else can, only senior brother can, and his mind can be revealed. Besides, the protagonist has traveled through time, so whether it's a fairyland or a supreme plateau, the protagonist is an extraterrestrial demon. In the conversation with the fairy sword, we know that powerful immortals and demons have three bodies, the past, the present, and the future. As long as you are a creature in this domain, you will have a past, present, and future. The protagonist is an extraterrestrial demon who only exists in the present. This is also the reason why Xianjian did not see the protagonist after 25 years. Cultivation is essentially about taking over the creation of heaven and earth and going against heaven. The devil in the mouth of the immortal is a "human" who cultivates and breaks through the realm after training. However, he is called a devil because of his different stance. According to the setting, the system exists to allow the protagonist to bury the world that is about to be destroyed, not to save the world. In fact, the protagonist's life trajectory for the first 25 years was carried out under Taiyu's secret control. In the next 25 years, Taiyu entered the game personally. After all, the gods have placed chess pieces everywhere in the fairyland. The demon clan was laid out more than 5,000 years ago, and the Divine Tree of Ten Thousand Tribulations is just a small minion. Other gods must have bigger plans. It is impossible for the immortals to have no countermeasures. And Taiyu placed the treasure on Ye Yu. Taiyu claims to be an immortal, but in fact he is no different from a demon. If you set up a trap in secret, your intentions can be punished.