Necromancer’s Lab Notes

I should have written this long review the day before yesterday, but I still postponed it until today, because I think this book is worth a quiet late night, chewing and smacking the bones and tendons of the words, and then reviewing each word carefully. I don't think I'm qualified to comment on this text. I have always had great confidence in my writing skills - at least in the field of online writing. It was not until I read this book that I realized my insignificance and learned humility. The last time I felt this kind of shock was when I read "Submarine at Night" by Mr. Chen Chuncheng. It can be said that Chen Chuncheng shattered my self-confidence in the serious literary world, and the author shattered my self-confidence in the online literary world. Genius sensibility and profound description skills are not enough to describe the author's words. Among books of the same type, if the author of "Black Sails" is a genius, the author of this book is an all-rounder. He must have read a lot of Western literature in order to depict such a panoramic view in detail. The banquet on the ship, the drunken sailors, the rough ballads, the sound, light and color draw the readers into a context that is clearly warm but also gloomy, clearly peaceful but full of blood. The captain shows up and I thought he was the main character until the camera pans to Ocean. This kind of cover-up that comes after repeated calls is not disgusting, but rather like a naughty writer narrating. It is not a cunning word game, but a sophisticated and natural idea, which is in line with the best way to present this story. It is just like the appearance of Wang Xifeng in "A Dream of Red Mansions", which is enough to make the audience amazed. Actually, when I saw this, I felt a little bit lucky. In my opinion, if the author is steeped in serious literature, he is bound to be lacking in the field of online literature, until I saw the appearance of the skull. The detailed description of the action seems to be exactly what happened, and the writer's original imagination is galloping on the paper; and then it stops abruptly at the skull, whetting the appetite, laying the hook, and the perfect chapter. The author also knows how to write Internet articles very well. Perhaps writing is inherently connected, and the genius' sensibility enables the author to understand how to use words as a tool to tell a story. The conversation between Ocean and Dead Head in Chapter 2 also shows the author's profound skills in script writing. The subtext and blank space of a few sentences present a huge amount of information, and the huge suspense is buried here, and the characters' personalities emerge vividly on the page. This book has no shortcomings and is so perfect in every aspect. I even think that if the author can maintain this level of writing, we may eventually have a masterpiece like "A Song of Ice and Fire". I still don't think I'm qualified to comment on this book, so I'll make you laugh at the above words.

It's well written, but it's not what I thought it was. The Necromancer's strength is not the single combat power, but the war machine. On the contrary, I think the one who stole the Necronomicon is in line with my perception of a Necromancer. He is a rat who dies in the face of the light. He doesn't take root in the business and is an old Yinbi. He does everything by himself like a group of adventurers. You How much time do I have left to learn theoretical foundations, research, and experiment with spells... I wonder if this style of relying on one person to go around will change in the future... Many books are like this. Whether they are about assassins, thieves, priests, or mages, they all write the protagonist as a warrior or a tank. They like to be frontal. Otherwise, the power of the protagonist will not be reflected...

The writing is very good, and the early plot is a bit of a forced wit. You have no money, and you have to wait three days. Even if your captain's crew suffers heavy casualties, if you don't immediately ask your creditor/captain for the full payment, you will still have to ask for a little pocket money. Then the protagonist forces himself to make money by guarding the tomb, guarding the tomb to protect the high-level vampires, and then beats the vampires to expose the nature of the necromancer and is caught by the city guards, and then escapes from prison. After this combination of punches, the mage has a negative emotional intelligence score and extremely bad luck. Oh, and he also met a legendary siren on a boat at the beginning. . . Okay, this bad luck must have been cursed😱

The writing is very good. As long as the plot is not outrageous, this book cannot be bad. I have already predicted three directions for this book. The first type: the protagonist kills the city lord and his family, then this book can be regarded as a sacred book. The second type: the protagonist did not kill the city lord and his family for various reasons, and then the plot developed further and simply forgot about the female guard who had offended him. Then this book is only average, but because the writing is very good, it can be regarded as good food, but the abandonment rate will be more than 30%. The third type: the protagonist directly reconciles with the city lord's family and becomes friends, then this book can only be said to be rotten and smelly garbage, but because the author's writing is good, it is estimated that 20% of people will stay to watch the development of the plot. The fourth type: the protagonist uses various insidious, cunning, despicable, and very efficient means to massacre the whole city by promoting various small schemes and leading big plans. Then this book is a god among gods! ! !

The writing is good, and the fighting scenes are good, but the plot doesn't follow normal logic, so big points are deducted.

It's a fantasy, and it uses an indigenous protagonist. You're really brave.

I thought this ℃ point at the beginning was very unreasonable at first, because it did not fit the normal logic of a necromancer. Later, when I thought about bringing him into the running group, it felt very reasonable. When I was on the boat, I made a lucky throw and failed to cast the legendary siren. When I reported to the tomb guardian, I was also thinking, why do you have to give such a strange name, for fear that people will not know that you are a necromancer? Or is necromancy too popular on this continent? Later, I thought about it. When you joined the running group, you just reported your name directly. Of course, you didn't have to think about it. Why didn't you report it when you met a vampire? What if you enter the battle round directly when running a group? Including entering the plot directly after the battle, so I feel that from the perspective of running a group, this is not unreasonable. The problem is that you are writing a novel, you can't just copy it into it, right? I want to say that I can give a false name. When the vampire comes, I can ignore it or choose to cooperate. He sucks his blood and I dig my grave. Judging from the novel, I just go ahead and do it without any preparation. This kind of plot seems very witty and unreasonable. You yourself know that the necromancer is going to be sent to the stake. To be so blatantly provocative, he is not a legendary strong man.

Book Club: 934200601 You can add it directly in the introduction. Everyone is welcome to join the group.

How can I put it, it's okay, but the protagonist's way of reversing a desperate situation is really not lovable. The protagonist encounters events that are often beyond the protagonist's control. The protagonist also acts recklessly every time, making it very insecure.

After landing, he did a lot of things in order to make some money, and put his life in danger twice. The plot development is really baffling. It is recommended that the protagonist find a village to raise pigs to spend the rest of his life.