Beginning with the Bourne Supremacy

I'll just say a few simple sentences. Except for the beginning, I've already written it wrong when I return to the CIA. Your fan base is not meant to be used as a dog to Ami. At that time, you should have taken advantage of this plot to lead to the Continental Hotel, and jumped out of the stepping stone agent framework. You can set it up to avoid pursuit, join the Continental Hotel, and fight against the CIA. , And you have also integrated Johnwick and IMF. There are so many big events that you are not free to write about, and there are also spy movies such as Kingsman and 007. In the last book, you wrote about Hurricane Rescue. This book can refer to Hemsworth's Shocking Rescue. I believe you have the same idea about this Colombian plot. When writing a book, you must have an outline. CIA can be used as the boss in the early stage, and in the later stage, Solomon Lane can be used to fight against the High Table and IMF, or the boss of 007, agents, killers, and mercenaries. These roles are all suitable for the protagonist.

How can a protagonist, a mercenary in his past life, survive in the movie world without any cheats?

The reason why Jason Bourne was hunted was actually because he was relatively unlucky. He did private work for Conklin and Albert, secretly killed a wealthy Russian couple, and intercepted the CIA's 80 million US dollars and his identity as a stepping stone killer. If Jason Bourne had died before, there would be no way to hold him responsible for this matter. But Jason Bourne is alive, has escaped from the CIA, and has amnesia. This has become an invisible bomb and must be silenced. In the novel, the time was advanced, and there was no global manhunt, nor did the CIA embarrass itself in front of its global colleagues. As for confronting a Russian intelligence agency on Russian territory, that was normal work. At this time, trouble was caused, Conklin and Albert were involved, and then the Stepping Stone plan was changed to change vests and supervisors. It was the ruthless but extremely capable supervisor played by Edward Norton who later took charge. In the movie, the killers of Stepping Stone were purged. The reason was that Stepping Stone was exposed to the media, and it was no longer possible to guarantee whether the killer's identity was leaked before he was purged. But in the novel, it is true that people actively change their vests. This is the difference between actively changing their vests to hide and passively cleaning up the mess. In this case, the protagonist Jack has demonstrated his own strength. Not only did he kill his colleagues who silenced him, but he also escaped from both sides of the CIA and the Russian army. This not only proved his worth, but also indirectly proved the effectiveness of the stepping stone plan. In this case, it actually doesn't matter whether Jason Bourne dies or not. In a comprehensive hodgepodge world, there is no other protagonist except the protagonist of the novel. The protagonists of the original single movies and American TV series are just the main supporting characters in this kind of world. How can the protagonist have an immortal aura to protect his body?

How should I put it? The protagonist of this book is an elite agent of the Treadstone Project, and there are cheats and tricks. After reading it for a long time, I found that there is nothing special at all. If you didn't specify it in the previous part, I wouldn't have known that he was the protagonist, or the protagonist may be very awesome, but we can't tell at all. He is just a noob. There is nothing exciting about it. The plot is similar to the movie. I might as well go to the movie to read your book.

It feels like the protagonist is getting more and more rubbish, and everything is about how the United States is strong.

The protagonist knows that this is a Bourne movie, he also knows his identity, he also knows the identity of Pamela, and he also knows that his boss is a corrupt person. He also knows that the boss was killed by Pamela in the subsequent plot. When there is an order to assassinate Pamela, the protagonist does not think of the reason why the boss wants to kill Pamela? Can't you just jump to the counter? Not to mention asking Gini who betrayed him. Gini is just a little guy and doesn't know anything. Moreover, in the movie, Gini ends up on Bourne's side, helping Bourne despite the constant risk of being assassinated by the American CIA. To put it bluntly, He was a good person who was not afraid of power and was very pleasing to the eye, but he ended up being killed. If the author had written a plot that dealt with Gini well, and if he was betrayed or hunted by other organizations later, at least there would be Gini outside to help. There are never too many people like this.

It was boring to write Bourne to death at first, then after seeing his popularity, revive him again and follow the trend.

It was really a mistake to add the setting of the Continental Hotel before it was released. As long as the national sovereignty is basically intact, a single force is not enough to achieve anything. The power of the country is all-round. It is impossible for the Five Great Changs to allow a global organization to be outside the supervision. Not to mention transnational, even the slightly established gangs must be under supervision. State institutions are violent institutions. No matter how powerful the killer can withstand a few shells and kill the family members of the agents, this is out. The country does not give an explanation to the people below, who will work for the country.

Don't you like it? If you write like this, I might as well watch an American TV series.

There were no big problems at the beginning, but after saving my sister, problems continued. The biggest problem is identity. Brother, it's okay for you to be an agent and become a chatterbox. You also take the initiative to participate in unrelated events with your real name. You must either join fbl or use a fake identity. Why do you want to run for president if you are all under your real name? I am afraid that others will not know that you are a spy. I remember a spy drama with a female protagonist mentioned how many levels you must reach before you can release information under your real name, because now you no longer need to go to the front line and do not need to hide information.

