God of the Forge

I think it's pretty good, but there are too few updates and it's too painful to catch up. Then I would like to remind others that this book is very dull in the early stage, but the author's writing style is pretty good (although a bit wordy) but he can depict people in a more three-dimensional way (although sometimes the depiction is a little bit uncomfortable for me, but it's acceptable). The main character has not been shown in more than sixty chapters. There are many manifestations. It is still in the preparation period and the development is a bit group-like, so when you come in to follow, you need to judge whether you can accept the dullness in the early stage and the inaction of the protagonist in a certain situation (by the way, the protagonist is an upgrade stream. Although it is not starting from scratch, it is almost the same as starting from scratch, but there is no crazy high-speed upgrade in the early stage of other novels)

Just like the "passing" books, there are a lot of words😅

The beginning should be written like this. There is no magic or fighting spirit in this world, only treasure masters who bring their forging to its peak.

Ah, here, nine meters tall, it can still be as majestic and majestic as a mountain. May I ask what kind of mountain stretches your hips so much?

As long as a friend has big interests, he can stab him in the back.

The previous book was very well written, but I stopped reading it as soon as I updated it.

This book feels average. You can read it when you are short of books. If you have a choice, it will be difficult to read. The first few pictures are mainly discouraging. The author may want to write a group portrait article, so he spent a lot of pen and ink on various supporting characters. But the final result was not very good in my opinion. Although a lot of writing was spent on several supporting characters, there was no plot that was refreshing or deeply rooted in my heart. So the first few chapters will feel very watery after reading them. I only persisted until the protagonist went to garrison outside the city, and then I couldn't persist anymore. I haven't watched the subsequent plots, so I only recommend that you skip the first few scenes when watching.

This introduction is so rubbish, I have no desire to read it.

There are big problems with the worldview set by the author. The usefulness of weapons is greatly exaggerated. Anyone who gets a magic weapon will immediately become very powerful. This setting limits the book. The more I write to the later stage. The more serious the conflict. Think about it. Since the weapon is so powerful. Then the strength of the corresponding weapon refiner depends on what weapons he has practiced. In this case. Every weapon refiner is important to the dynasty. It is both an object of attraction and an object of defense. Hao is no exaggeration. The higher the level of the weapon refiner. The dynasty's control over him will become stronger. Build a weapons workshop to allow the weapon refiners to focus on refining weapons. Centralized control is in line with the world background. It is even impossible for the civilians to have weapon refiners in the wild. Materials related to weapon refining will also become national strategic materials and be controlled. It is impossible for you to develop secretly. So this is the most contradictory part of this book. The worldview is determined. The higher the level, the more controlled you will be. It is impossible for the dynasty to allow high-end weapons to wander outside. Pursue freedom. It would be impossible to obtain the resources for refining weapons, because they would be controlled by the resources and strangled from the source. Gou just doesn't have the resources to upgrade. If you want to upgrade, you have to be controlled. The higher the level, the stricter the management control. Moreover, the refined weapons will be taken away as soon as possible. No matter how high you rise, you can't stay. This is an endless loop. . . It's not something you can do just because you want to. The above reasons are where I think there is a big problem with the author's worldview setting. Under this world view. No matter whether the protagonist is stubborn or not. None of it is reasonable.

Is the author writing about the God of the Forge that I know?

No, sir? It's already 3202 years ago and there's still a plot like this where the protagonist picks up something from a Super 8 vendor who thinks he's taking advantage?

I talked a lot but didn't seem to say anything.

The sun is the golden furnace, and the soul is the only fuel - the Lord of the furnace

Ornn likes to be alone. Ornn doesn't need friends. The greatest happiness is sitting beside the forge until he can't stand up straight.

Why do you keep writing about trivial things? Write in such detail on insignificant things. And the characters who appear all give people a sense of stupidity.

When I first saw it, I thought it was the Hundred-Signature of the Furnace... Sorry, I was beaten unconscious by the Knight of the Furnace recently!

System. Need not. Use friends. Leave home and career behind. I also want to accompany you

Have you read what you wrote?

Nine meters is only as high as a three-story building.

It's wrong. If you have to impose royal restrictions, you might as well change the background and write an academy style. I can't watch it at all.

It has nothing to do with your resume. It's just a daily guide.

I love Ornn's settings, but I pay too much attention to the introduction of blacksmiths and treasure trainers. Your world is not dominated by treasure trainers. What about other professions? What about the training system? Overall, it looks like it's missing a lot of things.