Fortune-Telling for Immortal World Opportunities While Hiding in the Mystical

There is something wrong with the sect setting. The backbone is treated like this, they can kill at will, and the three major families can control it at will. So is this a sect or an alliance of aristocratic families? It's still popular to torture the owner like this now.

No, the protagonist now has resources and skills. Does he want to return to his clan and be robbed? In the first one, you have only been building foundations for a few years. Others must think that you have got a chance. Do you dare to use your resources at this time? I don't dare. Is returning to the sect just to restrain myself? In addition, the protagonist always thinks that throwing money around can gain people's hearts? Then why is Saudi Arabia buying weapons everywhere? People always fear power but not morality. This is too childish.

If you join a sect like the protagonist, what will you do when you become stronger? If it were me, I would keep hunting down the outgoing disciples of this sect until I can destroy this sect. If the protagonist can't do anything to the people of this sect, it would be too disgusting and poisonous. If they want you to die, if you don't kill them, you will be very poisonous.

The author is not afraid of tigers when he is just starting out, which reminds me of my thoughts when I was in junior high school. I thought: My pen name should be Kanna, because it feels tall, powerful, and handsome (actually, it was influenced by the main character of Shojo Dai Summoning, Kanna, and I felt handsome at the time); I thought that when I wrote a book, I would write "One" for the first book, because I would definitely publish a sequel; I thought about many ideas, and even wrote the beginning of a book, but unfortunately I didn't become a writer in the end. Closer to home, I remember reading a novel about double penetration when I was in junior high school. It was interesting to watch them fall in love and kill each other at the time, but later I hated double penetration. Why? Because I will be the protagonist, I just want to be the only person in the world who has a golden finger. In fact, it's more fun that way. It annoys me that someone has a cheat. Maybe it's because I've grown up, hey. . . But I guess the author is not short of money, otherwise he would not write a double-crossing book knowing that it is a very poisonous point. Anyway, I have read almost all the double-crossing books from high school to my senior year, and the competition for writing books at 7 o'clock is so fierce now. I hope the author will have good results, but all in all, it is best not to touch the generally recognized poisonous points. . . For example, dead heroines, cuckolds, etc. After all, it is generally accepted that most people cannot accept it. (Finally, if Jin Yong had just released The Legend of the Condor Heroes at Qidian, I would definitely scold him to death. Do you know how much psychological shadow the defilement of the fairy sister had on a junior high school student... I still remember it fresh)

I commented after reading it. I thought it was okay but found two dissatisfaction points: First: The world view is incomplete. The books have been put on the shelves and the protagonists have all established their foundations. I still don't have a complete understanding of the world of immortality. I don't know whether it's because there are too few monks in contact with it, or because there is no complete explanation of the worldview. But now except for Liuyun Sect, other places can be said to be completely blank, and the same is true for other worlds. Second: The appearance of the second time traveler feels that the foundation of the establishment has been touched. The impression of the protagonist is that of a "pig standing in the wind". The protagonist can be in danger in the world of immortality or even in another world, but he cannot endanger Golden Finger. If it's in danger, it can't be said that it's not fun at all. It can only be said that it's a thorn in the heart that makes people restless.

The cover is the work of Suijun Murakami, probably

After writing so many chapters, it's boring for three families to fight over each other. It doesn't advance the plot. It's all water.

I saw the latest update, but I still don't quite understand why I have to follow Zhongneng all the time and prepare to be promoted to Gong Ji as a sect member? I don't understand it very well, but I was shocked. Don't tell me about resources or anything. The protagonist now has it. To put it bluntly, it still cannot pass the test in the author's own mind, because it is actually just a kind of sustenance. Because the author himself didn't know how to write after that, to put it bluntly, it was like this. Employees only need others to take care of them. It's not that employees don't need it. Employees will keep climbing up and want it. It seems like I can't leave, only within this system. However, those who are independent will make their own plans and want to rise. There are ideas, there are thoughts.

The second time traveler is a bit poisonous, so it's better to downplay it directly.

The protagonist's sect is so weak👎. The Qi refining period is the backbone of the sect. Just think about how weak it is.