Tiangang Disha: Starting from the One-Man Fenghou Qimen

? ? Have you earned enough 5w?

If one person jumps directly into the sky, he will know that this book will not be long.

Sure enough, it was cut. It jumped from covering the sky to the fox demon, and then added a love scene inexplicably (it was necessary to add it, it was written like this). It is really far worse than the one with one person

The Thirty-six and Seventy-two Techniques of the Immortals of the Past? I hope you don't merge it with the Tiangang Disha changes in Journey to the West. These two things are not the same concept.

Regarding "eating people", my personal opinion is that there is no need to "eat people" specifically for promotion. But if you kill your mortal enemy, wouldn't it be a pity if you don't eat it? To put it bluntly, you are an opportunist. If you don't take the initiative to eat, you won't refuse it if you have the opportunity.

Whether or not to write a heroine depends on the author's level. If you can write it well, it's embellishment. If you can't write it well, it's a bloodbath.

If I get the Fenghou Qimen, I will directly take pictures and post them online. Tsk tsk, the world of one person will definitely be quiet for many years, and of course it may become a world of madmen. After all, not many people can reach Wang Ye's level. After all, if you want to see and learn, you will want to get it. If you don't have enough qualifications and a poor state of mind, you will be stuck in the inner scene and unable to get out. As for the time traveler, pursuing power, you will die at the first touch. The requirements of the Fenghou Qimen are probably to be achieved with the mentality of "lucky me, lose my life, not to be bothered".

You guessed it, I knew it. I stopped reading it after reading it, because the updates during that period were very unusual. I used to update it frequently, and only updated 26,000 words in one week. I always post individual chapters, asking what the next world is, and then posting things like asking for leave, so I know I won't be able to finish the book.

To be fair, this book is well written, both in terms of character creation and pacing. But to be honest, I am not optimistic about the follow-up of this book. To be honest, the one hundred and eight magical powers of Tiangang Earthshake are really too much. Ten years ago, one of these one hundred and eight magical techniques would have been the golden finger of a novel. But now they are all mixed into a book of astronomical texts. I am really worried that they will fail later. This can actually be seen from the author's selection of materials for subsequent worlds. If the hook is too big, the upper limit of the subsequent world must be high, otherwise it will either be a mindless and exciting article, or it will be boring. If it is a Chinese comic selection, the upper limit of the fox demon is actually good, but it is a pity that it cannot be written. As for others, such as Wushan, 957, Bad Guys, etc., They are actually more like martial arts themes. I feel that there is no high upper limit, and the length alone is not enough.                                                                                                                    The Sea of ​​Death, which has the widest audience, has been poorly written in the fandom area. Hunters can actually consider it, but this theme seems not very popular on this site. However, considering that the author started with Chinese comics, and said that Japanese comics will not be considered, subsequent writing about the world of Japanese comics will probably be a wave of readers' screening. Putting aside the two major categories of Japanese and Chinese comics, the online content must be high enough to create an exciting world. Basically, the only options left are novels, Marvel, and DC.                                                                                                                                                                                       2 In the end, only the novel area is left. Fighting Po is difficult to write because Golden Finger cannot dig deep. Swallowing Starry Sky is difficult to write because the system integration is not easy and the story line spans a long time span. The rest is Yangshen, the Red-haired Three Treasures and so on. In fact, there are quite a lot of worlds that Zhu Tianwen can write about, but it is a pity that the author has trapped himself with a golden finger. Just by the type of cheats, one hundred and eight magical powers can basically filter out a lot of worlds. Besides, in the early stage, due to the huge hangover, there are a bunch of worlds that cannot be selected later. At the same time, we have to dig deep for cheats and filter out a wave. It can only be said that it is difficult to find. If you are a new author without online writing or physical operations, it is estimated that the one million word level will be difficult to overcome. If you are an experienced author, you may still have a chance to struggle. I hope that the author can write better in the future and not be unfinished or eunuch.

