The Magical Talents of Versatile Mage

After reading about thirty chapters, I won't talk about the emotional scenes for now. I'll just talk about the protagonist's combat prowess and the plausibility of the plot. To put it bluntly, the protagonist's skills are quite high at the beginning. He starts as the only son of boss parents (he can ride a monarch-level contracted beast when traveling), has various top talents, and has a lot of resources (the resources provided by the protagonist's parents can be compared to the heirs of a big family if taken alone) , compared with the core disciples), under the above-mentioned prerequisites, the protagonist's performance is really outstanding. Not to mention that his performance in various monster hunting operations is not outstanding, he even had a back-and-forth duel with the mid-level Ai Jiangtu who had just broken through in the space system. I'm convinced, is Ai Jiangtu's fighting ability very strong in the original work? In the original work of Ai Jiangtu, his strength is at best T1, he has no natural talent (at least it is not shown in the original work), his training speed is fast, but not top-notch, he has rich combat experience, and his spiritual power level is similar to that of Mo Fan of the sixth series at that time. Now Ai Jiangtu has just entered the intermediate level and only has two departments. He doesn't know what level of cultivation he has in the second department. Anyway, it won't be very high. In this way, his mental power has directly reached the peak of the third level. Ai Jiangtu is also cheating, right? Or is it just a few years since high school to college? And what about the protagonist? There are three mid-level systems, two primary-level systems, and two dimensional systems. The space system also comes with natural talents. With so many tricks added up, the mental power is only at the third level. Author, do you want to see where the problem is? Summary: There are a lot of things to say. It started out as a description of being tall and tall, but in actuality, it showed that the character is stretched out. I don't know whether I should say that the protagonist is biting off more than he can chew and is not good at everything, or that the author deliberately wanted to suppress the protagonist's growth. All in all, it's quite speechless.

There are many plots in it that are completely incomprehensible, and there are also many plots that the characters in the original novel have never encountered before. They are forced to enter just to give the protagonist a chance to save the beauty. It is quite sudden. In some plots, the reactions of the protagonist are so different from normal people that it feels awkward to read.

Sometimes you want to express that the protagonist is not the Virgin. But that's not how you express it, right? It's not like when you saw a group of ordinary people in the ancient capital being killed and couldn't help, you wrote a long paragraph saying that the world is just like the jungle, and the protagonist would be indifferent to the people around him. Why are you writing this? If you don't write that ordinary people are being killed everywhere, no one will know that the protagonist will just fly over there and see a bunch of them and ignore them. I don't know if it's true, but I don't think anyone would feel comfortable seeing ordinary people being killed and flying over without helping them. At least it wouldn't be tiring to kill the monsters you were massacring with a low-level magic as you passed by. It's normal to not care about life or death in the follow-up, but if you see any slaves, warriors, monsters, or monsters killing people, just kill them in seconds and it won't waste your time. There is also Flame Fairy and Lei Ji. Mo Fan casually said that I got Lei Ji when I went out. Then why on earth did the protagonist want to steal his Flame Fairy? Anyway, you have to compensate him for a new one, which also ruins the relationship between Mo Fan and Flame Fairy in the original work. You don't often write about Flame Fairy's feeling. It's just a little transparent. It doesn't feel as good as the protagonist getting a new original element, the Holy Spirit.

There is a poisonous point in the first chapter. The magic has not been awakened. Goldfinger dares to rush to grab the core of earth fire without knowing its use. He is really not afraid of death. Even if he changes it to Goldfinger's resonance treasure, he can take the initiative to get the treasure, or Goldfinger can sense it and take the initiative 😅

Author, you are too outrageous, and it is too unfair to the protagonist. In the chapter about the Demonic System, the protagonist said that the Demonic System has become a real magic system, and there will be no side effects when using it. But later on, it costs the same as Mo Fan, and the protagonist worked hard to get the quota. Mo Fan You can get them casually, but the latter ones are not like the protagonist's solo, so you have to take Mo Fan with you for everything. There is also the Flame Lady that the protagonist got with great effort. Mo Fan just got that Lei Ji casually. Isn't this just a chance for the protagonist to overpower Mo Fan? Just give him another one!

Write the plot quickly. Don't let the protagonist have the heart of a virgin from time to time. It's a bit disgusting to see it. Sometimes Mo Fan's aura is stronger than the protagonist, and it's a bit uncomfortable to see it. If he is the protagonist, write it well. If he is not the protagonist, just write something casual. Sometimes I feel a little bit that the protagonist is Mo Fan. Also, don't flirt with women when you see them. Like a TM stallion novel, don't write a chapter that hits a certain realm. Write less bullshit and more fights. Don't overexaggerate the realm of fighting.

It's a pity that in the end, Jiang Shaoxu didn't even win

Post a post and readers who have opinions can mention it here! !

First of all, I accept multiple female protagonists, but you should at least write the emotions of each of them normally, and even better if you can write them well. The emotional description is so rubbish, if you can't write about emotions, don't write it, just fight. Is it reasonable? The expressions I used to describe the girls after that were not reasonable at all, and the more I looked at them, the more disgusting they became. It really brought down the label of multiple female protagonists. If you can't write about emotions, don't write about multiple female protagonists.

What does this book say? The details are okay, but the writing on fighting is so-so. Damn it, when I look at this fighting, I feel like you stand and cast magic to defeat monsters, cast a skill, and write a name. You just cast magic directly, and what else do you have to do with the name? Isn't this just a bad word count? Go up and activate your ultimate move. If you can't hit it with your ultimate move, you'll run away. Damn it, test it, test it, test it with grandma. What bothers me the most is that every time I fight, I have to write the name of the magic. I also have to write down every little thing about the plot. There's also melee combat. I just want to ask if your weapon is put away after just one cut with the sword. Can't you do melee combat? All you need to do with your sword is to use it once. Your body is so strong, why don't you engage in close combat? Damn it, just cast magic on the run, cast magic on the run, can't you just enchant the magic on the sword and fight him in close combat? Watching that fight, it was so embarrassing that all I could do was use magic. You are so powerful physically, why don't you fight in close combat? You have to use your body to be strong. You don't fight in close combat, but you use it to pick up girls. These days, the plot is just about some shitty things without a climax, and the main character, damn, the main character's family is so awesome, I don't even feel that I have used the status of this family. It's like this main character started from the grassroots? You need to do everything by yourself. Damn it, you wrote about his family being so awesome, but it turns out that he has to get supplies by himself and get any quotas by himself. This is useless. This family is just a decoration, that's about it. I mainly want to complain about fighting. He is so awkward. He only puts an arrow away when he has a weapon. He is so strong physically that he just doesn't use it to fight him. If there is no such thing as close combat, you can just set a precedent. His physical body is so strong, but he doesn't use his physical body, he just runs around and uses magic. Write it once with a magic skill. Write it once with a magic skill. The number of words is water.