American Comics: I'm a Beat Cop in Gotham City

It started off well, but as soon as I got to Batman, he looked like a coward and a licker. Every DC book has this problem. I really don't understand it. Are all the DC writers fans of Batman?

I keep using that wooden sword to show off melee combat, and it's just that I can't hit the enemy with a gun without hitting the vital points. It's boring to live without clearing the protagonist. If you look at the physical fitness of mold criminals, the reality of the novel is that taking out the Uji will make you gain two pounds. Why do you think mold's tea empties its magazine? The experience honed under Xue's lessons, you can see how exaggerated the physical fitness of those people is by looking at the videos posted by Yuncha. And you think you are Superman! Ordinary people use wooden knives to fight with them, and fungus criminals use pistols and charge at the end. So they like melee combat to write about Little Life Universe and Rabbit, isn't it bad? In particular, rabbits rarely encounter long-range weapons. You can just fight in close combat.

. . . It looks so awkward, and it's a Japanese comic. I can only give you a 6.

Just this name is poisoning me to death. It smells like a novice. Please change the name.

The protagonist holds a Japanese sword and has the soul of a samurai, which makes me feel like a little Baga.

This introduction to Valentine Zhihu Insider

At present, Poison Ivy, Raven, and Supergirl are probably ambiguous partners. They follow the same routine as Japanese comics. The protagonist acts like a succubus and constantly attracts all kinds of flawed girls. Poison Ivy was previously Lily or Aquaman, and she has said that she has slept with hundreds of men. Raven directly regards the protagonist as his father, and Supergirl is a blank slate with no knowledge of the world. It's similar to the routine of Japanese comics. The female character who is past her keeps attacking the male protagonist. The male protagonist tries to resist but welcomes them, and finally gets them all. That's pretty much the routine. I don't know how the author arranged it, but the concentration of the second dimension is too high. The biggest shortcoming of this kind of male protagonist is that the male protagonist is completely passive in the relationship and cannot see the process of the relationship warming up. It seems that the protagonist refuses and the other party pursues and has the upper hand, but everyone knows that the protagonist is just pushing to a dead end step by step. When the plot is almost done, there is no need for emotional foundation at all, it goes directly to the base, and the protagonist is reversed. After it ends, you can't see what the protagonist is thinking specifically.

When Batman is playing the ridiculous game of cops and robbers in Gotham, when innocent people continue to die at the hands of villains because of Batman's no-kill principle, will Batman's heart hurt?

I don't understand why the protagonist is designed to fight in close combat with a wooden knife. You must know that the reason why superheroes don't kill people is because superheroes have no law enforcement power. If they kill people, it is illegal and they become criminals. But the protagonist is a police officer, with law enforcement power, and Gotham is still so dangerous. It is too dangerous without a gun.

The reason why I personally am really disgusted with the Electra complex... The emotional line between the raven and the protagonist under the banner of father and daughter cannot be sustained. Sorry, I have to let go...