Liujia Qimen Liujia, the art of hiding armor, can command ghosts and gods, pray for peace and drive away ghosts. The strange ones are the magic doors of fractions and the strange doors of magic. Note: "Including medical divination, horoscopes or various magic spells." In the Chinese calendar, there are six combinations of stems and branches starting with the word "Jia": Jiazi, Jiaxu, Jiashen, Jiawu, Jiachen, and Jiayin, so it is called Liujia. Dunjia refers to the Liujia Xun first escaping into the six rituals, namely "Wu, Ji, Geng, Xin, Ren, Gui", which is the so-called Dunjia technique. Tang Zhongliquan's poem "Gift to Lu Dongbin": "Three Corpse Gods must be defeated thoroughly, and the secret of advance and retreat will be revealed in Liujia." It can be seen that Liujia Qimen is also related to the Three Corpse Gods, and the Three Corpse Gods are related to the Youshen Yuqi among the 36 Tiangang Techniques The fifth paragraph of "Baopuzi, Nei Chapter, Volume 17, Dengshe": "When you enter a famous mountain, you should use a jiazi to mark the day, and use five-color silk ribbons of five inches each to hang on a big stone. You will get what you ask for. It is also said that when you enter the mountain, you should know the secret blessing of Liujia. The blessing said, "Those who are approaching the army to fight, all form an array. "Move forward." Every nine words should always be used as a secret blessing, and everything should be explored. The important road is not troublesome, and this is what it means. "The "Liujia" in "Baopu Zi Neipian" (authored by Ge Hong of the Jin Dynasty, written in 317 AD) refers to "Qimen Dunjia". "Secret Zhu" refers to the Qi Men Dun Jia Magic Gate, and the "Dun Jia Xing Jue" in Faqi Gate, which includes four vertical and five horizontal methods. The four vertical and five horizontal techniques are the development and application of Qi Men Dun Jia Jiu Zi Jue. In the Eastern Jin Dynasty (AD 317-420), the classic "Jade Box Record" records detailed incantations, painting techniques, graphics and usage. (The Four Vertical and Five Horizontal Technique is a Taoist hand technique, which was first seen in the inner chapter of the Taoist "Baopuzi". When casting the spell, first twist the Tiangang in the left hand, twist the sword formula in the right hand, point the sword in the right hand at the empty book four vertically and five horizontally, recite the Qimen Nine-Character Jue, chant one word orally, draw one stroke with the hand, and finally use the meaning in the middle Enter your wishes by thinking. This method can help you avoid bad luck and make your wishes come true. If you want to find a parking space, you can point your sword in the air and write the word "stop" in it. Nine times out of ten, you will be successful. In addition, there are other methods for treating insomnia, eliminating fish bones, and reading. The Nine-Character Secret of Qimen is also the nine-character mantra of Taoism, which means "those who are facing a battle, all move forward in formation.") It can be seen that the Nine Secrets in the Covering the Sky also have a certain relationship with the Liujia Qimen

I feel that you don't need to master all the thirty-six techniques. They are pieced together by collecting powerful mythical characters. A few that can match each other are enough. And I don't think I can learn it without a reasonable and big opportunity, especially if I can practice seventy-two when I am alone.

Bagua takes Xiangge Qian three links, Kun six breaks. The distance is empty, the barrier is full. Zhen raised the bowl and covered the bowl. The upper part of the exchange is missing, and the lower part of the sunda is broken. Symbols: Qian (☰), Kan (☵), Gen (☶), Zhen (☳), Xun (☴), Li (☲), Kun (☷), Dui (☱); Qian represents the sky, Kun represents the earth, Xun (xùn) represents the wind, Zhen represents thunder, Kan represents water, Li represents fire, Gen (gèn) represents the mountain, and Dui represents the lake. Bagua is divided into innate Bagua and acquired Bagua. Xiantian Bagua, also known as Lianshan Yi, originated in ancient times. Its dialectical thinking is the unity of contradictions and opposites. It is said that it came from Hetu. It is the universe that determines the north and south, and Kanli that determines the east and west. It is the sequence of heaven, south, and north. The sky is the stem above, the earth is the earth below, Li is the east on the left, and Kan is the west on the right. Therefore, the innate Bagua numbers are: Qian 1, Dui 2, Li 3, Zhen 4, Xun 5, Kan 6, Gen 7, and Kun 8. Its middle number is 0 to represent five or ten. 0 Symbolizes the vitality of the universe. The sum of its ordinal pairs is nine. In the evolution process of the innate Bagua, Tai Chi was first, followed by Liang Yi, then Four Symbols, and finally Bagua. They are the process of the formation of the universe. Acquired Bagua, according to legend, comes from Luoshu. It is Likan, which determines the north and south, and Zhendui, which determines the east and west. Therefore, the acquired Bagua numbers are: Kan 1, Kun 2, Zhen 3, Xun 4, Zhong 5, Qian 6, Dui 7, Gen 8, and Li 9. Its middle number is five, and the sum of the vertical and horizontal numbers of the opposite palaces is fifteen. The Houtian Bagua Diagram is also called the Wenwang Bagua Diagram, with the Zhen Gua as the starting point and located due east. In clockwise direction, they are Xun Gua, southeast; Li Gua, due south; Kun Gua, southwest; Dui Gua, due west; Qian Gua, northwest; Kan Gua, due north; Gen Gua, northeast. If it symbolizes solar terms, Zhen is the spring equinox, Xun is the beginning of summer, Li is the summer solstice, Kun is the beginning of autumn, Dui is the autumnal equinox, Qian is the beginning of winter, Kan is the winter solstice, and Gen is the beginning of spring. That is, the order is: Kan 1, Kun 2, Zhen 3, Xun 4 and 5 are the middle palace, Qian 6, Dui 7, Gen 8, and Li 9. "Shuo Gua Chuan" says: "Qian is the sky, so it is called father. Kun is the earth, so it is called mother. With one string, you can get a boy, so you are called the eldest boy. With Xun, you can get a girl, so you are called the eldest daughter. If you string again, you can get a boy, so you are called a middle man. If you are separated, you can get a girl, so you are called a middle girl. After three strings, you can get a boy, so you are called a young boy. With three strings, you can get a girl, so you are called a young girl." "Shuo Gua Chuan" says: "The emperor comes out of shock, aligns with Xun, meets and separates, serves Kun, speaks words, fights, works hard, and makes words." Shaozi said: "Qian unites the three men in the northeast, and Kun unites the three females in the southwest. Qian, Kan, Gen, and Zhen are yang, and Xun, Li, Kun, and Dui are yin."

