Necromancer Experiment Notes

I should have written this long review the day before yesterday, but I still postponed it until today, because I think this book is worth a quiet late night, chewing and smacking the bones and tendons of the words, and then reviewing each word carefully. I don't think I'm qualified to comment on this text. I have always had great confidence in my writing skills - at least in the field of online writing. It was not until I read this book that I realized my insignificance and learned humility. The last time I felt this kind of shock was when I read "Submarine at Night" by Mr. Chen Chuncheng. It can be said that Chen Chuncheng shattered my self-confidence in the serious literary world, and the author shattered my self-confidence in the online literary world. Genius sensibility and profound description skills are not enough to describe the author's words. Among books of the same type, if the author of "Black Sails" is a genius, the author of this book is an all-rounder. He must have read a lot of Western literature in order to depict such a panoramic view in detail. The banquet on the ship, the drunken sailors, the rough ballads, the sound, light and color draw the readers into a context that is clearly warm but also gloomy, clearly peaceful but full of blood. The captain shows up and I thought he was the main character until the camera pans to Ocean. This kind of cover-up that comes after repeated calls is not disgusting, but rather like a naughty writer narrating. It is not a cunning word game, but a sophisticated and natural idea, which is in line with the best way to present this story. It is just like the appearance of Wang Xifeng in "A Dream of Red Mansions", which is enough to make the audience amazed. Actually, when I saw this, I felt a little bit lucky. In my opinion, if the author is steeped in serious literature, he is bound to be lacking in the field of online literature, until I saw the appearance of the skull. The detailed description of the action seems to be exactly what happened, and the writer's original imagination is galloping on the paper; and then it stops abruptly at the skull, whetting the appetite, laying the hook, and the perfect chapter. The author also knows how to write Internet articles very well. Perhaps writing is inherently connected, and the genius' sensibility enables the author to understand how to use words as a tool to tell a story. The conversation between Ocean and Dead Head in Chapter 2 also shows the author's profound skills in script writing. The subtext and blank space of a few sentences present a huge amount of information, and the huge suspense is buried here, and the characters' personalities emerge vividly on the page. This book has no shortcomings and is so perfect in every aspect. I even think that if the author can maintain this level of writing, we may eventually have a masterpiece like "A Song of Ice and Fire". I still don't think I'm qualified to comment on this book, so I'll make you laugh at the above words.

It's well written, but it's not what I thought it was. The Necromancer's strength is not the single combat power, but the war machine. On the contrary, I think the one who stole the Necronomicon is in line with my perception of a Necromancer. He is a rat who dies in the face of the light. He doesn't take root in the business and is an old Yinbi. He does everything by himself like a group of adventurers. You How much time do I have left to learn theoretical foundations, research, and experiment with spells... I wonder if this style of relying on one person to go around will change in the future... Many books are like this. Whether they are about assassins, thieves, priests, or mages, they all write the protagonist as a warrior or a tank. They like to be frontal. Otherwise, the power of the protagonist will not be reflected...

The writing is very good, and the early plot is a bit of a forced wit. You have no money, and you have to wait three days. Even if your captain's crew suffers heavy casualties, if you don't immediately ask your creditor/captain for the full payment, you will still have to ask for a little pocket money. Then the protagonist forces himself to make money by guarding the tomb, guarding the tomb to protect the high-level vampires, and then beats the vampires to expose the nature of the necromancer and is caught by the city guards, and then escapes from prison. After this combination of punches, the mage has a negative emotional intelligence score and extremely bad luck. Oh, and he also met a legendary siren on a boat at the beginning. . . Okay, this bad luck must have been cursed😱

The writing is very good. As long as the plot is not outrageous, this book cannot be bad. I have already predicted three directions for this book. The first type: the protagonist kills the city lord and his family, then this book can be regarded as a sacred book. The second type: the protagonist did not kill the city lord and his family for various reasons, and then the plot developed further and simply forgot about the female guard who had offended him. Then this book is only average, but because the writing is very good, it can be regarded as good food, but the abandonment rate will be more than 30%. The third type: the protagonist directly reconciles with the city lord's family and becomes friends, then this book can only be said to be rotten and smelly garbage, but because the author's writing is good, it is estimated that 20% of people will stay to watch the development of the plot. The fourth type: the protagonist uses various insidious, cunning, despicable, and very efficient means to massacre the whole city by promoting various small schemes and leading big plans. Then this book is a god among gods! ! !

The writing is good, and the fighting scenes are good, but the plot doesn't follow normal logic, so big points are deducted.

It's a fantasy, and it uses an indigenous protagonist. You're really brave.

