
What Could a Temple Keeper Possibly Be Up To?
庙祝能有什么坏心思?
- Status
- Completed
- Length
- 1.3M Words
- Genre
- Eastern Fantasy
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- Xuanhuan
- Updated
- 2y ago
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- Qidian
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Xuanhuan
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Reader comments 45
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Have you beaten Yang Chan? It's more normal for Yang Jian to send Roaring Sky Dog to escort than to ask you to escort him!
Shennong is coming
Write it first and blindly guess that the author is a female author. I have a characteristic that I like to emphasize everyone's background. I feel that everything can be done with a background, including the protagonist. The protagonist relies heavily on this concept to act and feels that power comes from the top down. In fact, the power status in Xianxia should be from the bottom up. It's because you have such and such strength that you become something like a god. It's not that you are a god or something, so you are as strong as you are. Edit it. I don't know why so many women's videos are on men's videos recently. I actually don't care. If you want to write it as a big guy like Cang Yue or Huang Cao, you really don't need to care about the author's gender. However, in the way of thinking of most authors, the difference between men and women's understanding of the relationship between strength and blood is too great. I'm sure the male protagonist at the end of this book must be the son of a certain boss. When writing novels, female fans especially like to emphasize the identity and background of the protagonist to determine their strength. For example, when the author writes about Yang Jian's power, he does not describe Yang Jian's combat prowess, but mentions that Yang Jian is the nephew of the Jade Emperor and a disciple of the Jade Qing Dynasty. Some people say that Honghuang is just a follower than the background? Let me correct you, the reason why Honghuang is better than the background heel is because the heel combat power of the awesome heel is often strong enough. In essence, it is still a comparison of combat power. The author needs to understand that if you don't have the strength, you will die, and any background relationship will be useless when the God of Death comes.
How can I put it, after reading hundreds of pictures, I feel that the author's talent of the protagonist is very impressive, but there is nothing to show at all, and it is a bit overly written about the relationship. Although it is okay to use the relationship, but this is a world of fantasy and immortality where personal power is greater than the sky. The core of everything must be to serve the growth of the protagonist, and only the protagonist's strength is qualified to be a chess player. Otherwise, it is impossible to be a chess piece for a lifetime, even if it is used by one's own elders. If your loved ones are used as knives, you can't really be proud of it and take it for granted. If the protagonist always sets this mentality, how can he become a great Luo or become a saint? It is better to say that he has been reborn for a lifetime, and he still has to focus on playing these worldly things like reality. Is it too much of a waste of the meaning of rebirth? Moreover, if the protagonist's goal is to protect his relatives, then he should realize his talents. Otherwise, what will happen if the protagonist is still a loser when the high-end game is really played? Can you be a mechanical god? You don't need the protagonist to be as invincible as the Emperor Huangtian next door, but you should at least walk your own path to becoming an immortal. If you always arrange for your connections to send things to increase the protagonist's cultivation level, then isn't this just a parallel import? Look at it. Among the three strongest Taiyi Golden Immortals in your book, that one did not live in the world of mortals. Yang Jian fled all the way to seek immortality, Nezha was reborn once, and Monkey traveled across the ocean to seek immortality. Comparing these three, your protagonist is very boastful about his talent, but Realm depends entirely on the accumulation of resources, and there is no way that everyone can compare with these three. My suggestion is that if the author writes a purely relationship story, don't focus on writing about strong talents and give the protagonist resources. If the protagonist is written about strong talents, then focus more on the protagonist's training. Is the protagonist a brave man because he pulled out the holy sword, or is he called the holy sword because the protagonist uses this sword? The relationship between the two seems to be the same, but the expressions are completely different.
Tsk, I was misled by the comment section
It was said to be a love story, but when I clicked on it, it turned out that it was all about other people's love affairs, and the protagonist was not in love (99 chapters so far, I don't know about the future, maybe we will talk about it, but I think the wonderful sound is pretty good now) The background is Honghuangliu, the timeline is after Journey to the West, and the protagonist is Yang Jian's disciple, his identity is probably similar to that of the Jade Emperor's grandson, and the biggest golden finger is also this identity The plot that I dislike the most overall is the Rouge. I don't know the meaning of writing this plot. It's a bit inexplicable. The other plots are okay
The comment area seems to be very divided. Let me try to see if it is a fairy grass or a poisonous weed.