Is this Fenghou Qimen? It actually reversed time, it's really scary😏

I have an idea that the "Xialan Technique" also corresponds to Bagua. You can play with it.

I hope there will be no female protagonist, and the relationship between the infinite flow female protagonist is really difficult to write. This is really good so far, I hope it won't collapse because of the addition of a female protagonist and a love story.

Ideas about the Tiangang Earth Evil Technique 1. "Swallowing the Knife" can be combined with the protagonist's "Taking" and "Liuku Immortal Thief". In my imagination, "swallowing a knife" either means opening a hole in the body, or making the body powerful. It can also be both. 2. The two techniques of "praying for rain" and "praying for clear weather" (should be used together and are mutually reciprocal), in my imagination are to control the weather (such as wind, rain, thunder and lightning). After all, it is reflected in Che Chiguo's request for rain. The God of Thunder, the God of Thunder, the God of Wind, the God of Rain, all were summoned. 3. Since "flame spitting" is produced and spit out by oneself, can one use it to create the true fire of Samadhi?

After all, the Eight Magic Skills are just skills, right?

In front of Liujia Qimen, I saw how Fenghou Qimen pretended to be better.

Great article! (Written by my own feelings) There is a poem that says: The strange gates show the world and bring about people's fortune, but knowing what they want to do can lead to ruin. Because of the basic knowledge, you can do things. Watch to predict things and lead to good things. I feel trapped and forget myself and get out of the situation. It's time to start over again.

Is this too bad? Short, small and less

The writing style is very good, and the pig's feet are also very good at doing things. It is really the art of speaking 🤓

The revision is good, there is a lot less psychological activity, and the article is much crisper. The previous article had too much psychological activity, and I just went through the content of at least five chapters in my mind, which was too bloated. There is still a difference between what we see and what the author thinks. Sometimes what the article lets us see and what you want to express are two different things. Of course, as a six-year-old bookworm, I can only give some superficial opinions. The author's writing style first pursues smoothness, then literary talent, and finally personal style. If you are interested, you can think about the structure of the article and the images expressed. Articles, comics, and movies still have similar storyboards. Of course, first do a good job in daily updates and live a good life, and then look at the rest if you are interested. Come on, the idea is good, but it also needs writing support. You can ask the readers, but you have to have your own ideas in your mind. After all, it is you who write the wonderful words. We can only feedback the boring, poisonous, and uncomfortable feelings. The readers may not be able to express the reasons clearly. Come on

It's rare for someone to write about Tiangang Disha. Not bad, come on😊

Yes, it looks good, the logic is clear, the ability setting is consistent with the original work, the plot is fascinating, the writing style is mature, and there is no sense of violation. However, I think that the most exciting test for the author now is whether the fight scene that may begin is exciting.

It's quite good, but it's too short and I finished it in just one moment.

I love fox demons, vote 😁

Just open a Zhetian fanfic!

Very good. I read it in one go. It's a rare fandom under one person.

Add to bookshelf and start subscribing. I just want more, but I can't get enough!

Can it be refined?