I thought this ℃ point at the beginning was very unreasonable at first, because it did not fit the normal logic of a necromancer. Later, when I thought about bringing him into the running group, it felt very reasonable. When I was on the boat, I made a lucky throw and failed to cast the legendary siren. When I reported to the tomb guardian, I was also thinking, why do you have to give such a strange name, for fear that people will not know that you are a necromancer? Or is necromancy too popular on this continent? Later, I thought about it. When you joined the running group, you just reported your name directly. Of course, you didn't have to think about it. Why didn't you report it when you met a vampire? What if you enter the battle round directly when running a group? Including entering the plot directly after the battle, so I feel that from the perspective of running a group, this is not unreasonable. The problem is that you are writing a novel, you can't just copy it into it, right? I want to say that I can give a false name. When the vampire comes, I can ignore it or choose to cooperate. He sucks his blood and I dig my grave. Judging from the novel, I just go ahead and do it without any preparation. This kind of plot seems very witty and unreasonable. You yourself know that the necromancer is going to be sent to the stake. To be so blatantly provocative, he is not a legendary strong man.

Book Club: 934200601 You can add it directly in the introduction. Everyone is welcome to join the group.

How can I put it, it's okay, but the protagonist's way of reversing a desperate situation is really not lovable. The protagonist encounters events that are often beyond the protagonist's control. The protagonist also acts recklessly every time, making it very insecure.

After landing, he did a lot of things in order to make some money, and put his life in danger twice. The plot development is really baffling. It is recommended that the protagonist find a village to raise pigs to spend the rest of his life.

It feels like the protagonist is more like a swordsman than a mage. He uses his sword to solve problems at close range.

Did you, the mage, offend the goddess of luck? Being beaten by a bunch of unlucky and inexplicable enemies every day?

Did you kill that Hilya?

If the protagonist is not a time traveler, I have already lost the motivation to read. I don't want to open the first chapter and read it. Even if there is only one sentence saying that the protagonist is a time traveler and the rest is just like a native, I will continue reading. Is there anyone like me?

The plots in these first few pictures were generated by AI, what kind of logic genius is this?🙂

Why are all mages so reckless now? You don't even measure your own strength when you find a vampire. Why don't you report it first? Let's see if there's a yellow bird behind?

To be honest, the writing is very good, with a lot of Dungeons and Dragons and Rogue Glory feel. It just feels like there are many coincidences where the protagonist team defeated the villain. I stayed up late to watch it, and it was really good to watch. But I kept thinking that the protagonist would rest more and develop a little, otherwise I would have kept watching. Also, the copy is a bit big, with more than 70 chapters still unfinished, but I already feel a little impatient.

The author's writing skills are good, there's nothing to say about that, but the plot direction is really uncomfortable. You can guess what's going to happen next after just reading one paragraph, and it's still a pretty old-fashioned routine. Also, from what I saw, the main character was basically suffering from injuries and taking medicine. I can't say how much blood is left in his body.

The protagonist is either on the way to a fight or in a fight. It keeps consuming potions, lives, and spells, and I still don't get any upgrades or loot after playing so many games. It needs to make readers feel gained and strengthened. (I have always recruited teammates) Character growth, spells, skills, expertise, and equipment acquisition are important components of role-playing games At least take the vampire ashes to the drow to make an invisibility potion, and use the money in the safe in the warehouse to exchange for things. Finally, add a character like a priest or a prophet to heal the protagonist's injuries and the knight's little finger

The beginning is attractive, but after getting off the ship, the plot becomes a bit speechless 😥

I can't stand this. All the bad things come one after another with almost no space. It feels like the protagonist is a tragedy. I don't understand why I'm so obsessed with necromancy.

First, the author cannot be a newcomer. The taste of Second Fantasy is so right. It once made me feel the same as when I saw the 300,000-word epic story before The Amber Sword. It was incredible. Third, the author must have a literary background. He has at least read a lot of relevant Western information. The descriptions of sailors, wine, dancers, and people are shockingly good. For a moment, I could imagine myself sitting in a tavern and seeing those people. I asked about the aroma of wheat wine. When I came back to my senses, I was still a spectator with a mobile phone. I highly recommend it. If it weren't for online articles to take several years or even more than ten years to polish the text, maybe we can also get a masterpiece like The Lord of the Rings? Unfortunately, the web article needs to be updated every day, so it can only be a vision.

With such poor results, someone else would have cut it off long ago. Why does the author persist?

😆The good thing is that the plot is rigorous and many combat ideas are immediately apparent. The disadvantages are also quite obvious. The protagonist is an omnipotent AI, proficient in hand-to-hand combat, necromancy, potion making, and weapon combat. He is also very young. This is unreasonable enough. It is like the AI ​​is reborn as a full-time master, so the plot has no tension at all. I can't substitute this kind of thing...

As soon as I entered the city, all kinds of bad things happened, which were inexplicable and had no sense of immersion or observation.

I still hope you can go on with it. It's not easy to find someone who can write illusions. Illusions are very difficult to write.

I feel that the author made the combat effectiveness of the mage too weak. Why are the seven-ring spell casters in DND so embarrassed?

I seem to be witnessing history, the birth of a masterpiece

It's quite interesting, but the protagonist's logic is a bit problematic

The writing is okay and quite to my liking. Looking forward to the next book