Lord of the Mysteries: The Benevolent Witch

The actual content of this book is to change marriage. If you don't like it, turn right. Don't quarrel. Don't make the book friend circle as chaotic as Suhuan. Those who change marriage should also restrain themselves and talk rationally. Don't lower their IQ and become like a troll.

Compared with the Lord of Mystery fandom and the marriage-changing circle, the results of this book are very good. I think it is due to the author's good original writing skills and plot arrangement skills, as well as the readers' love for Xiaoke. In general, this book is a very common type among fans that follows the main line of the original work, but it excels in small details, which is a rare ability among fans. Many fan authors do not have the ability to break away from the main line of creation when writing. This book is a second creation without deviating from the original work, giving readers the feeling of re-exploring the mysterious world. Sometimes it makes me feel like "it turns out that this place can still unfold like this", and there is a feeling of small surprise. The author should be praised for his research and development of the original work. Of course, I think this is also related to the enthusiasm of fans of the original work. In terms of plot arrangement, it does not follow the route of a crushing cool novel. It is a good source of food for me who is a little tired of reading cool novels. From the perspective of remarrying, this book meets the most basic needs of the remarrying audience. There is nothing to say about eating sweets. The change of the heroine is subtle. The author does not explicitly write about the change of the heroine's concept, and there is no ideological entanglement. It gives me the feeling that I am living like this in this body, taking advantage of the situation and becoming a partner with Xiao Ke (although the author has given a foreshadowing of the loss of control, but if there is no emotional smoothness, the impression will become pulpy), without the obscurity of industrial saccharin, this candy is very comfortable. To be honest, many of the sweets that are married now are very white and stiff, and I am a bit old and can't handle it. Finally, there is the reader's love for Xiao Ke. Xiao Ke in the original work has a regrettable ending, or the ending is not regrettable. Unfortunately, Xiao Ke is emotionally lonely. With a mysterious world view that favors despair, it is difficult for Xiao Ke to find emotional resonance at the level of a soul mate. Under the premise that the character of Xiao Ke has been established, readers would also like to see that the regrets of a good person like Xiao Ke can be made up for. Above, I wish the book will get better and better, and then finish it well. Can the author provide an incentive mechanism? Readers hope that you can increase the intensity of updating.

So beautiful

Chapter 34 of the main storyline, Angelica accidentally enters the Death Empire of Trier - The Death Empire of Trier.

