Meeting in a Place with a Gentle Breeze

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Recommended by my boss! This old man is not very reliable! This book is still a seedling! It's better to be more reliable and at least recommend a fatter one and put it on the bookshelf first! I would like to ask the author two questions 1. Do you have an outline? Will 2 be completed? The old man next door uses his love to generate electricity. I don't know how long he will run naked?

If you write it well, you have to have some bullshit American identity. Originally, you can just write sweet pet stories! What a disgusting person to have to write about

The issue of returning to the country has been handled very unreasonably. If you think our country is just for food, the higher-ups will definitely take action with so much wealth and intangible things.

I finished reading it, it took 150 minutes, and I saw that you asked Lao Tuo about the plot expansion. Let me share my opinion (I will not discuss the stallion story here, only the single female protagonist). The development of the storyline relies on "contradictions" to advance, otherwise it will become a running account with a low number of words. So how to create this "contradiction"? The first is the issue of the background of the male and female protagonists, which must form a certain complementary relationship. The heroine Xu Hongdou grew up in a happy family. Her parents have a good relationship and are very open-minded. She is also a warm-hearted and kind girl, not pretentious, and has an independent personality. Once she identifies with a person, she will be very proactive. She had a crush on the hero in college and fell in love once after graduation (the ex-boyfriend's personality was set to be similar to the hero). The disadvantage is that while working hard on your career, you often forget your family and friends. Then the background of the male protagonist will be modified based on the current situation. The male protagonist grew up under the guidance of his grandfather. He has a gentle personality, treats people sincerely, and has good academic performance. The female protagonist is a college senior. However, his parents' failed marriage left a shadow on him when he was young. He longed for a happy family in his heart (his grandfather was a retired university professor, and his parents had strong personalities and often quarreled, but as a founder and partner of a company, he did not choose to divorce for the sake of profit). After graduating from college, he went to study and work abroad. When his grandfather was dying, he resolutely resigned and returned to China to accompany the old man on his final journey. Afterwards, he fell into self-blame and regret. Self-exclusion (grandfather treats him so well, but he rarely comes back to accompany the elderly because of work, which is also the key to the male and female protagonists coming together. They have also ignored the people around them, and they will cherish each other more after having similar experiences. Even if there are frictions in the future, they will tolerate each other. This is not a sweet story. The foundation is there and the logic makes sense). Xie Zhiyao, a friend he met when he was in college (not a classmate and has always been in contact), found out about the situation and invited him for a romantic trip. Disadvantages: I don't know how to express my thoughts and feelings romantically when facing friends of the opposite sex whom I have a crush on. The second emotional progression process: acquaintance - knowing each other - falling in love The "contradiction" point is about to be inserted here! The "contradictory" point in the acquaintance stage: the female protagonist still remembers the male protagonist, but the male protagonist has a vague memory The "contradictory" point in the acquaintance stage: the heroine, who has been in society for many years, has already shed her immaturity in school. Her beautiful appearance coupled with her daily gentleness, kindness and understanding, etc., Deeply attracted the male protagonist and the second male lead, and both the male lead and the second male lead fell in love with her. Conflicts in the love stage: Pay attention to the family background and character. The plot can be set as follows: the father of the hero arranges a blind date for the hero for business cooperation, and forces the hero to give up the heroine in disguise. The mother does not support the hero, sets obstacles for the hero and heroine, causes misunderstandings between the two, and other small emotional twists and turns. All brief separations are footnotes for a beautiful reunion soon. The setting of the ex-boyfriend (temporarily called the third male) is to add a "lock" to the relationship between the male and female protagonists, making their love seem more natural. After all, according to the setting of "The Wind", Ayao is more suitable for Hongdou. When the male protagonist mentioned breaking up, the female protagonist was very calm (this was the case in the original drama). This expanded to the process of getting along with the male protagonist and the female protagonist. You can feel that there is someone hidden in the female protagonist's heart. In addition, she is busy with work and rarely sees each other on a daily basis, so they naturally break up. At the end of the story, you can arrange a scene like this: the male protagonist and the third male meet unexpectedly somewhere. The third male looks at the male protagonist who has a temperament and conversation similar to his own, and then looks at the happy appearance of the female protagonist. He understands that he is a substitute. The person in front of him is what the female protagonist has been unable to let go of. He sends blessings to the two of them. This is just the emotional line. In order to expand the plot of the story again, the career line should be expanded in the mid-term. Emotions and career are intertwined with each other. Plot design: early emotional foreshadowing and character establishment → career crisis → resolution → emotional progression → emotional crisis → resolution → successful results. The career line requires time and energy to collect materials. For example, if you are writing about finance, you have to find some cases to analyze, and then arrange them into the plot reasonably. Additional small suggestions: It is best not to give the male protagonist an overly perfect personality and a high-end background in single-female protagonist stories unless you want to write mindless and cool stories (of course female videos can be set like this, because the audience is different). This is because the starting point is too high and it is not conducive to your writing about his growth, unless you slap him from the clouds to the mud. I fell asleep while writing this last night! It's raining outside now, so I just finished writing this rough outline.

I just like to see the wind coming from Zhang Wentao's side, and it's so cruel to death there.

Which platform is the new book on and what is its name?

What's the point of writing this book? Is there any infringement involved?

Hey! Good morning! I just came back from running, and when I got up in the morning, I saw the replies from you and Lao Tuo. I feel that you two are very humble to the point of being humble. As the old saying goes, there is no need to underestimate yourself. There are many books for primary school students to write, so some people still subscribe to them! Lao Tuo's writing is not bad, and it will certainly not be bad if you are recommended by him (the number of words in this book is currently too small to make it enjoyable to read, so I haven't read it yet). As for not many people watching it now, it's because of the subject matter. In fact, after "The Wind" premiered, some people started writing fanfics. There were quite a few people watching it, but the popularity has long since passed. Writing skills are the result of more reading, more observation, and more writing practice. Come on! Take your time! Finally, I would like to introduce two books to you and Lao Tuo: "The Hero with a Thousand Faces" (this is the book Liu (Liu Cixin) mentioned in an interview) and "Story Writing Master Class". "The Hero with a Thousand Faces" uses mythological stories to analyze the protagonist from the perspective of philosophy and psychology (a brief description is departure-enlightenment-return). This is in line with the growth process of all story characters and is of great reference for you to shape the characters in your novels. "Master Class" mainly analyzes the structure of the script. It is very helpful in writing and refining the outline and setting up the chapter outline. This is a reference book. If you focus on story creation in the future, I highly recommend reading it.

It looks good for the time being, but since we are fans, we shouldn't write that Xie Zhiyao also fell in love at first sight. It always makes people feel a little disgusted. If you like it, you might as well watch the original film, right? Come on, put it on the bookshelf first, and then continue to read after 20 pictures, otherwise it will be too few and boring.