I Direct Major Events in the American Comics World

Actually, I once envisioned a Marvel script. You know Magical Girl Illya? That series has a displacement magic trick. My idea was that the protagonist would be the mastermind, and we'd create a fictional family of homunculus humans, all based on that story—descendants of Darius.

Damn it, something felt off when the third personality (who plotted against the protagonist, though the protagonist was unaware) emerged. Then the Susan part (a very traditional hero-saves-the-damsel-in-distress story, a bit cheesy) made me drop it. Damn it, I came for the invincible mastermind, but now it's neither, and they've even added huge sections of romance (and not very well written). The second volume has completely changed.

Are there any other Marvel behind-the-scenes mastermind stories like this? The author's writing is too short and weak, not enough to keep you reading. 😎

The first volume could be described as invincible + mastermind. The second volume just didn't feel right; the difference in the overall feel of the plot between the beginning and end was too great.

Seriously, this clown doesn't have much brains besides his tendency to go crazy. Target the women's team directly. Target Tony, kill him directly. Targeting Captain America, they directly wanted to eliminate his soul. To take down Gotham, do you rely entirely on the Spark, robots, and force? Can you use your brain for once? The Joker loves chaos and fun.

It feels like these superheroes are gradually turning into crazy heroes. When the main characters die, they might just transform into these crazy heroes and usher in the era of martial gods. "Hey! President Tony! We love you!" "Today, Captain People will fight his last battle!" "Infinite Hulk! Come out!" "Prince Thor insulted Thanos! The prince is invincible!" Ultron: "Sentinel Corps, go." "

Actually, I had previously considered another Marvel-themed script where the protagonist's system was either a "system that super-doubles the protagonist's strength" or a "system that super-doubles your pain." As long as you give superheroes or supervillains emotional depth and increase their power, you can make a fortune.

Honestly, I really don't recommend writing a female lead in a behind-the-scenes story. Behind-the-scenes stories are already prone to falling apart, and adding a female lead makes it even more likely to fall apart.

Once you've reached about 180, looking any further would just be a waste of money.

It's hard to believe; it feels like the author has changed. The first volume of the reality series is quite good, with a behind-the-scenes storyline. The story that followed was... Well, let's just say it's hard to describe. Now that Avalon has come out, the entire writing style has changed; it's written in a super-stream of consciousness style. It's hard to give an evaluation; you can run when you see around 150.