I suddenly had an inspiration, let me tell you. From the words of Red Angel in the original text, we know that the best witch is actually played by a female and has the lowest rate of losing control, but Chike can't afford to do this. Then here, based on the name of the Witch Sequence, let's speculate on some of its other possible roles and what to do if you really want to be a good person. First of all, we need to make one thing clear, that is, the witch corresponds to the Sephiroth as the City of Disaster. Just by looking at the name, you can tell that this Sephiroth is not a good thing. Considering the correspondence between the concept of mystery itself and the existence of the will of the original Creator, it is destined that it is difficult for a good person to achieve the past in this way. But things are often not so absolute, just like the rules for digesting potions. It is not about mastering, but about digestion, not about excavation, but about acting. To put it simply, in the end, you are just a person who represents the rules of the City of Disaster, not the City of Disaster. There are many ways to do this. Next, we can talk about the truth based on the performance of each sequence. Sequence 9: Assassin, Sequence 8: Instigator, Sequence 7: Witch Needless to say these three low sequences, the first two can assassinate or instigate the bad guys to complete the performance, there is no need to actually do bad things, and the witch, please note that the witch is not happy at this time and only needs to simply play the witch. Sequence 6: Joy (full name: Happy Witch, a barrier that many Witch Sequence fans find difficult to overcome) Sequence 5: Pain, Sequence 4: Despair. These three mid-level sequences are the beginning of the good guys' difficulties. Although I said before that happiness does not have to be in any way, and you can also be a good fun-loving person, but considering the nature of the City of Disaster, and the fact that each step of the Sequencer's promotion is to maintain his own humanity while complying with the rules, I have reason to suspect that this happiness is indeed not a good thing, and I even suspect that its real name is actually corruption. Which aspect of happiness is most likely a shortcut taken by Qi Ke in order to digest it quickly. After all, this aspect was a fast track to corruption in ancient times. For example, King Zhou in the list of gods. From the words of the ministers in the early stages of the list of gods, it can be seen that King Zhou actually did a pretty good job. Not to mention the official history. He might have been an enlightened emperor who opposed slavery and liberated the labor force. (After all, slaves in the Yin Shang Dynasty do not seem to be considered human beings, and they eat without moving) As for why Joy must have been taken by Chike by taking a shortcut, another point is that this aspect really seems to be designed by the two masters of Fish Ball Cassava and the Fallen Mother Goddess, while the Witch corresponds to the natural disaster of destruction and the source of disaster. As for his joy, I prefer the kind of joy that comes from pulling people into the water, rather than a simple aspect. The relationship between the two can only be said to go hand in hand, so digestion occurs. If this is the case, it is not impossible to solve, because for a good person to become a bad person is a kind of degeneration, but what about the other way around? This is something interesting. There are no good or bad people in the face of disaster, there are only victims. Next, let's talk about pain and despair. This can actually be done in the same way. Then, have you discovered a problem here, that is, degradation, pain, and despair are all brought to others. In this way, it feels like a small account moving a natural disaster. Actually, I feel that there is another way of digestion that I brought to myself, but it feels like it is too easy to lose control, and human nature is completely ruined. I even feel that if it were not so easy to lose control, Chike might just toss people who follow this sequence. Finally, let's talk about high sequence. Sequence 3: Immortality, Sequence 2: Natural Disaster, Sequence 1: Doomsday. Sequence 3 seems like it doesn't require anything to do and is easier to act. It feels like you just need to let people know that you are not old. However, I feel that the underlying logic here is that there are never-ending natural and man-made disasters, so just letting people know that you are not old may not be digested fast enough, and it must be eaten together with the previous steps. Then there are natural disasters. As the name suggests, natural disasters seem to require you to spread natural disasters in order to complete digestion. But is this possible in fact? Do you know about Absol? It is called a moving disaster in the Pokémon world. In fact, Absol just noticed the disaster and went to warn it. Although some brothers may think that this may not be possible, you can actually think so. Performance, since it is a performance, it means there must be an audience. Once people misunderstand that you are such an existence, what is the difference between you and disaster? Besides, no matter what disaster it is, there will always be certain signs before it occurs. That's why nature has the wonders of animals escaping. Of course, there are also some sudden disasters, but are these sudden disasters really unpreventable? So I feel that this act of acting should be within the scope of digestion. As for what to do after the warning, my idea is that you can go to disaster relief to help, or you can not distinguish it. The difference is just the speed of digestion. Of course, if you spread the word yourself and sign up, it will definitely be faster. The last doomsday, this is actually my idea that disaster can be done in this way, because there is only one doomsday in the mysterious world, and the method of digesting the doomsday cannot be to bring about the doomsday. It is most likely to be something related to the doomsday. Of course, it is also possible to let people on a continent feel the doomsday, but I feel that it is not enough, and when Chic becomes a god, many big guys will most likely not let him do this. I feel that it is more of a digestion method similar to disaster, but I am not sure. The only thing that is certain is that Chike finally became the Sequence 0 original witch from Doomsday. The above are some of my thoughts. I feel that only such a primitive witch can better digest the City of Disaster and resist the negative effects it brings, instead of being turned into an irrational past controlled by disaster. After all, if you really have to do this, especially if you do it by a good person, it is the ultimate torture. You have to control yourself all the way and don't dare to relax. If you can resist this, your mind will not be ordinary. But I feel that only such people can better restrain disasters. After all, disaster is not unreasonable.

