The Armored Knight of the Wasteland Fortress

The protagonist Bing Qing Jade White Lotus Blooms🍵 highlights a puzzle, enter carefully. If the indigenous protagonist had a young character, his character would be okay, but what is this? Time travel, right? An engineer in his past life would have an adult mind, right? Being insulted for three years would temper his character, right?                                              What is your identity, your mother, and your sister's identity and connections? Even if you want to give up military weapons to a scrap recycler once, you still want to make a sale from him, right? You haven't told your family yet, someone else picked you up, saved your life, and then took care of you regardless of yourself. You are such a supercilious wolf, and you won't be implicated in any real problems, right; The first few hours when the subjective initiative of mind and emotion are the strongest are for you to compete with others, right? You don't want to. If you don't want to, the other set for military use and the civilian use for the training camp given to you by the other side will just dirty your hands. See you. If it is not used to absorb experience, analyze the environment, or make suggestions, let's not mention it for now. He even emphasized his feelings and respect for her. When it is not necessary at the moment, risking your life to meet her sister and risking your own life in order to fulfill her wish is what you take seriously now, right? Can your character stand up?

It's a bit of a surprise, it's pretty good-looking, but the protagonist is too weak and... Emmm... Kind. I want to watch the main character of nb. Although I don't have to have ancestors, the main character is so kind now. It kind of hurts me. If I ask myself, I may not be able to maintain such a moral standard in the main character's situation.

It's really a headache for a group of readers who don't like water book reviews

I will also post here single sword method selection diagram, artist: Tianyafang B station has a big eye account (big eye seems to have been suspended), if you want to support, you can pay attention, and I have already asked for authorization from me. From top to bottom they are: The right knee-knife stance, the left knee-knife stance, the upward-facing sword stance, the left-raised sword stance, the right raised-knife stance

Don't read the first ten chapters in detail, speed up and skip, if more people read it in the future, I guess there will be a lot of fake Shennong to persuade you to quit.

I know you like this

Isn't the difference between before and after entering the Abandoned Research Institute a bit too big? It feels like a different book.

🌿, I accidentally posted it as an official chapter I would also like to post a copy of my closing remarks here. I can't change the application for completion I won't say anything about completion. Because it's really not an ending. It can only be said to be an open ending, although the subsequent parts have already been designed and outlined. But the problem is also serious. Basically, I won't say that my grades are poor, so I can't write anymore, because in my opinion, poor grades are because I have problems with my writing, not because readers don't subscribe, follow up, or vote for rewards. Therefore, in this closing speech, I will write a summary of the lessons learned, which can be used to explain to those friends who are curious about why the book ends. I won't talk about self-praise and self-flagellation. In the last part of the content, I basically explained everything about the world view as much as possible. The final climax battle that was originally planned could not be completed due to progress and foreshadowing issues, so I am sorry for the readers who felt that the experience was not good. But based on the lessons learned this time, I also seriously felt where the problem was. To put it simply, just like the "path dependency" mentioned in the last chapter, the biggest problem with hacking this book is "no path dependency". Yes, this is a problem I haven't noticed before. Similar situations have occurred in previous books, but usually after writing the first tens of thousands or hundreds of thousands of words, I can no longer write. I just didn't understand what was going on at the time, and I just felt that I was not capable. The book "Hai Zhuang" is different. When I wrote this book, I had already written some books and had a relatively clear understanding of my own abilities. Even in the first 200,000 words of the novel, I also used some previous successful experiences to improve my results in a short time. But this does not cover up the biggest problem of this book, which is "no routine". In other words, apart from passionately constructing a worldview, I did not consider "what kind of story" should this book be? Farming? Soldier attack? Adventure? Mecha? Slap someone in the face? These are all questions I started to create without thinking about them. Because the previous stories were very simple, I didn't need to think clearly about them before I could write them down. For example, in the previous dungeon, I just had to honestly write about the adventure in the dungeon. The core of the story was combat and exploration, plus encounters with teammates. But this one is different. The setting of this book is so complex that it is feasible to write it from any angle, and I have tried to include all these feasible perspectives (because based on previous experience, this is feasible). However, the result was a mess, with no priority. Even when I finally wrote about the mecha battle, it was difficult for me to expand on the relevant content because there was no foreshadowing. The combination of soldier attack, external hacker and main hacker is also not good. It is entirely based on the concept of "controlling the body of a god to fight" that it has captured some of the highlights. But the content after controlling the body of the god to fight was not well presented. Especially the part after the Skyfire War ended, I really found that I didn't know what to write. This situation also happened after the previous climaxes. To put it simply, I concentrated on the "development of the story" and missed the "circulation of routines". Recently, when I was confused, I carefully scanned some books on the ranking list and found that the biggest gap is here. Many excellent works do a good job of "story cycle". They basically add things to the "routine", and each time it is a cycle of simple things such as "forensics to identify the corpse" or "pretending to be cool and making money". But what Jiatu did was too messy. To use a bad word, it was too ambitious, with only goals and no down-to-earth step-by-step process. In the end, it became a high-speed rampage where the author knew where the direction was. This situation made me feel very sorry and ashamed after I realized it. It's just that at the end of the story, even if you know the mistake, it's impossible to go back because you can't re-establish the loop in the second half of the story. So I can only bite the bullet and start writing without looping, and finish writing the last part of the mecha battle. So this is the conclusion I finally came to, and I hope that readers who feel that they have been cheated, or readers who are very confused as to why this book turned out the way it did, will be satisfied with this. As for the new book, it should be soon. After all, I don't plan to write such a complicated work again. The new book should be set in a city. I haven't considered whether to add surreal elements, but it should be a story about rebirth. It will be a relatively simple routine cycle, such as "removing spirits" or "falling in love". If it's quick, it can be released within half a month, because I will finish this chapter today, and I will try to write the beginning the day after tomorrow at the latest. After writing this book, I have gained a certain amount of confidence, because I have never "finished" a work. Although this time I have "cut it in half", in my opinion, it is the first work that I feel I have "completed". Because until the last chapter, I was able to clearly know where my ending was, which was different from the previous works where I was thinking about the ending while writing the process. In the end, the more I wrote, the more I wrote, and the more confused I became. In the end, I had to cancel it directly. With this experience and confidence, I can put my energy and attention on the "routine" and "plot". I no longer have to worry about how the next plot should unfold and end as I did in previous years. I dare not say that the next book will still meet the taste of every friend, but I will only try my best to give the most essential presentation. The author you see is just such a person. He is not practical or honest. He will suppress comments and criticize. Even if he has written many books, there is no guarantee that the next book will be completed. But I at least promise that the next book will have the same ending as this one, and will also try to be longer than this one. Then, see you in the next book!

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