As the Protagonist's Brother in American Comics, I Don't Want to Be a Good Guy

The result of 2,000 orders is not good. The author doesn't really think of himself as a great person🤣🤣🤣🤣

I came here immediately to laugh at the author hahahaha

I haven't read the author's book, but there is always an unacceptable poisonous point in this kind of hidden identity: the female protagonist does not know the hidden identity of the male protagonist, but she falls in love with the male protagonist at the same time and even engages in ambiguous behavior with the male protagonist's disguised identity. In this situation, when both parties know each other's identities at the beginning, it can be said to be love, but if they don't know, it is pure cuckold cheating.

Anyway, I've already ordered Superman's Girlfriend, so let's not talk about the previous book. At present, I would like to give some suggestions: Since the plot has two heroines, it must be good The author of the emotional drama has nothing to say The problem with the plot currently is Batman's. At least a big guy like Falcone is not very well written, just like a gangster. Then I felt like I always had to overpower Batman, and I thought it would be good to write about that awkward and arrogant old man. To save face and suffer hardship. How wonderful it would be for the two brothers to solve big events together Batman's handling is very strange for almost all fans to criticize Batman, and then discuss the issue of not killing, using the atmosphere of Gotham as a reason, which is very stereotypical. (Just like writing about Flash is like writing about Golden Retriever, few people write about the role of The Flash) Batman has been a popular hero for decades and a benchmark character in American comics. This domestic stereotype has long been solved or changed in comics. Let's talk about the Batman controversies I've seen so far: 1. Even dogs are protected. It is recommended to go to station b to watch the Tower of Babel Project (a video attached to the destruction of the Justice League). Batman is not a very old pervert or a very old man who is designing a backup plan. He suppressed his feelings, and finally analyzed himself very objectively and came up with a plan. And it's all about control, not killing. The Dark Knight is a human being with feelings, not an old man. 2. The problem of not killing. This problem has been downplayed in the comics for a long time, but it is still noisy every day in China. They argue that Batman's failure to kill villains leads to a vicious cycle in Gotham, and their theory is untenable. Batman is so popular that one new villain is not enough. Over the years, the recurring and recurring villains of Batman and Gotham have become a major feature. If we really want to discuss it, it would make sense to find a series of stories by an author to understand and argue about. Those who say that all the villains should be killed should read the comics and see which villain is not dead or alive. 3. The protagonist always has to overpower Batman. I can accept this, but I can't accept the pretense. An author who wants to kill someone in front of Batman and then pretends not to kill doesn't solve the problem. Is it possible that the author is not good at writing? There are many Batman comics that solve problems well without killing. So what is the point of the protagonist pretending to be cool? I have always felt that even the death of a fan character must be meaningful and connected to the plot. Whether a Marvel DC fan villain dies or not depends on the length of your writing, the involvement of major events and other factors. Many authors write about it and turn it into villains who kill two villains and become more famous (without killing). So what is the difference between this and DC Marvel villains who are immortal or dead and alive again? 4. When writing Gotham, the protagonist always needs to master some gangs, and then educate Batman that this world cannot be separated from gangs, and we are indispensable. Stop it, your shit is just shit even if it is rimmed with gold. Where does the sense of superiority come from? The author may say that there is no solution in the current world, but it does not mean that there will be no solution in the future. If these virtual worlds really exist, such remarks are sorry for the heroes in this world who struggle every day. People can be realistic but not bad 5. It is said that Batman is a psychopath and can't get out of the knot. I don't know when the unified conclusion about Batman has been that he and the Joker fall in love and kill each other every day. This is just a part of the publications (most of these publications still involve the Joker). Many Batman stories are about the flesh-and-blood Dark Knight. I can't kill him every day. If he kills me, he will be the Joker. This is just my rough opinion. I write it to provide the author with some ideas. Write some good stories.

Gwen

My heart is higher than the sky, my life is thinner than paper hh

The subject matter of Korean comics is explosive, I really recommend not to touch it, and I am still waiting for Diana, so you just cut it, I am speechless, and you will lose the favor of readers.

Let's just say, can't you write about girls properly? You are happy when you write, and we are happy when we read, and our grades are not bad. What kind of psychological and emotional collision is going on? You can't write well, and we don't like it either. There are so many girls in the plot, which can foreshadow the story, and it's fun to read it with the girls. I hope that the other book you open won't involve business wars, emotional sublimation, power struggles, etc., At least it won't have too big a proportion.

I'd like to give you a suggestion. This is an old eunuch, a professional bad eunuch. Well, that's all.

You don't have the ability to write about literary youth, and you always have the problem of being a literary youth. How come every author can't understand his level compared to the other one? You can even write The Godfather as a third-rate gangster. To put it bluntly, you don't have the writing power to write deep characters, so you can just write peach stories. And in the DC and Marvel double-cross, you are the most hip-cut writer I have ever seen...