Quick Transmigration: On the Front Line of Gossip

Regarding the author's use of the word "one or two" I've been listening to audiobooks all along, and it feels like there's a "one or two" every now and then, just like driving over speed bumps from time to time. Chapters 1-10 contain 31 instances of the word "" or "". The highest concentration is in Chapter 10, as shown in the image.

The entire text is filled with numerous "one, two, one, two," and the vocabulary is limited, which is off-putting.

I think this book is great. The plot is predictable, mostly just casual conversation, perfect for listening to while you fall asleep. You won't get carried away by a good story and won't miss anything, because you'll know exactly what happened next.

Previous similar stories all featured the protagonist battling and interacting deeply with their opponent. Now, I stand on the dry bank watching my opponent struggle, and of course, if the opportunity arises, I wouldn't mind kicking them.

How can some people blindly praise such a low-quality article? Speechless.

My god, I can't stand it anymore! This is some kind of mass-produced, fast-food novel from a studio. The writing is terrible, it's just repetitive rambling, the punctuation is a mess, making for a terribly poor reading experience, and it's riddled with grammatical errors. If it weren't for the coins, I wouldn't have lasted a minute. But that's enough for now, I'll go find another one.

Author, after some thought, I'd like to offer my suggestion: you could reduce the number of lines in your work, or even replace them entirely and revise them. This would make the reader more comfortable and improve the work. This constant back and forth is really too much. Hmm, what do you think?

I was tricked into coming here by TikTok, thinking it would be similar to what's shown on TikTok. But then I came here and found it dragging on and on. They said all I needed was a house, and they didn't ask me to do anything else. And then I had to suffer for them. I don't understand why they let a junior scold me. I'm not relying on them for my old age. And the female lead is just a mission taker. I don't understand why she didn't run away but had to go back to help move and suffer for them.

So many instances of "one or two" make me think the author's writing is really bad, it's discouraging me from reading this.

To summarize the first 10 chapters, it's about the female lead wanting to move out, but her brothers don't want her to because no one will do the housework. That's it; it's been a drawn-out, drawn-out story for 10 chapters...