Marvel's Public Enemy Number One

The first chapter establishes the protagonist's background, but what's the point of writing that? It's just padding out the word count. The ending probably involves the real world finally waking the protagonist up; apparently, aside from the initial choices, the protagonist was somewhat conscious, and the rest of the plot is all the evolution of the protagonist's subconscious.

Wow, you're updating a reactor every ten chapters! Ten chapters for a first-generation arc reactor, twenty for a second-generation arc reactor, thirty for a vibranium reactor... It feels like your energy system is the easiest to develop, while everything else is beyond your capabilities.

To be honest, you can upgrade and build mechs just by picking up some materials; it doesn't make any sense.

Cut it off? That can't be right.

Even if you want to enter the palace, you should at least say so. What does this mean?

I vaguely remember the quality of your old book, "Moving a Warcraft to Another World," but why do you abandon it so often these days? It's outrageous.

Wow, I just ordered it and it's already been cut! You're so fast!

I think killing story characters is a bit unfair. For example, killing Iron Man only gets you the reactor, but later on you get a ton of Iron Man stuff, like the Mark series, nanotechnology, and AI. Players probably realize after killing a few story characters that killing them early means you don't get the later stuff. Many villains or superpowers have already reached their limit, like Daredevil, whose limit is pretty much fixed. Killing him just means you've already killed him.

Why has the book about giant pandas stopped updating?

Since the protagonist is based on an NPC template, we can go for an all-powerful demon boss route. First, the engineer profession can build an awesome mech. Then, the mage profession can be used for enchanting and teleportation, creating a dual-wielding magic and science profession.