The protagonist has always been a chess piece of the Great God. He has no autonomy and is like a puppet on strings.
In the story of the Three Holy Mothers, Liu Yanchang is an innocent scholar. In order to break up the two of them, they are going crazy to smear him so that he can be dealt with easily. This is really disgusting. It's no problem to break them up. Based on the original plot, it's no problem to break them up in any way, even if you kill them directly from the protagonist's point of view, it's no problem. But in this way, the author ends up giving the original character a blame that did not exist in the first place. Allow the protagonist to deal with it as an excuse and highlight the justice of the protagonist's behavior. This is disgusting! In fact, it's not about the protagonist at all, but the author's unwillingness to arrange a reasonable plot. After all, it is not difficult to arrange a plot to separate the two of them that fits the original plot and makes the logic smooth. But the author set it up a second time, and there is a black hand behind it. Therefore, on this basis, a plot that reasonably separates the two of them is very troublesome. In the same way, the simplest way to deal with it is to kill Liu directly. So, the author faced the hole he had dug and did not want to find a way to solve it, so he directly used this kind of blame to achieve his goal. I really admire the logical ability of some people. What I have been saying is how low-level the author's plot arrangement is, and the perspective is all from the author's perspective. I am really convinced that some people are talking about the "original work". Is there any logic behind it? Although there is no logic, these speeches are still very speechless. The summary is: in the original work, Liu married his wife after San Shengsheng left. From this behavior, it can be concluded that he is not a good person. Two questions: 1. Is this "original work" really the original work? 2. Is Liu's behavior really considered moral corruption? The first question: Those who say "original work" will not say so if I check it for a while. The earliest legend of this myth comes from dramas of the Song and Yuan Dynasties, but they have all been lost. This is the real original work! As for this so-called "original work", I checked and it should be the 2005 version of the Lotus Lantern TV series. Everyone talks about the original work. Do you call this the original work? Second question: Liu married his wife after San Shengsheng left. From this behavior, it can be concluded that he is not a good person? Let's look at it from today's perspective. A man's wife left after giving birth and was never heard from again, and then he married another wife. Even if you look at it from today's perspective, there is absolutely no reason to say that he is morally corrupt and a bad person. The historical background in the story is clearly ancient, and looking at it from an ancient perspective, I'm sorry, I really want to laugh. Time and space moral police, right?
Feeling pretty stupid
1. Discover the conspiracy against the Three Holy Mothers. You, a weakling, dare to stick your face in the grass. After a holding spell, when you wake up, the agarwood is full moon 2. Boasting that your own qualifications are peerless. Regardless of the qualifications, the only evidence is the ranking of the Immortality Monument forged by the author. Just brag. In the immortal cultivation environment of Erlang Shen's family, even dogs can become immortals, what are you so proud of 3. Brag about your strong background, you don't need it when encountering a conspiracy; you can finally show your strength by overcoming the tribulation, let's find Nezha to fight for him 4. Liu Yanchang should be killed immediately if he catches the evidence of being a demon. If he can succeed, he must have his advantages. Based on the cause and effect in the myth and the setting of the Yue Lao Red Line, this matter might really have to be his fault. Kill Liu Yanchang, don't let him resurrect, and this disaster may be over. 5. You don't even need evidence, pull Yang Jian over to ambush, then kill Liu Yanchang, forcing the opponent to take action
I can't stand watching the killing of Taketoku Hoshi-kun's son later on. It's such a double standard. What did the protagonist think when he wanted to kill his aunt's husband? He was just a mortal. He would be killed if he wanted to. And no one would punish him. At most, they would teach him a lesson for his bad conduct. Why did he get killed directly when he came to someone else's place?
