Taking a Camper Van to Flee Famine and Farm in Ancient Times

The whole story is about the male protagonist being all kinds of unbearable, saying that he used to wear military uniforms, so he has to take care of the people of the world after time travel. The female protagonist and the male partner take turns to reason with him, or they still go their own way, which makes me feel weird. Doesn't wearing a military uniform brainwash you and force you to save the world? In his position and political affairs, he has traveled back in time to become a common man in ancient times. He is still a son-in-law who has been purged and left home. On the way to escape, he is still pursuing his faith, completely regardless of his family. He clearly knows that it is safer and more comfortable to leave early, but he selfishly changes his itinerary again and again for the sake of his holy father's heart. The most important thing is that every time he kills first and then tells the story later, the heroine is notified afterwards. The so-called henpecking and listening to his wife are all bullshit.

The characters are single-minded, the horizon is too small, and the book is not enough to be read. The male protagonist is a pure fantasy character who has the ability to love his wife and daughter slaves, but when something happens, he starts to become a minor. In the imperial examination, it was clearly stated that people would be bullied if they only farmed the land, but the male protagonist still went back and forth and did not want to take the exam. The plot was that he tried back and forth not to take the exam, and the female protagonist coaxed her or threatened to remarry. As an adult, it is up to you to decide which path to take, and you do not need others to coax, lie, or force you to go. What's more, the author's character design is to protect his wife and children at all costs, and as a result, he will die even if he takes the imperial examination. The author seems to have never seen what it is like to be an adult, so he thinks that a few words can force a man to make progress, even if he is in love When he finally goes to school, the heroine becomes a minor again, confirms that the son he picked up is the grandson of the emperor, and agrees that time travel must be a lot of things. The heroine's first reaction when encountering anything is always to completely deny it. The male protagonist will deny making friends, buying servants, opening a workshop, and becoming a disciple is not willing to make a living without having bad intentions. The male protagonist needs coaxing and persuasion before she is willing to buy people and make friends to strengthen her own power. Half of the plot is about coaxing each other around like three-year-old children. The male and female protagonists are afraid of each other/have not yet thought about it/unknown reasons, hiding all kinds of details from each other, and then are discovered, and coaxing each other back and forth accounts for another half The subject matter is okay. After reading it, I feel that the author should pay me for the endless love concept of the last century wife in her mind.

I don't want to read it. I can't stand the male protagonist, he's a good guy, he's just grinding away. Before I even set out to escape, I was just doing this and that. I don't know what will happen next. I don't want to watch this storyline with the male protagonist, I'm going to be pissed off.

In a male channel that is disguised as a female channel, the female protagonist is just a decoration, a vase. The male protagonist is too holy father zmmm...

It's quite interesting. So far, the characters' actions and dialogues are logical and the sentences are smooth ~ Come on

Dozens of chapters later, they are still talking to each other about the honor of the old Xu family. The farming story is written in a very insidious manner. It is clear that it is moved out at the beginning and the follow-up should focus on escaping. However, every chapter is interspersed with chatting with the old Xu family, and the plot does not progress at all. Moreover, the drought is so severe that we have to flee the famine. There is still water for bathing, washing, and watering vegetables. The villagers still have the leisure to drink tea, chat, and gossip. There is no sense of urgency to escape the famine. It's okay for the author to be thoughtful and considerate about his writing style. Writing about home fighting may be more suitable, but writing about farming still needs to be down-to-earth.

It was marked as a cool article, but when I read about preparing to escape, I didn't see the meaning of the cool article. The male protagonist is hesitant, hesitant, has soft ears, and speaks rough words like a piece of meat. Unhappy, gave up.

It's pretty good-looking, the story line is quite novel, but the name bothers me

I want to know how to solve the problem of linting when making down jackets in ancient times.

With an RV and unlimited food and water, the whole family can live in the space! Why must we flee? Is this a forced escape?