The author is too slow! ! I'm coming! ! The writing is a bit off "It's a performance issue... Can you help me?" Klein didn't know what he should feel when he heard Angel say this to him. Just like before, one of the two felt ashamed and the other abruptly changed the subject. Everyone knew what the "joy" that Angel needed to play represented. So does this "joy" have other meanings? In fact, are there other ways to play the role? This idea in my mind seemed completely untenable when it came to the blushing Angel above. "The help you said... Is that what I thought?" Klein grabbed his stiff hand and tried to control his expression with the clown's ability. "Yes." Angel nodded affirmatively and took a deep breath, "I must work hard to improve myself before Ms. Despair returns to Backlund to implement her plan." "I have seriously considered it. If I must use traditional methods to play the role of 'Happiness'..." Angel leaned forward She held his hand in front of her and looked into the brown eyes that reminded her of the deceased all the time, "Sherlock, I can't think of anyone except you." Klain was stunned. He didn't expect Angel to say this. There was determination and sadness in the other person's eyes, and he understood the meaning. Angel was looking at Sherlock and thinking about Klein. Klein's mood began to become complicated. He didn't know whether to be happy that Angel liked him, or to be depressed. Now that Angel was expressing his love to "others" in a vague way, he still wanted to develop something substantial. Although these two people are themselves... "Sorry..." Seeing Sherlock dumbfounded and not speaking, Angel suddenly thought that the reserved Loen people might not be able to stand her frankness, even though she spoke implicitly enough. "Although this is just a need for acting, you may prefer to be with the person you like... If you don't want to..." Angel had no chance to say anything else. The fire in the fireplace crackled, the flames jumped as much as possible, the bright red light reflected the entanglement of the two, and the mellow smell of coffee filled the air. Just like flame lighting can also burn oneself, too hot joy contains pain, burning Angel's heart. A strange but innate ability in the potion, Angel fumbled step by step, making Klein below blush, and his increasingly confused consciousness was still wondering if he had made a mistake. Then he thought of the diary of Emperor Russell that he saw above the gray mist - January 16th, the taste of the witch is really good. ... I don't know why he even remembers the date so clearly! However, Klein didn't even have a chance to lose his mind, and he realized the truth that the emperor said. I am green myself! In short, I did it, and Xiao An even called out Klein's name in confusion later (灬ꈍ εꈍ灬) I can't vote for a fan without a character card (crying)

This book is the most beautiful piece of writing I have ever read. Because there are actually many problems in the previous bianwen. First of all, I have watched all of them, but I like to watch The Marriage more. Many Bianbai novels often just write the male protagonist as a female, euphemistically called Bianbai, but in fact it is still a harem or a single female protagonist. Many changes are simply because the author can't express emotions or is afraid of offending someone, so he simply doesn't write. The final novel erased the gender of the protagonist, and there was no problem at all. The problem of changing marriage novels is even more problematic. Most authors of changing marriage novels actually characterize the protagonist as an accessory to the male protagonist. He has no independent thinking at all. He thinks about it every day for free. To put it bluntly, he is the protagonist of the novel. This kind of novel is the mainstream of marriage-changing novels and deserves to be criticized. In this novel, although I often say that the cat and the insect are not here, I will keep him for two days. In fact, I read it all after two days of reading it, because Xiao An showed the feeling of a protagonist in the novel. She has her own story, her own thoughts, her own growth trajectory, and her relationship with Cat and Cat is also very delicate. Even if he doesn't get together with Cat and Bug in the end, or even becomes Bai Bai, I don't have any objection, as long as the author's plot comes to fruition. Finally, I sincerely hope that the author can finish this book. To be honest, I didn't read the whole novel, but I found the fun of mystery in this novel, so I spent time to go back and complete the original text.

Although Su Huan is now in a state where everyone is shouting for beatings, and even Klein has been followed and hacked into Tang San's table, but for those with a slightly normal mind or those who have really read the controversial chapters, they will not really take it seriously, and there will be no problem with the CP between the heroine and Klein. But the fatal problem of Suhuan is real. The positive character creation is basically not mentioned. In terms of plot, a lot of ink is wasted on the unlikable Randong trio. Many of the highly anticipated lines in Mystery are simply scrapped, such as the Justice-Hermes line, and the Hanged Man's line. The Western Continent branch plots, such as the Moon and Father Utraski/Stars and Pales' encirclement and suppression of the Rose School, Hugh's mission in MI9, and Azik's traveling life could have been written very excitingly, but in the end they were all overtaken by the plot of the Randong Trio, which directly offended all old fans. Including many exciting and big scenes that could be written about, but they were just mentioned in the outline description, such as the final battle between the Angel Legion. No matter how bad the previous writing was, if the last volume is written carefully, many more people will be able to talk about it now. But for a high-quality fanfic like this book, it is completely possible to make up for all the regrettable issues of Suhuan, ban the Randong trio, and write and shape the branch lines that were cut off by the squid and the forgotten old man. This can greatly satisfy the spiritual needs of the readers of the mysterious fanfic and improve the performance of the book. Sacrificing some rigor on this basis is not a big problem. After all, fandom requirements are not high in this regard. The original Squid directly ruined its reputation for the sake of rationality in its mind. The most important thing is that the story and characters are wonderfully written. I hope the author of this book can have a happy ending and not let people down like a squid.

