I Have Many Stands

The strength of a substitute lies in intelligence. An upright substitute messenger is not that invincible. Hiding behind the scenes like Boss Pei is really scary, unless you are really strong beyond the standard, such as the golden experience of the soul-stirring song. If others know about the time stop, you will be deflated. Others don't know that you are "invincible"

No wonder they have to limit the exemption. As much as you enjoy writing it in DC, Marvel makes it so frustrating. You can't do anything, and you have to play a hero like a child. If the exemption is not limited, no one will watch it.

The plot of the Marvel chapter is really nothing. Basically, the plot has no ups and downs, but it feels like it is self-defeating. After arriving at Marvel, Killer Queen has never been used again. The world has been reduced to only guest appearances. White Snake's appearance rate is not high. The few times Little Foot is used are for smuggling and destroying the mirror world. The most used one is the Golden Experience. I feel that other than the Golden Experience, I will not use any other stand-in. What many authors consider to be a good time actually feels more like self-pleasure and doesn't seem that good. The number of words in the main stand-in novel is a bit long, but I still couldn't find a few in Invincible, so I had to continue reading. I wonder if any book friends would recommend anything.

White Snake can control others. Otherwise, how do you think he can control so many substitute messengers in his huge substitute prison? And the substitute cannot be hit by non-substitute substances, right? The avatars are very maneuverable and can be shrunk to the point of entering a blood vessel. This operation was included in the third season of JOJO. It is also a basic operation to pass through walls. It's just that there are substitutes who don't share the vision.

First of all, I really like this book, otherwise I wouldn't order it all, but next I will tell you some of my opinions, which may be unpleasant The most important thing in shaping a character is to label it. You first give the character a big label, and then use different events to slowly label him with smaller labels, so that there will be growth And these labels must be reasonably integrated. The conflict cannot be too great, otherwise it will be unlikable or OOC For example, Iron Man, at the beginning, his labels were [rich], [playboy], and [unrestrained]. After experiencing the kidnapping and Ethan's death, he regretted and awakened and gained [Iron Man] and [sense of justice] Then in 2, after the video of his father Howard, he went from [disapproving of his father] to The label change of "Respect the Father" In Avengers 1, the nuclear bomb was given to "Spirit of Sacrifice" In 3, "Playboy" was changed to "Pepper Little Pepper Single Pusher" and so on Through the superposition of various labels, an Iron Man is formed who is a human being comparable to gods Looking at the protagonist, in the first volume, I saw that he is [naive] but [decisive] [ He has self-awareness], and then he kills people at will without any psychological burden [as he pleases], and then he suddenly says that he wants to [obey the rules], and then he wants to be the [King of the Underworld], and then he wants to set up an orphanage and become a [hero] Don't you think the character conflict is too strong, the result of the capriciousness is that up to now, the protagonist has no definite character, let alone growth and impression.

Those who come here are free of charge. Newcomers should moisturize after reading the Gotham chapter. The entire Marvel chapter is so restrictive and restrictive that it's frustrating to watch. I can only say that the transition from Gotham chapter to Marvel has taken away the author's inspiration.

What kind of Marvel movie is this? I originally saw the Gotham movie which was pretty good, so I ordered all of it. But then there was something written in the Marvel world. At the end of Gotham, I felt that the protagonist was a bit intellectually obtuse, and by the time I got to Marvel, the protagonist was transformed into a young child.

I just read Chapter 22, and I want to make a complaint: Ever since the protagonist Yong started to like gambling on life and dancing on the tip of a knife, staying alive depends on luck rather than brains. Reasonability is reduced.

Before this book was put on the shelves, he was a villain, and after it was put on the shelves, he became a superhero. In Gotham, the protagonist ordered the whole Gotham to move, and then in Marvel, the protagonist had no power and even stopped. Is there any protagonist with a more sense of separation than this? Then in the introduction, it said that the cheats should be increased, and the protagonist's abilities will be reduced when it is released. If the subscription is good, it will be a ghost. The author should either end the Marvel chapter quickly and continue to go to Gotham to be the Dark God or open a new map. Marvel will definitely explode as it continues to write.

What is this Marvel chapter about? No wonder the upper limit is exempted