Taichang Daming

In today's author's statement, the author clarified the purpose of writing, stating that he wanted to write about "Da Ming" rather than Taichang, so he needed to take into account multiple perspectives. I strongly agree with this point of view, but there are a few points that I would like to discuss with the author. First, there is no contradiction between multi-perspective description and the clear purpose of writing. The purpose of multiple perspectives is to reflect the full picture of an event, to show the different choices of different parties in the process of introducing and promoting a policy, the decision-making basis of the superiors, the implementation wisdom of the inferiors, and the substantial experience of the people at the bottom. The key here is "event". Taking two incidents as an example, the author wrote better about the Donglin Incident, which took more than a hundred chapters and more comprehensively reflected the thoughts of the various factions within Donglin, the anti-Donglin, the factory guards, and the emperor. Finally, it ended with Zhang Juzheng being rehabilitated. It has a beginning and an end, and feels relatively complete and coherent. What is worse is the North Korean guardianship incident, because a lot of space is devoted to the internal political struggles and intrigues between North Korea, but in the end it lacks a breaking point. The readers are not watching Taichang North Korea, and they don't care much about North Korea's political struggles. In this incident, they should pay more attention to the reaction of Ming Dynasty officials, not the internal reaction of North Korea. Moreover, this plot is too bland and boring. If there is a rebellion within North Korea, a large-scale action scene may be much better. After all, who reader cares about Li Erzhan and who is Zheng Renhong? The second issue is rhythm control. The author tries to intersperse multiple parallel events while narrating from multiple perspectives, which results in an extremely slow pace. The climax is neither high nor low, and the context and context are easily mismatched. The Korean guardianship incident and the Liao-Shenyang battle incident, the rumor incident in the capital, the water transport corruption incident, and the Tianjin port opening incident were all mixed together. Readers follow up every day and there are thousands of threads. In fact, the experience is very poor. The third is that emotional description should not be too much. Emotions should be embellishments. There are too many emotional descriptions in historical articles. The description of the harem is actually quite embarrassing. Even if the harem reform is to be written, I am afraid it is not the focus of the Ming Dynasty novel that readers expect. It is too focused on the concubines' fight for favor and the emperor's water-carrying, which is actually quite boring. The emotional description I admire the most is Liu Yijing's true feelings on the land transfer bill. This is very good. It shows both the politician's rational consciousness and the entanglement of his own personal relationship. The above is a brief opinion, please refer to the author.

I first became interested in this book after reading the author's listing description. It took me two days to read the latest chapter. The reading experience was very good. I will briefly talk about a few advantages and experiences. The greatest advantage of this book is that it describes the cruelty and hypocrisy of the emperor himself. Whether it is dealing with figures such as Dong Lin, the relatives of the country, or the Heavenly Master, he is very decisive in killing people and distributing lunch boxes. Moreover, by portraying the behavior of the eunuchs, it shows the hypocrisy of the emperor himself. He wants both political gain and reputation, and wants others to be grateful. It even feels like a thorn in the back when reading it. This is rare, and it is much deeper than blindly portraying a seemingly great and upright template wise emperor. The second is to describe a large number of secondary characters, shift the perspective away from the protagonist, and depict the formation process and transformation logic of political decision-making. Although this is the norm in historical novels, this book applies it well. After all, history is not a strategic game. How every decision is implemented and executed actually requires consideration of personal interests at all levels. When reading this book, it even has a sense of déjà vu in Ming Dynasty 1566. The third advantage is the author's outstanding description and narrative ability. Able to describe complex plots in a concise manner and choose appropriate entry points. This book also has several problems, and I suggest the author give more thought to them. The first is the attitude towards the harem personnel. Personally, I feel that the author spends too much time dealing with the concubines of Xi Li and Dong Li - with all due respect, if you don't plan to seal the story, these plots will be very dragging and have little significance in promoting the plot and characterizing the characters. The second issue is the issue of actual positions held by princes and concubines. The author's design of giving real power to concubines as female auditors and arranging magistrates for princes is extremely inconsistent with the political environment of the Ming Dynasty. First of all, the palaces in the Ming Dynasty were strictly forbidden, and it was unimaginable in the Ming Dynasty for concubines to control the real power of external yamen. Secondly, giving the prince local administrative power is very similar to Zhu Houzhao who gave himself the title of general. It is a self-deprecating status, because actual administration will definitely make mistakes. But as Zhu Youxiao, if you don't punish him, it will be in vain to pay attention to the national law. If you punish him, it will shake the country's foundation, which will not work on both ends. Therefore, the prince does not hold real power unless he supervises the country. This has been the case since the Song Dynasty. Finally there is a hope. That is to hope that the author can carefully consider economic issues. Finance is of course a Yuan proposition that cannot be avoided in the late Song Dynasty and late Ming Dynasty, so this should be the real big boss of the whole book, whether it is to suppress land annexation, transform the industrial revolution, carry out colonial activities, or whatever. I hope the author can give as little trouble to the dynasty as possible, and write about the emperor's powerlessness just like the emperor's hypocrisy was written before.