Fan——Erlang Shen
"I once dreamed of going to the Jade Emperor's Palace, and I happened to be there for a real banquet in Penglai. A handsome young man in a yellow shirt and gauze hat, holding a bow and holding a arrow in front of the spring breeze. If he is not a guest of Yingzhou in Langyuan, he is a person who absorbs the glow of the dinner. . The divine king in the throne is so majestic that it is difficult to express it. The appearance is majestic. Standing next to him is holding an eagle and leading a dog. He wears a crown of a sleeping dragon. He wears a hydrating Taoist robe. The waist is tied with a yellow velvet silk ribbon. The feet are on the clouds and the color is bright. The dragon sword is slanted on the back. He has a decent appearance. The figure is one foot long, and the spirit of immortality is extraordinary. The food and portraits of the gods in the temple will be passed down through the ages..." There is a Taoist who plays the zither and ruan, and plays the strings and whistles. This Taoist wears a crown with a fan, a wet suit, a silk ribbon around his waist, and hemp shoes on his feet. While singing, his body shape changed. Sometimes he was wearing a military uniform and golden armor, like a general, majestic and resolute. The husband is handsome and graceful, his movements are elegant and quiet, his clothes are gold and white, his appearance is extremely beautiful, and his behavior is very majestic; sometimes his face is red with blood, and his hair is tied up with a gold crown. Finally, he transformed into an image of a true king with a gold-flowered bun on his head, an ocher embroidered robe, a blue field jade belt around his waist, flying phoenix black boots on his feet, a slingshot and a crescent moon on his waist, a three-pointed two-edged gun with dragon eyebrows and phoenix eyes, white teeth and bright lips, with a ethereal appearance, and gradually gained an astonishing appearance. "Jiang Qi, this kid..." Erlang Shen looked majestic, but he was actually very happy. My disciple never forgets his master when he is away from home, and he also knows how to write poems to praise him. Although this poem is mediocre and weak, with poor rhyme, loose sentence structure, and slow artistic conception, and is not decent at all, it is still his disciple's heart. Sure enough, is it the right choice for my sister to send him to school? I was still tired of it in the past. Jade cannot be made into a useful tool... Xiaoxiao Erlang Shen, who was leaning on his dragon and horse, was just thinking about it. He saw the sound of wind and mist, and unconsciously drifted down. There was a good mountain in front of him. Looking forward, there are ancient trees and pine trees on both sides. The path is deep and difficult to find. Yang Jian couldn't stop admiring the view. It was so quiet and quiet that he stood under the shade of the pine trees and watched the scenery. When I was excited, I walked away with a puff of smoke and blew my sword. I heard a strong wind and suddenly came straight from the distance. The six Meishan brothers, carrying eagles and dogs, carrying foxes and rabbits, and carrying roe deer, each with a bent bow at their waist and a sharp blade in their hand, came in full force through the wind and fog. But it was Erlang Shen who planned to search the mountain again. Everyone went to the front of the mountain to play around, and soon they killed countless wild birds and wild animals. There is a poem praising: The young man is all beautiful, Qingyuan Gong, and the commanding officer is Cong Lingfeng. The stars, flying and lightning switches were all ordered to collect and make the mountains and forests empty. The famous eagle grabs the dog and bites it, and the long sword glistens with frost and snow. The monkey old man can't stop his desire to die, and the fox lady sheds blood in vain. The river turned into the sea and stirred up six people, leaving no trace of water monsters. Qing Feng cuts off the mad fly with one blow, and Jin Jing entangles to capture the poisonous dragon. The magic weapon hunts monsters like beasts, explores caves and destroys nests, but there are no unruly bandits. Looking at the wind and grass, flying away and lurking, inducing tigers to leave the mountains, calling apes out of their caves, hawks and dogs all following at once, surrounding the mountains and rivers, only a small paddock was built, and the surroundings were gathered together, even if the birds were piled up on the hill, laughing and cooking dragons and phoenixes, meteor bombs, precious eagle bows, rain of blood and wind, the earth shook and the mountains shook. Until they returned from hunting, they had nothing to do. All the brothers sat on the ground in front of the stars and moonlight, raised glasses to reminisce about the past, and drank and feasted on the village mash and game meat. The world is cramped and sad, but the gods are happy for thousands of springs. It's because loneliness is longer and the night of fun is shorter. I don't realize that the east is white. {"TopicId":"950079536229122048","TopicName":"Santa Claus is missing"}