Mystery Revival: Starting with the Haunted Bus

Since I'm writing a Goldfinger and Mysterious Resurrection fanfic, I think the supernatural strength must be controlled well and not be weakened for no reason. The three ghosts in the original work are considered strong (in the early and middle stages), and the three-story buses are actually the top batch in the early stage. , So don't mindlessly pop up a bunch of ghosts and characters who are better than the protagonist, otherwise there will be a surge in combat power, the protagonist will crazily add abilities and the result will be bad, eunuchs, too many fanfics will die because the protagonist's abilities are too strong and it will be impossible to continue writing.

From the beginning, when the ghost was brought to the city, I couldn't stand it. I wanted to get a sense of immersion when reading the novel, but the protagonist's moral bottom line is so low. How can I be immersed in it?

For the remaining frames of mobile phone tattoos, what skills do you recommend? Let's collect some information. What abilities do you think are worth replicating???

Yeah, the contract was signed successfully

Why don't you want to interfere with Yang Jian's development for fear of affecting the subsequent plot? I wonder. What kind of plot is needed when the protagonist is so powerful? I am convinced. I have to pull out Yang Jian. The protagonist has such a big golden finger and continues to grow and develop. When the strength reaches a certain level, he can just crush it when faced with problems. What kind of plot is needed? The protagonist who fucking hates dog-licking wet nurses is the main character. I am here to see the protagonist shine. I am not here to re-watch the mysterious recovery plot...

It's so well written and beautiful! Definitely not at gunpoint.

Can you please stop forcing the plot? The fight with the scarecrow earlier was almost too much. When we got to the city, we saw the ghost and got out of the car and said he was treating the wound and didn't want to cause trouble. Then we watched Ye Zhen fight with the ghost and then fight Ye Zhen again? Just do whatever you want to do 😅

I strongly disagree with the author's point of view that the trick needs to be developed, otherwise it will not be able to exert its full power. Juicy's competition only depends on strength, whether it works or not, it doesn't work. The development of tricks should be based on using tricks or methods, and practicing proficiency, rather than the more tricks you develop and the more proficient you are, the more powerful it will be.

The protagonist is a troublemaker. The more powerful he is, the more disgusting he becomes. There is no comparable operation.

This is not a group portrait article. Why do you always cut the perspective? This affects the perception and the fluency of the writing. Did I read this book to see how Ye Zhen and other people or ghosts behave? You need to develop the plot from the perspective of the male protagonist! Do you think any ghost in the original text of Mysterious Resurrection would spend so much time laying the groundwork? Not only do you make secret remarks and then use the protagonist's sight to reveal the mystery, but you also like to spend a lot of ink writing about other people. Sometimes you even write one or two chapters in a row about other people and the protagonist is completely invisible. Especially Ye Zhen writes the most. Am I here to see Ye Zhen? Didn't I come to see the new protagonist and new story? If you like writing about Ye Zhen so much, why not write about him in the next book? Can you reduce the number of words in this book?