Quick Transmigration: On the Front Line of Gossip

Regarding the author's use of the word "one or two" I listened to the book all the way, and it felt like there was a "one or two" every other paragraph, just like a speed bump from time to time while driving. Among them, there are 31 "ones and twos" in chapters 1-10. The most dense of them is in Chapter 10, as shown in the figure. There are obviously many replaceable words for it, such as: a little, a little, a small amount, a few, a little, slightly, if, some, some, a little, some, a few, geometry...

The whole text was full of one-two-one-two words, and the vocabulary was poor, so I was persuaded to quit.

I think this book is very good. There is no suspense in the plot. It is just talk. It is very suitable to listen to and fall asleep. You will not be unable to stop listening to it because the plot is so good. You don't have to worry about missing something after listening to it while you are asleep, because you will know what happened before you read it.

In the past, similar articles were about the protagonist fighting with his opponent, with deep interaction Now, he is standing on the dry shore watching the opponent flutter, and of course he doesn't mind kicking him if it happens by chance.

How on earth can some people praise such a stupid article with their eyes closed? I'm speechless.

Oh my god, I can't stand it anymore. It's an assembly line fast food article written by a studio. The writing is as bad as it gets. It's all gibberish. The jumbled sentence fragmentation is a very poor experience, and there are so many grammatical errors. If it weren't for the money, I wouldn't be able to hold on for even one minute. But that's it. I'll change it.

Author, after thinking about it, I would like to suggest one or two, that is, your work can be a little less one or two, or you can directly replace the one or two, and repair it, so that the readers will feel comfortable, and the work will improve. This is really too much. Well, what about your observation?

I was deceived by Douyin and thought it was similar to the one in Douyin. Then I came over to check it out. They said it would be great if they only had a house, and they were not allowed to do anything else. Then they had to make trouble for themselves. I don't understand why you have to let a junior scold you for fun, and you don't rely on him to support you in old age. Besides, the heroine is just a task keeper. I don't understand why she has to go back to help move and make trouble instead of running away.

So many things make me feel that the author's writing style is really bad, so I advise him to quit.

To summarize the first 10 chapters, the heroine wants to move away, but the brothers don't want her to move away because there is no one to do the housework. No more, I wrote 10 chapters without stopping...