Tokyo’s Legend of Deep Devotion

If the male protagonist wants to build a harem, he'll need to focus on literature. Becoming a great writer would allow him to have as many women as he wants; Japanese society is quite tolerant of such literary figures.

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Every few chapters, a crossroads appears, a red light turning green. If I were to approach this as a reading comprehension exercise, I might be able to glean some meaning from it, but I really don't understand the point of repeating it dozens of times.

These last two chapters are completely Chinese-style family depictions. The words and actions of the parents gave me a strong sense of disconnect. It felt like chatting with the author about everyday life. On the surface, it's a light novel, but in reality, it's a genuine Chinese web novel with a Japanese setting.

To sum it up in four words: as bland as water.

It felt a bit strange while reading. Although it's a harem anime, it's written like a pure romance. The protagonist, so far, doesn't seem like someone who runs a harem; he's more of a serious person (hard to describe, just very proper). Even though he's met the parents and their engagement is confirmed, he still gets involved with other women.

Overall, it was quite sweet, without any major ups and downs or major flaws, but it had many obvious problems, which was a bit of a shame. 1. The female protagonists lack distinct personalities, or rather, there are no significant events that highlight their individuality. After watching, it feels like all the female protagonists follow the same template, and none of them leave a deep impression.

The plot is a bit strange. Tsugushiro Rina's request for a free meal is really odd in terms of social etiquette. A normal person wouldn't make such a request; it's too unreasonable. The plot arrangement is too bizarre. Actually, adding more plot wouldn't be bad.

The male protagonist is portrayed as extremely rational, a perfect gentleman. It's always the female leads who actively pursue and show interest in him; he's completely devoid of emotion. He passively attracts the women through a series of coincidences and fates. It seems like he wouldn't care if the women ran away, but fate orchestrates various coincidences to ensure they can't escape. He's essentially a perfectly rational, emotionless tool. Is this Emiya Shirou...?

I stumbled upon this book by chance, and after a day of reading, I've only reached chapter 126. Overall, I'd give it a good review! 1 As for the author's dilemma at the beginning, I don't think it's that serious. One of the downsides of time travel is that too much of the childhood story cannot be described, since the character's personality is fragmented.