To be honest, the appearance of the Suhuan setting has patched up some of the inexplicable plots before this article. It is reasonable to suspect that Jon Bao is a squid trumpet😏 The first thing that bears the brunt is why Adam and the goddess are so "nice" to Angel. Putting aside the fact that Mother Night is a reliable person who gives you whatever you ask for, Adam, an old man, is not a selfless person. But he has been by Angel's side since she was born. Angel would almost lose control every time she was promoted. If it weren't for him, Angel would have died long ago. Including Angel, he wanted to build a ghost ship, and then Annie came. Therefore, several book friends, including me, jokingly called Adam Angel's father. Originally, I thought they were just investing in Angel and escorting him all the way (Xiao Ke: I don't get this kind of treatment). Although it was a bit tight, it still made sense. But now it seems that this is not just protection but monitoring, monitoring whether God as God will take the lead on Angel as back-up man. The female incarnation of the original God is undoubtedly more likely to be criticized by God, and Angel has the back-up in this regard, and of course it must be carefully guarded. Secondly, the goddess of light was only mentioned at the beginning. Because I couldn't find the corresponding god after searching around, I thought it was a background board, but it turned out to be a nuclear bomb. The goddess of light, the female incarnation of God. In fact, it is not unexpected. In the mysterious world, the gods who are believed in and can manifest spirits may only be a certain pillar/aspect of the past. Third, why Adam and the Night Goddess were by Angel's side before she woke up, there is only one answer - Angel's arrival and even her female identity were all arranged by them. At the beginning, I had a guess. There was another life between Angel Granger and Angel Gray, but it was unclear why that life died, nor why Adam and the Goddess would support a person who had failed once, so this idea was abandoned. Now I have an extremely bold idea, that is, in the so-called second life, Angel was briefly numbered by the original God. If this is the case, it can also explain why Angel's man in the mirror is Sequence One and knows so much when the old days reappear. And among all of Angel's memories, when her earliest memories and even the knowledge of the outer god's essence are already clear, it can only be that her memory of being overthrown by God cannot be eliminated at all. The condition for God's awakening is the union of the red priest and the witch, which is the blending and union of yin and yang. As God's back-up man, should Angel's threshold be set very low? And when the Witch ascends to Rank 7, can that momentary change be regarded as an alternative blend of yin and yang? Because of the existence of God's consciousness, Angel had to die to escape, and then she became Angel Granger by using the secret to cause chaos for God. Finally, why was Arrods so respectful when he saw Angel for the first time? At the beginning, when the characteristics of the original essence had not yet appeared, we all thought that he saw that Xiao Ke liked Angel, so he was deliberately trying to please Xiao Ke. But when the City of Disaster came out, we all agreed that he was trying to please the future natural disaster, the Lord of the City of Disaster. But looking back now, as a creature of God, would the Mirror of Arrodes really try to please Angel because of this? We seem to have always overlooked a question, and that is what sefirot God has eaten. There has always been speculation that God has accommodated the City of Disaster, but I have never been sure. Now the boots have finally fallen. Therefore, in the eyes of Arrods, the Lord of the disaster city is equivalent to God, and is the mistress he wants to serve, that is, the female master.

