In Marvel, I Reveal My Power Across the Myriad Worlds

I want to see Hu Yifei battle the Chitauri army.

Author, whether you write about single-female lead, multiple-female lead, or no-female-lead stories, how many relationships have you had? What are your experiences with romance? Have you ever acted as a strategist for others? If you have limited romantic memories and viewing experience, I personally don't recommend writing about single-female lead or multiple-female lead stories, because you…

The author dislikes Japanese people, and so do I, but not all of them. Writing novels requires too much personal interpretation; otherwise, the reading experience will feel disjointed. You don't need to repeatedly emphasize who you dislike or what you hate; one or two mentions are enough.

The protagonist of Dragon Raja is a bit twisted; he's willing to endure violence and insults for the sake of the truth, even falling into traps set by others. So why would Lu Mingze tell the protagonist the truth? He could easily use the truth as bait to lure the protagonist into traps time and time again. Besides, is the truth even important to the protagonist? Is it important to the reader? It's not a detective story.

This kind of book might be slightly overheated on a Tomato (a popular Chinese writing platform), but it's probably not recommended for beginners. For practice, a Tomato is better.

The writing is mediocre, with many awkward parts. Personally, I think the biggest flaw so far is the protagonist's overly sleazy, loser-like character. After reading twenty chapters, judging by the author's writing style, don't write a female lead, harem, or romance; it might just become another melodramatic, simp-and-baby-supporting story. If you don't have the writing skills of a phoenix, don't just write anything.

I skipped all of Dragon Raja. I haven't seen it and have no interest. It doesn't seem as famous as Rainbow Cat and Blue Rabbit. Too niche. I heard it's very depressing or even a tragedy? That's scary. I'm even less interested now.

Those who try to imitate others by simultaneously traversing multiple worlds almost always fail miserably. How dare they try to imitate someone without possessing their savagery?

I'm a bit confused. After reading a few chapters, I noticed a lot of disdain for America. Why not write Chinese animation or fantasy worlds? You're accused of patriotism for writing American comics, but you're also accused of being unpatriotic for having a strong stance. So why not write Chinese animation? There are so many excellent works there.

Why is the protagonist written with such a madman-like quality? Isn't the protagonist supposed to be a plot device for fun and a research PhD student? Why keep writing about his unstable and negative states? What's the point of this? I came to see the myriad realms, not to see the protagonist go crazy.