The Mirror Path of Myriad Heavens

I think the author has fallen into a misunderstanding. When readers read online articles, readers are actually more inclined to have a sense of participation, that is, to put themselves into the protagonist and participate in the fantasy world of the book. Setting up a worldview with strict logic and complex system is actually more for the author's control (secretly adding realms, or the previous description of the plot is reasonable according to the needs of the plot, such as launching a cross-realm system, etc.) And it is logical to make people not feel that reading a book is a drama. For example, the description of the destruction of the universe, the result is a converted power of hundreds of millions of tons. This is a particularly obvious logical error, as long as you see it, it will definitely be a drama. But the author's early setting is for the grandeur of the worldview. In none of the novels such as Zhetian, Perfect, and The Lord of the World, the world view is developed without the protagonist, because directly developing the world view without the protagonist is a test of writing skills, because the protagonist is the source of the sense of substitution for most readers. The more separated from the protagonist, the worse the sense of substitution. Then secondly, the worldview system follows the protagonist so that there will be no excessive difficulty setting errors. (Because some authors overexaggerate to describe the grand scene, but the normal system cannot achieve it.) If the world view follows the level of the protagonist, there will be no such uncontrollable situation. But what you wrote, author, seems to forcefully set the difficulty level. The protagonist is in a system where the body is light and dark at the lowest level and where gods are the most visible. The protagonist encounters the dark green sun and hits his face. This is equivalent to the big BOSS, no matter how weakened it is, it has planet-level combat power and is beyond the earth. So, how do you arrange the next plot so that it does not seem inconsistent?         ， (This will make most people lose their patience) So I personally feel that the plot setting of this big BOSS is very problematic. Personal opinion: 1. The big BOSS should allow enough growth time for the protagonist, so that it is necessary to describe the main world in more than 50 chapters in the early stage. Because this way you can see the growth of people in the main world, and it also gives the author space to write group portraits.                                   Expanding the world view should allow readers to see it from the perspective of the protagonist, not from the author's perspective of God. The group portraits are only from the perspective of different people rather than from the perspective of God. (This is the term foreshadowing) 3. If the spiritual energy of the main world is revived and upgraded through plug-ins, there are two modes. One is: The protagonist is invincible in the main world and leads the trend of spiritual energy recovery. The copy is weaker, but he will eventually be invincible (this is the invincible flow + semi-invincible upgrade flow). This kind of map needs to be changed frequently. Then there is the second type: One of the main world and the dungeon world is invincible, the main world is not invincible, the sub-world is invincible, and each realm is polished to the extreme. But the second way of writing conflicts with the huge crisis in your previous article, but it limits your ability as the author, so that you can only write in an invincible flow in the main world, and the sub-world should also be as invincible as possible.                                                                                                                                                                                                                                                                 being described in more than 50 chapters of the main world in the early stage seem very redundant.

The introduction looks like the projection of the heavens and the Great Daoji

It doesn't seem to be too bad at the moment, but I felt a little alienated when I saw the first world. It's obvious that the author of Empress of the Flesh Realm substituted the historical background of the Meng Yuan Dynasty. Just put it in. Create an empress and touch Temujin. Replacing the emperor of the Meng Yuan Dynasty with the empress is very alienating.

Are you trying to follow the path of Pei Butu Dog? Although the book of Zhutianliu is unfinished, the copy of King Quanjian is the best copy of that year. I hope the author will stick to it.

It's really a bit poisonous. The protagonist's sister is a poisonous person. Write about a mentally ill sister who can't understand it. For this protagonist, do you want the dog on the Blue Star to be given the status of a god? A piece of rubbish brings all kinds of opportunities.

That's fucking outrageous. You're an asteroid and you're nothing in the universe. The gods you're referring to are specifically targeting you. It was originally written step by step that the extraordinary recovery would happen. The earth would reach a certain level and become a major force occupying countless star fields. Then it would attract the attention of the gods. It would be reasonable for humans on earth to fight against the gods. You are directly equivalent to finding an enemy for an ant that is comparable to the Milky Way. A rubbish book

Just because people from other worlds are strong-willed, they accept them as disciples. Haha, I want to say that there are many determined people in prison.

Introduction to the Great Chronicles of That Silly Dog

After reading Chapter 7, it's all water, and it keeps emphasizing the extraordinary. But skipping to chapter 22, it's still water. How do you think it's good to watch?

Looking at the introduction, the style is a bit like a combination of Daoji and the projection of the heavens!