Hogwarts: The Card System

First of all, the abilities are too complicated, the summoning cards are too useless, the protagonist upgrades too quickly, the intelligence is too high, and he is omniscient and omnipotent! The first dungeon is basically played by the protagonist alone, and other characters have no role. How fast the protagonist upgrades. The first grade has the ability of an outstanding graduate. The second grade is not allowed to directly confront the professor. The third grade can defeat Voldemort. The fourth grade can start the author's own plot and open unlimited streaming. The modified characters lack the flavor of the original characters. Old Bat has become a daughter-in-law, Professor McGonagall has become a big vase, and Dumbledore doesn't know what to say. Moreover, many characters who have been magically modified cannot justify themselves and can only rely on the intersection of celestial bodies and world line changes to fool them. For example, why does Hagrid become friends with the protagonists? The new savior Neville has a family, and Hagrid has never hugged him. During school, Hagrid had little contact with basically all the parents of the protagonists. There were too many people in the Order of the Phoenix, and it was not obvious how friendly Hagrid, the twins, and Patsy were. The levels designed by the first grade are too supermodel for other protagonist characters, but too simple for the protagonist. Not only is it not stressful and fun, but it's also a bit like playing house. I read it and subscribed to it until now. I thought the author was a newbie and would get better and better in the future. Who knew that the second chapter of my subscription made me so addicted that I felt like I was reading a novel about cultivating immortals. The advantage of this novel is that the author's writing is smooth, humorous and dense with jokes. But the hodgepodge was a routine that was popular ten years ago. Nowadays, few people watch mixed martial arts. In fact, this kind of rotten stew is not only unsatisfactory, but also puts the cart before the horse and robs the unique charm of Harry's Wizarding World. Among these fan novels, this is considered a masterpiece, but it is actually more difficult to write a fan novel well than an original novel. If you want to get out of the circle, it is not enough. The loss of readers in fan fiction is very serious in the middle and later stages. If you want to retain readers, you still need to think more about it in the subsequent plot.

The protagonist is clearly designed to be a white devil who cares about his classmates, but in the end he allows the basilisk to kill people. In the original work, the basilisk didn't kill people purely because of various coincidences. How dare you bet that the world line has changed? Or is the protagonist so selfish that he values ​​experience more than the lives of his classmates? Mrs. Norris, whom the protagonist likes to masturbate, is petrified and has no fluctuations in her heart. The classmate only escaped death because of his glasses but continues to hang up. Yes, you can say that the protagonist is unwilling to do so because of his lack of ability, but are you sure that the person who continues to drag her to death is not a friend in a small group like Neville and Hermione? It's true that the protagonist can't defeat the basilisk, but what's so difficult about solving the basilisk? The diary can be solved by just summoning Dumbledore to start school. For fear of exposing his identity, there aren't many ways to submit anonymous letters and report? In the final analysis, the author cannot write without the original work. He only copies the original work and fills it with a bunch of bad jokes.

Four beautiful pictures of Hermione

Chapter 440, what kind of mentally retarded patch settings were applied at the end of this chapter? It seems to mean that the protagonist obtains the knowledge of the other world through the golden finger. As long as the protagonist obtains it, the world will be obtained automatically, and then it will randomly appear in a certain place, waiting for the lucky person to discover and use it? It's really just adding a mindless and enhanced villain to suppress the protagonist. Disgusting readers are really good at this.

I have written several books, and now this one obviously has no outline or detailed outline. After the author's imagination when opening the book was exhausted, he started to have all kinds of lapses in the plot, and he had to use knowledge from other worlds to fill the number of chapters. But this has also led to the growing confusion of the protagonist group's growth path.

To sum up, the protagonist uses plug-ins, knows the plot, has Dumbledore, the developed Snape, and the no longer decadent Grindelwald as allies, ruins the boss's affairs, and kills a lot of people before finally killing Voldemort.

I don't understand it a bit. The main character doesn't want to change the setting of the plot. It's too weird. Not to mention that the savior has been changed, and Harry's gender has been changed. The original plot has been distorted to the point where I don't know. It's okay if you want to keep a low profile, but Voldemort's Horcrux notebook is in front of you and you won't solve it. Instead, you will let the basilisk wreak havoc. Why is this the way you value friendship? Aren't you afraid that the basilisk will cause the death of your friend? If you pretend to be a pig for too long, you will really turn into a pig.

Before the content was put on the shelves, I said that it was an old habit of crashing again. Now that I have come back and looked at it, I can only say that it is a prophecy.

This is Harley

In the later period, I felt like I was being dragged along by Golden Finger, and an auxiliary system ability slowly took over the main plot. The protagonist is more like a puppet of the system. In the middle and later stages of each novel, I feel like I can't grasp the rhythm, and all kinds of useless things are piled up randomly.