It took me a week to read this novel~ Let me briefly talk about my reading experience in terms of character creation; First of all, "The Good Witch" is indeed This is a rare masterpiece of mystery fandom and remarriage with sophisticated writing. The portrayal of the heroine Angel Granger in the early and middle stages is very good, the character arc is very clear, and the plot arrangement is natural and smooth; In the early stage, Xiao An is not like other remarrying heroines. The same emphasis is placed on facialized gender contradictions, but more on expressing Xiao An's own character and charm; in the early stage, Xiao An had the sincerity, kindness, and innocence of a girl, but also had the courage, straightforwardness, and initiative brought about by her original identity. , Strong, the blending of these two conflicting qualities constitutes the unique charm of the transformation protagonist. Jon Bao handles this point very cleanly and vividly, rather than the facial makeup of "the painted girl insists on being a boy" or "the painted boy insists on talking about the girl" that is often seen in other transformation novels. In the opening chapter of Tingen, Jon Bao learned the mysterious life-style description, and the details of the characters and scenes were particularly vivid and immersive; at the same time, Xiao An was given just the right amount of power and initiative to let him (cross out) on Xiao Ke. It can fully intervene in various events in the main line, provide enough satisfaction, and also make the image of Xiao An more in-depth, satisfying the readers' fantasy of a beautiful and innocent witch; In the most important happy chapter, the plot follows the relationship between Xiao An and Xiao Ke. Backlund's reunion unfolds, focusing on Xiao An's recognition and relief of his own identity and desires; in this chapter, Jon Bao specially arranged a bunch of various free toys for Xiao An to promote the development of the emotional line, and recreated the sky in Chapters 148 and 158. The classic plot of "Xiao An" breaks through his own moral guilt, and the process from resisting to exposing to enjoying is indeed very beautiful from an emotional and xp point of view, very astringent and joyful; But what needs to be criticized is that this article also buried a lot of regrets and hidden dangers at the beginning. The relationship between Xiao An and Xiao Ke develops too fast and is not natural enough. Xiao Ke has enough reasons to love Xiao An, but Xiao An's love for Xiao Ke lacks sufficient preparation and preparation. From Xiao An's perspective, in the first part of Tingen and Backlund, Xiao An's feelings towards Xiao Ke are more similar to pure teammate friendship. There is not enough tension in the plot to anchor the uniqueness and uniqueness of Xiao Ke towards Xiao An (it relies more on the reader's preference for the original Klein). When reading, it still feels like in Chapter 158, Xiao An was taken advantage of by Xiao Ke (even having a first night without a first kiss), and the subsequent combination of the two tends to be a "happy" performance and the development of love due to desire. This arrangement is in line with the theme of witches and the xp of some readers, but it is obviously not pure love. It also changes the character traits of Xiao An and Xiao Ke, which profoundly affects the direction of the whole story; before the joy, the two people cautiously test each other and develop their feelings deeply during the halo period. The obscure and gradually in-depth exploration of each other could have been an important and exciting point; but after the joy , the relationship between the two solidified very quickly, and after breaking away from the hazy aura of attraction, daily warm interactions became difficult (I feel that Jon Bao is not very good at writing this aspect; if you are struggling, I hope you can slow down the progress of the relationship in the next book and expose it later to avoid it); In the middle and late chapters of pain and despair, these problems become more prominent. From the reader's impression, it is difficult for Xiao An to be labeled innocent again after having fun, but it seems that there is some path dependence on the story of Xiao An. He knows how to write about the shyness and hazy beauty of a girl, but is not very good at describing the transformation and sexual tension from knowing nothing to having experienced many battles, which leads to a certain degree of fragmentation in Xiao An's character; ( Bao will be path dependent when writing astringent, mention To the happy past and giving props for nothing, but there is really no emotional line that is more varied and tense); From the perspective of plot development, Xiao An in the period of pain and despair is too plain in the eyes of readers, without twists and turns, resulting in the character arc and depth of the relationship between Xiao An and Xiao Ke not being further explored and Development; Xiao An's doubts and recognition of his own identity are an important dessert that promotes the relationship between the two, but the relationship develops too quickly and the solution is too direct and simple. A fight on the bed solves everything, turning it into a fast-acting industrial saccharine instead of an exquisite little cake; The pain and despair of the acting arrangement also lacks enough sense. In tension and mystery, the role of the witch at this stage is full of sin. According to the plot arrangement, it would be very appropriate to arrange Xiao An's doubts about her identity as a witch, self-identity, and the entanglement and guilt of intimate relationships in this part. Using her own pain as an opportunity to be promoted will make Xiao An's character arc much more impressive. At the same time, there is no conflict between the pleasure of the novel and the abuse of Xiao An. At this stage, Xiao An can be very strong, but his heart can be very twisted and painful. Finally, with the help of Xiao Ke, he transforms. It is very exciting to think about it./ Although there are regrets, this book is still a good book worth reading; I hope that Jon Bao can write better and better!