I like this book written by the author very much. There are many details. Many people complain that the plot is watery. In fact, if you dislike the watery plot, you can choose not to read it or read less. There is no need to slander it. The author's book is not about the Taichang Emperor, but about the customs and customs of the Ming Dynasty during that period in Taichang. It is necessary to paint a magnificent and heavy historical picture from the perspectives of different roles from all walks of life in history at that time. In today's fast-paced fast food culture, there are not many novels that construct a historical era with a slow pace and multiple perspectives. You can calm down and savor it slowly, and you also need a group of loyal readers to support it. In short, I like the author's style and this literary work very much. I hope the author can stick to his original intention, not be affected by bad voices, slowly refine the work, and stick to the end. Come on!

Anyway, I still hope the update can be faster. In addition, many people say that the main plot is pushed too slowly, but I think it's okay. Nowadays, everyone has read a lot of novels. The main plot can be figured out with your toes how it will develop next. There is no need to push it or not, but the small characters and events written in this novel are so real that people can feel it. When I read novels now, I mainly want to see the little characters behind the events. Don't you feel a sense of satisfaction when you look at the fate, joys and sorrows of various characters that are changed by the protagonist from a God's perspective? And now the protagonist's status is high enough, no matter how high it is, the protagonist can only go forward for a short period of time. But time is indeed speeding up. The results of one hundred and hundreds of thousands have not been completed for two years, so it's no wonder that your mainline push is slow. Time speeds up so that your sense of joy can flourish and you can have a grand plan. No one likes to see the details of your affairs. In contrast, I still prefer to see big layouts and small characters. Your little character has been written, but you can't walk on one leg. In fact, those popular science topics can be deleted, as they are cumbersome and unnecessary.

The Qing Dynasty was truly the pinnacle of feudalism. All it takes is the establishment of a military aristocratic group under the Eight Banners system, with military honors and titles, and civilian officials can be killed like dogs. When the emperor of the Ming Dynasty saw the power of the Literary Prison, he was so envious and jealous that he couldn't even think about it.

Introduction updated, Note: "Three major struggles" are not "three major conquests". The three major expeditions refer to the expedition to Kuaibai in Ningxia, the expedition to Korea to resist Japanese aggression, and the expedition to Yang Yinglong in Bozhou. The three major struggles refer to the struggle for the foundation of the country, the struggle for the establishment of the country, and the struggle for the title of the three kings.

When did arithmetic become an overseas knowledge? Please check more information. Before the Qing Dynasty, Chinese arithmetic was not weak, but it was not taken seriously.

No emperor in history has ever been able to save a dying dynasty. It's easier to tear it down and rebuild it, so when I read this kind of novel, I just give up.

This novel can be read in a skip. You can skip a hundred chapters without affecting your reading. It didn't fit in well with the previous one. I skipped a few chapters because I thought it was too much nonsense. What happened next? I have no desire to read anymore, so I just deleted it. I searched for similar novels recommended by Wan Ming, otherwise I wouldn't read them at all. The main character's dialogue in the first part was very good and attracted me, but in the later part I wrote some silly stuff. I was swearing. There is also some information on how to write a good novel before it is put on the shelves. This is to trick a dog into killing him. It's said that the cliff is well written and I haven't read any details.

In the plot, the protagonist traveled through time and became the emperor of the late Ming Dynasty, Emperor Taichang, and then helped the building to collapse. First, Huang Quan's knives and Jinyiwei East Factory were transferred, and then the West Factory was newly established to supervise the internal officials. Then rectifying Liaodong to resist the establishment of slaves, of course, mainly relied on ministers. This is the current main line. Overall, the writing style is very good, and it can be regarded as fairy grass, but it is a bit delayed at the end, so it can be regarded as food. The front of the article revolves around the protagonist, and the back is like a group portrait. It's worth watching, but there are more than 600 pictures, and the plot has not yet been released in the first year of Taichang 🙂

Chapter 300 is all water, and I didn't write a few things. Goodbye.

You have been writing a branch story about North Korea for almost two months. I jumped on the subscription and read it again for ten days without any impact at all. Am I here to see North Korea? Am I coming to see North Korea as a filial piety? If you don't watch it for a year, it won't affect the plot. Water floods the golden mountain, you! !

Is it Taichang Ming Dynasty or Taichang North Korea🙀

Another Xu Guangqichu, a leader, half-traitor, what kind of good guy can he be, let alone the ridiculous thing about the world that missionaries are kind.

