The God of Anomalies

(Posted on behalf of the author) Character design by Yu Zhiyu, illustration commissioned

Illustrations by Yu Zhiyu

I quite like the writing style, but the writing is so bad that I can't stand it anymore. The first evil god appeared with a super high B-level, reversed the cause and effect, and was beaten to death by the protagonist, a cute new guy. This does not show the strength of the protagonist, it can only make people feel baffled. It was also mixed with some inexplicable self-pleasure, which was really annoying to me. Once you have this impression, you can no longer see the rest of it. The protagonist's inexplicable emotions and the admiration of others are all so embarrassing that they fly away. If I didn't like the writing style, I really wouldn't have persisted for dozens of chapters, but I can't stand it now.

Written in front: It has a million words and 14 million clicks, so you can follow it with peace of mind. Safe and non-toxic, no system, no forced pretense, no forced intelligence, a stable 4,000 words per day, 11:50, 19:30, just read it.

There is a book that is very well written and should be popular. Is there any similar book? Without these books, ants would be crawling all over the body. This one is somewhat similar to Monster Hunting High School.

It feels like the other book I read before, One Day Wen Dao, Corpse Analysis and Other Immortals, has similar problems. The writing and setting are very good, but it does not pay attention to the development of the story and plot. He spent a lot of energy describing the setting. This book put a lot of writing effort into inexplicable places. Take the Hoan Kiem chapter as an example. The main plot is to compete in the game to advance to Special C. As a result, a lot of writing energy was wasted on describing the supporting characters and background panels. I wrote 120 chapters in one game in two months. As a result, my patience was completely exhausted. It is like going to the park to enjoy flowers. I personally hope to see beautiful flowers instead of praising the gardener for how smooth the lawn is.

Two men and one woman, I won't make any emotional drama with just one sentence, right? The style is like that of the Dragon Clan, don't imitate his emotional drama.

Radio text. Reality does not require logic, but the logic of novels must be explained clearly. This evil god had such a high B-level, why was he inexplicably beaten to death by the protagonist? The whole article is full of adjective descriptions. It's very tiring to read and it's hard to think of anything.

It's obviously a Japanese-style dark and passionate fighting style, but it always insists on boasting that the protagonist has a high IQ. You might as well write that he has strong intuition. Whose protagonist with a high IQ is written in such a way that he is led around by the nose every day, right? He gets powdered fractures after fighting, right?

(Die Jia) (He is a student with no social experience, a child who is ignorant and watching and playing) (Die Jia) After following it for a few days, I feel that the second volume is average and the viewing experience is not so comfortable. The first is the sense of inconsistency in the character: there is a sense of disconnection between Wei Zeshu's image of a cool guy and his two-dimensional hobbies and daily style. It may be due to expressiveness and some processing (I don't know what it is), and the image feels not vivid and natural enough; Li Shengruo's description is not enough in terms of the expectations he gave the readers when he appeared (I assume I can represent the readers' thoughts, don't hit me yet), the characters The image and character are not complete enough to leave a clear impression, and the same goes for Yu Zhiyu; Gongsun Minu, who has just appeared in the past few days, feels quite abrupt to me when he appears. A new character is suddenly added, and her plot is suddenly unfolded. In terms of reading perception, the previous plot development line is broken and directly transferred to the experience of a daily galgame on campus (Sorry, I haven't actually played it. Galgame, I intuitively used this metaphor), which is very strange and a bit too deliberate; for the multiple supporting characters (assuming that this book has primary and secondary supporting characters based on plot participation) (assuming that what I guess here are all secondary supporting characters) (at least at this stage, it seems that the degree of participation is not large), the description feels a bit overwhelming, and the supporting character that I thought could be one of the main perspectives has not been clearly described. , A bunch of other supporting characters with their own distinctive descriptions pop up to occupy the plot. Although it is required by the plot, the perspective experience is messy, and it also takes up unnecessary and unnecessary space in the impression of the main supporting characters (I am joking). The result of their portrayal is not ideal enough. Before the plot is fully developed, I am already a little confused (about which character has what kind of personality). The second is that the two-dimensional content of the game is not handled well enough (I am not belittling the two-dimensional element, I also have a bit of a two-dimensional element): many places have a visual sense of other works. I made a wild guess, and the reference of the dragon family is very obvious. The plot of training to become stronger has the shadow of some shonen comics. The recent chapters seem to have learned from Brother Shu. In short, the two-dimensional flavor is very strong, coupled with the memes that pop up from time to time and the two-dimensional style of writing, it cannot be classified other than light novels. One problem I personally think is that the existence of these two-dimensional components is too strong to overwhelm the beauty of the plot and story itself. When I was watching, I saw that when I entered the school, my mind was filled with "Dragon Clan?", When I saw Zhen Jun, my mind was filled with "Classic Immortal in Beauty", when I saw Mo Daosang, my mind was filled with "Shore?", And when I saw Gongsun Minato, my mind was filled with "Economy?" "Dian Qiang's combat power is naturally dull", and there are also many characters that are too strong in the second dimension and feel boring after watching too much. The visual sense of setting overwhelms the description and plot itself; the blending of jokes and painting styles from various works is always a bit uncomfortable, failing to be unified under one plot and theme, and there is a strange sense of stitching that cannot be explained. The third is the sense of fragmentation and discomfort in the plot: I can't explain the sense of fragmentation in the plot. The discomfort is due to the sudden changes in the style of painting. The emotional experience of the perspective always makes it hard for me to keep up. The connection between the dark painting style in the first volume and the colorful (abstract synaesthesia, maybe subjectively wrong) in the following volume is not comfortable enough... (Actually, I can't explain clearly.) Judging from the plot alone It seems that the main plot is quite scattered. The focus of the subsequent plots are not on the main plot (blind guessing). Now I am just getting stronger through various plots. These plots cannot be connected well with one thread (it may also be a connection problem) (children are not sensible and are joking). Even in terms of enjoyment, it is a bit uncomfortable not to play the main plot for so long. The fourth problem is the writing style. The emotional expressiveness is not enough. The unit drama (assuming it is a unit drama structure) is not full and attractive enough. The two-dimensional flavor is too strong and affects the perception (it really does not belittle the two-dimensional dimension). The setting development method is subtle. I don't know how to explain it in detail. It's just a feeling. I hope the author will write better and better.