I Offer Sacrifices to the Gods in a Folk Horror Game

The current general world-building settings are best experienced when reading the main text. You can also post your suggestions for modification, minor characters, or class settings here. (Note: Too many details are not shown, just get a general overview. Also, to facilitate revisions, one less item has been written, so there are currently only thirty-five, but the content is actually sufficient.)

You've changed your account name; the previous book was abandoned.

Well written, author, keep it up!

I've read about a hundred chapters so far. The theme is quite good, and it's a type I'm interested in. However, there are some points I really want to criticize about the author. 🙄🙄 The plot is a mess, and the characterization is equally chaotic (especially those nonsensical nicknames; thinking back to my college days, they seem so lame).

The protagonist's own abilities are somewhat weak; generally, great power originates from within oneself. Relying on invoking or worshipping gods will ultimately make one inferior to a deity.

I haven't read it yet, but judging from the title and synopsis, it's about folk mythology and traditional local mythology. I have only one piece of advice: please, please, please don't include it in the "primordial era" genre! Please, please, please don't include it in the "primordial era" genre! Please, please, please don't include it in the "primordial era" genre!

The plot of the "Nine Princes' Struggle for the Throne" chapter feels abruptly introduced. Other players joined the fray because they benefited from securing a prince's position, but the protagonist, without any apparent allegiance, inexplicably got involved.

It feels like the protagonist's role in the early stages is to find powerful figures, with his strength really coming in the mid-to-late stages. Now, as the protagonist travels the world and encounters immortals and gods, he receives gifts from them in varying degrees, accumulating wealth and snowballing his power. I hope the author continues to write better and better stories about "traveling."

The protagonist is portrayed like a supporting character; all they can do is visit temples and offer incense, with no desire or means to become stronger. The sense of satisfaction is too low.

Is this novel a group portrait...? The protagonist, aside from being explicitly stated, basically just serves as a witness, witnessing how awesome his classmates are.