There are more than 600 chapters and this is still the first year of Taichang. The author is also a talented person.

The details are not appropriate, and one branch line has been delayed for almost two months.

This was written by North Korea, and the Qing soldiers must have entered the customs more than ten times.

I flipped through the chapter list and found that I had written more than 100 chapters on the battle between North Korea and the Jin Army and it was not over yet. No wonder some readers said that this book can be read by skipping 100 chapters. This progress is no longer slow.

As the protagonist, you are a time traveler. The prince's teachings still teach traditional Confucianism, and you also ask those corrupt Confucian princes to punish you with homework. The prince copied 10 pieces and he copied 20 pieces. You must be really sick. Is your prince going to be a master of Chinese studies and a nerd in the future? Are you asking him to copy these? You modern people don't know whether corrupt Confucianism is useful in running a country. He will be the emperor in the future. Is it possible that you really believe in the Four Books and Five Classics and half of the Analects to rule the world?

All the chapters I cut are free.

How many book lovers are still reading it now? It was so tedious to write that there are over 1,000 pages. Only 8 months have passed in the book (the time ratio is almost 3:1. It has been three years in reality). Alas, you wrote it in such detail. Do you want to adapt it into a TV series? The key is that your writing is so detailed and watery. Who would dare to buy your copyright if it wasn't popular? I'm a little confused. I feel like your writing skills are not bad. It looks very comfortable. If you write at a normal level. Don't be so irritating, don't be so detailed, I think there is no problem with Wanding. Many Wanding histories are really not as good as yours. At least I can read them again after I have raised them for more than a month. The starting point is no more than three books. I am a bit angry at him and feel sorry for his misfortune.

1. The pace is too slow and everything is written about trivial matters. 2. In a feudal imperial society, large-scale issuance of credit currency such as banknotes is a minefield. 3. The combat power of the Jurchens should not be much higher than that of the Ming army. Under the leadership of the protagonist, the Ming army should have the upper hand with its firearm advantage.

There are 999 chapters in the main text, and the timeline has passed a year, and it is more than 3 million words long. Normal novels have been completed, and any book with more than 1,000 chapters can be said to be very procrastinating, and the main plot of this book has only just begun a year ago. I can't even imagine how such writing could be written in the subsequent years of drought and peasant uprisings in Shaanxi. The emperor received the report of the Korean war and then celebrated his birthday and wrote twenty chapters without finishing it. This was completely intentional procrastination. I dare say that this way of writing will never be completed. If I can write until the civil strife in Jin Dynasty after the death of Nurhachi and then the pacification of Liaodong, the timeline will not exceed the Apocalypse Dynasty in history. The timeline of the more than 3 million-word novel has only lasted one year, and the rhythm is completely ruined.

There are a lot less plots for middle-aged people to write at the beginning. . . . No wonder young people like to wear clothes

His Majesty passed away. Emperor Taichang went to the Ministry of Punishment in person and was frightened to death. 😭😭😭😭😭😭😭Why didn't Cui Jingrong stop the driver, sinner 😡😡😡😡😡😡

This is the first time I have read a novel in which the protagonist does not appear in 200 chapters. The author is awesome.

As the title says, please let the author speak out.

The author is really a master of Guru talk. This is not water, this is the sea. You can finish your normal conversation in two or three sentences, but you go back and forth for more than ten sentences? He spoke in a hushed voice, and the person who answered didn't seem to understand. It's obvious that the plot is at least bad, so the author must be treating the readers as fools. For example, when asked about what happened, people ask, "What happened next?" The other person replies, "What then?", And the person replies, "What happened to you after that?" 😅

There must be something wrong with this rhythm. Even though he ascended the throne in middle age, it will definitely be okay to live another ten or twenty years. Based on this calculation, he will have to write at least 10,000 chapters and 4,000,000 words. . . Is this right?

It's too fragmented and too complicated, and it really doesn't make sense when you look at it from the back. One trivial matter is so eloquent that it can't be contained in dozens of chapters. It's all about trivial matters like this. Jin Yiwei's investigation of a case has hundreds of chapters. Even the group portrait article is too scattered and complicated. The author wants to spread the story as big as possible, as can be seen from the four million words, but the author does not connect these things together, and there is no overall policy at all. Multiple plots, multiple characters, and multiple locations are advanced at the same time. It is simply a mess. Not to mention the readers who are dizzy, the author himself has a headache. It's completely thankless. The very good subject and writing style turned out to be completely different. The author could have picked out the protagonist and a few ministers as the main subjects of the group portrait, and then added some small characters and plots as seasoning. Now it is completely putting the cart before the horse.