
Tokyo’s Legend of Deep Devotion
东京深情传说
- Status
- Completed
- Length
- 1.3M Words
- Genre
- Light Novel
- Subgenre
- Everyday Romance
- Updated
- 2y ago
- Source
- Qidian
Stats
466Chapters
0Votes
9.7kRecs
85.7kFans
Tags
Synopsis
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In booklists 2
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Reader comments 37
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If the male protagonist wants to have a harem, he still has to work hard in literature. If he becomes a great writer, he can have as many as he wants. Japanese society is very tolerant of these great writers.
If you have any suggestions or questions, you can leave a message here and I will reply when I see it.
Crossroads appear every few chapters, and the red light turns green. If I were really asked to follow the reading comprehension, I can appreciate some of the artistic conception, but I really don't know what the meaning is of repeating it dozens of times.
The recent two pictures are completely Chinese-style family descriptions. The words and actions of the characters' parents gave me a strong sense of separation. It feels like chatting with the author. On the surface, it is a Japanese light novel, but in fact it is an authentic Chinese online novel with a Japanese background.
To sum up the comment in four words: as plain as water
It feels weird to read it. Although it is a harem, it is written very much like pure love. The protagonist does not feel like a harem now. He is a strict person (I can't say, he is a more serious kind). He has obviously met the parents and confirmed that the relationship between the unmarried couple is still related to another woman. (It's related.) The relationship is that the other female protagonists are currently not showing off, but Shiori already knows that she is pursuing the male protagonist. In this case, she should clearly refuse) It feels to me that it does not match the protagonist's setting (a special situation, Rinne's parents also know and agree, there is nothing to say about this) (Purely personal understanding and opinion, see Just watch it, don't comment if you don't like it) There is also Shiori, who knows that the protagonist has a fiancée and still pursues the protagonist (the background is modern, monogamy should not be a problem, the protagonist is modern, travels through the island country, and should have the concept of monogamy in his mind) (According to the author, Shiori is a person who does not bump into the wall. Looking back, the fact that the protagonist already has a fiancée can be regarded as telling you that there is no chance. He has already established a relationship with someone else, and it is almost time to stop or continue pursuing.) I don't know what to say about this. Some people will say that pursuing true love is right, just don't give up, but you can say that you are engaged and you have met your parents. Some people will say that this is a harem, and this is correct for the sake of plot development. (I said this because it felt a little wrong after watching it. The harem really doesn't feel that way. It's awkward. How about the author write pure love in a big way.) What I said above is that in a virtual world, the author can set it up how he likes, and write it how he wants. Treat it as if I didn't say it.
Just finished watching, tell me something
The overall story is relatively sweet, with no big ups and downs, no flashpoints, but there are obviously many problems, which is a pity 1. The heroines' personalities are not distinctive enough, or there are no important events to highlight their personalities. After watching it, I feel that the heroines are all based on the same template, and they are not very impressive. 2. The relationship between the male and female protagonists is too sketchy, and details such as love are too important. I think it's okay to jump in time, but every meeting between the important heroine and the hero cannot be skipped. This can directly reflect the progress of their relationship. This kind of portrayal is really important. 3. Too little pulling. This is also a manifestation of the second problem. They do look good together, but many times, they look best when pulled together. For example, Rinne, as Qingmei, originally had a lot of past memories to write about, but the setting of the time travel at the beginning made it not so easy to write, and it was easy to cause controversy. For example, Miao, Miao could actually write more about her grandmother. In the process of taking care of her, she used it as an emotional breakthrough, but in the end, no such person was found. Another example is the senior sister. The senior sister actually has a bit of personality, but she is not portrayed in more depth. 4. The male protagonist is poorly portrayed and not attractive enough, which is mainly reflected in the fact that the male protagonist has too few psychological activities. A good male protagonist determines the upper limit of a movie. This saying is really practical sometimes. I won't list other details one by one. The overall feeling is that it is a pity
The plot is a bit weird. . Toshiro Na's request for a meal is really strange because of a human accident. Normal people would not make such a request. It is too unreasonable and the plot arrangement is too weird. In fact, it is not impossible to add some plot, for example, a meal while bringing a thank-you gift, and another meal or two for other things to communicate more, and then the male protagonist sees that this person really does not take care of his own living and eating habits, which is a bit bad, and makes this suggestion. In short, Toshiro Nagashi is not a child. He was a drunkard when they first met. After eating a meal and finding it delicious, he asked to eat together. It is strange. Can people really be so shameless? . .
The male protagonist is very rational and a perfect gentleman. The female protagonists take the initiative to pursue the male protagonist. The male protagonist has no emotion at all. It is purely destiny and coincidence that passively attracts the female protagonists. If he does not actively pursue the heroine, it seems that it does not matter if the female protagonist runs away, but destiny designs various coincidences to prevent the female protagonists from running away. Is Shirou Emiya a completely unemotional and perfectly rational tool?
I came across this book by accident. I just finished reading Chapter 126 after reading it for a day. Overall, I give it a thumbs up! 1 As for the writer's confusion at the beginning, I don't think so. The negative impact of time travel is that we cannot describe too many stories about our childhood because the characters are split. Coming back after rebirth implies that these young ladies once had other paths, besides being maids. According to the writer's style of writing, this would have a huge impact. From my personal point of view, the current way of writing is better and more comfortable to read. 2 Since the activation of various skills is triggered by real events. When you are sure that two or more people are girlfriends, trigger Neptune. In this way, when Neptune reaches lv7, it feels like 6 is not 6. 3 By describing traffic lights many times, does it mean that choice is important? As for the final ending, if the harem didn't live together, where would they go to sleep every day, and the direction of accommodation would be decided by the traffic lights at the intersection, wouldn't it be a mistake? ! !