Although the fighting part is well written, this book and the author's previous book have a feeling that the more you read, the more you will feel suffocated. The simple reason is that the author seems to be extremely obsessed with what he calls reality, so the author's IQ fluctuates like an electrocardiogram from time to time. When it is low, the IQ is completely offline. It is completely unreasonable to forcefully close your eyes and suppress the hard portrait, which is really speechless😓. As for how long this kind of writing can make people who want to read the book happily depend on their endurance.

Author, what do you think? Forget it if the golden finger is gone. As a result, I haven't slept with a single girl so far. You said you were a mercenary in your previous life. Why are you so stoic this time? Women don't get fucked, they just wander around without doing anything. Are you, the two supporting actresses, fucked? You are wandering between life and death every day. If you don't release it, you will definitely have mental problems. So arrange the plot. It is best to have a lot of female characters. Then I will keep subscribing.

The action scenes are well written, but you haven't explained what the protagonist's abilities are at all, except for the sudden appearance of the inner eye, whose function is unknown, and it is suspected to be the Eagle Eye in Assassin's Creed. Then I didn't write about what the protagonist wanted to do. Is there any purpose? He just planned to be a killer for the rest of his life? After killing Nicky Parsons, he killed Jason Bourne not long after that. It's really speechless, and the plot is super scattered.

I couldn't watch the part where the protagonist sister went on a mission to Colombia. DEA, do you want to check, whether in reality or in the movie, what is the operating style of the Yankee department? I'm not saying they don't die or fail, but it's their "style" of doing things. In the book, let alone being narcotics police officers, they are just like novices, acting as casually as possible. There are so many flaws that it's hard to complain about them all. Also, how awesome is a Colombian drug lord? So awesome that you can grasp the family situation of DEA operators and then kill them one by one? You can forget about it and just kill them all according to the list. With DEA's level, wouldn't he have been killed earlier? The United States is at this level, how can it still act like a hooligan all over the world?

I would like to make a suggestion. The protagonist can learn from the protagonist's ability in the movie "See the Future". He can foresee what will happen around him in the future. This is much better than the protagonist's so-called inner vision. Nikki's death can be completely prevented

I read dozens of chapters. The action plot is very enjoyable, but the main plot is not visible. Moreover, the protagonist looks more like a native than a time traveler.

The writing of this novel is a bit messy. It is always driven by the plot and does not take the initiative to look forward or do anything promising.

Are there any other American spy novels like this? Can you please introduce them?

To put it simply, the author failed to understand the readers' pleasure! You are not an original spy novel, you are fan fiction. The entry point of fan fiction should not be like a movie scene. Who is the protagonist? I kept thinking about this question when I read the first few chapters? Even for Jack who plays the piano and listens to music, I am not 100% convinced that he is the protagonist because the author is not clear about it. The first few chapters are full of conflict scenes, one after another, but there is no proper explanation of the inner logic of the protagonist and the setting of the origin of the story, just like watching the middle clip of a movie. You wrote this at the beginning, I can't substitute, who should I substitute? There was no emotional resonance, so I walked away. The author is embarrassed to practice again.

Wherever the protagonist goes, something will happen. So off-putting. I went to find my sister, but she was arrested that day when she went on a mission. I bought a new house and just lived there for a day, but someone shot it all with a gun. I used a friend's car that I just bought a day ago to chase a fugitive, which was completely ruined. While on location filming with the crew, I was killed by a drug dealer and the crew. Although I know you are setting up the subsequent plot, but you always use the suffering of people around the protagonist to lead it out, which is really too discouraging.

When I saw Black Swan rescuing the drug lord on the plane, I couldn't stand it any longer, so I forced myself to surrender. I was already broken, so I said goodbye.

Give it a thumbs up if you liked the author's previous book. I thought that the author had stopped writing, but I was pleasantly surprised to find that in the second book 🌹🌹🌹 the author's cheats for the protagonist were just right and no enhancements were needed. Like other books that use points to upgrade, it is really unreliable for the protagonists to go all the way to strengthen the Superman template and still hang out in the mortal world.

Damn it, it ended without watching it for a few days. It was so hasty. I feel like I can write more later, 😭😭😭😭😭😭

Why do authors like to insert other plot transitions during emergencies during major events? Isn't it okay to transition to a major event after you've finished writing it? Isn't it worth pursuing the decision?

Let me ask, in which chapter does John Wick appear? Why can't you find it?

It feels like a Naruto anime. While it promotes the plot, there are various side plots that are irrelevant to the main plot. It's very tiring to watch. It's not in line with my personal reading habits and just slipped away.

These chapters of Alcatraz are good, hot-blooded or otherwise, I think they are good anyway

Jack drifted away and lost his due vigilance

Well, the author has finished the book, which I really didn't expect. Come on for the next one, man!

Is this the trumpet of that great god?