Behind Me Is the Earth

Armed form

I think the setting of force is a bit contradictory. A senior disciple in a small town martial arts school can easily break a bluestone slab of more than ten centimeters. He is also invulnerable and as strong as an ox. He can strengthen his body and nourish his kidneys. So, don't all rich people have to practice a few skills? No matter how strong they are, at least strengthening their kidneys is something no one can refuse. Well, there are more people practicing, so there must be a few masters. The author did not say how high the masters are. If it is not too high, the manpower can be stacked to death, but the intensity of the small town martial arts gym is a bit outrageous. If the masters are as high as three or four stories, the manpower cannot be stacked, and what is the use of rebellion by the people who say a few words. In the later stage, there will be some flying fairy from the sky who can smash mountains with one punch and guns will be of no use. Do you expect the protagonist's halo to make missiles and rub atomic bombs with his hands? Does the author want the woman to practice martial arts to cure a terminal illness? Then it can be done with a miracle doctor, and also added that zombies appeared seven years ago. How easy is it to practice martial arts? Are you going for spiritual energy recovery? So what's the use of writing about guns and cultivating the powerful power of landlords? I think in this high-military environment, no one wants to bring in the perspective of a mortal emperor. After finishing it, you also picked up a few books on economics, Capital, and the like? Is this the road to Marxism-Leninism or capitalism? Of course, if you later write that this heroine, whom you have not seen a few times, develops artificial intelligence, practices martial arts with technology, cultivates immortality with technology, crushes immortals with technology, and is forced to be reasonable, then I have nothing to say. To sum up, this is a book that combines Martial arts (cultivation is not excluded), Aura recovery (possibly, not sure), rebellion, travel (double-travel technology crushing), biohazard Machine (zombie), Farming (farm), theory (communism or capitalism?) And a little hodgepodge of urban life.

Modern glycerin, artificial flavors, or natural flavors (not expensive) are much cheaper than in ancient times. The oil you used to make ten tons of soap in ancient times can easily be bought more in modern times. In addition, if the soap does not add something to prevent deterioration, after a long time you will smell the disgusting smell of oil consumption and spices.

How can I put it, I feel that the character of Jellybean is the biggest failure... Without this character, I feel that this book is a small masterpiece, but with the addition of such a character, there are suddenly more bugs. Many things have not been taken into consideration, such as asking Jellybean to resume work, such as her parents coming to see her, such as hospital examinations, such as real-hand-made gun rubbing, etc... At present, I just rely on the inertia of subscriptions to read down. When more bugs wear away my patience, I will have no intention to withdraw.

Let me briefly state three points. First, the protagonist traveled through ancient times and practiced martial arts to be extraordinary. Okay, why not list some secrets that are widely circulated in modern society? Second, the protagonist travels through ancient times, has extraordinary military strength, and then collects a bunch of flintlock guns to dominate one side. As long as the opponent captures one of your designs, he can change a lot of clothes in a short time. Moreover, you use flintlock guns to fight An Jin. How much do you despise An Jin? Thirdly, playing Hegemony with powers, monsters, guns, and magic weapons is really a bit of a suicidal idea. If you are not the protagonist, any force may be shot to death by a passing boss! I just wonder, in a feudal society, if there is no family backing, the huge profits that can be passed down to the family can only be coveted by a small town mayor? Hmm (N) Many people traveled through feudal society and started making soap. Where did they get so much oil? You can't survive even if you fry your own bones in oil! !

Ruan Tang

After reading 50 chapters, I feel that there is a problem with the development of the protagonist. In the early stage, you didn't have such a big capital and you started so many industries. No wonder you always don't have enough funds. In modern times, it's okay to do traditional Chinese medicine. These things were not that valuable in ancient times, but in modern times they can be sold for sky-high prices. There are also problems with the development of other worlds. It's okay to make a village, but aren't you afraid of being swallowed by others when you make soap? Soap is a huge profit. You, a foreigner with no foundation and no big power, don't want too many people who are envious of you. Might as well get some silver from modern times! For an extra 2 million, you can get a ton of 20,000 taels of silver, which is the price of a top-quality stone. The best choice is to wait until it develops before starting an industry. The last question is, this is the first time I have seen a time travel novel that limits the range of activities in the real world, and the range is so small. This is very unreasonable. People all restrict the scope of activities in the ancient world or other worlds. After all, it is normal to have restrictions at the beginning because you are an alien. But you are a modern person, and they restrict your scope of activities in modern times. This does not treat you as an earthling!

If the country is founded without proclaiming itself emperor and establishing some fancy democratic government. Then this book will come to an end

After reading a section, I felt that the author's writing was too complicated, wanting everything, not mastering anything, not even a theme. If you want to be an emperor, then specialize in being an emperor. If you want to practice martial arts, then specialize in the path of Shattered Void. There are a lot of chores every day. Are you sure you can practice martial arts well? Even if you are cultivating immortals, you have to focus on it. You want to be a villain, a stallion, and an emperor. You only have 24 hours a day. Do you have so much time?

I have always been curious about how the previous book was so good, with 600 chapters, how come it only has 210,000 book friends. After reading Chapter 152, I understand that this author's writing is a bit exciting, but it doesn't make you particularly happy, and then, he keeps feeding you a little bit. Poison, it's not the kind of big poison that people can't stand, it's just a small poison that makes people jump to watch it. But it passed the poisonous point. After watching it for a while, another one came. Damn it, it's so uncomfortable. A lot of people in front of the heroine can't say it's bad. , I think it was well written, at least it gave me a sense of anticipation when they met. In addition, the heroine can help the hero. If the heroine is sick, the hero can also help her. How great. But in the end, there has to be poison, chocolate shit or shit-flavored chocolate. It's quite uncomfortable, author, damn, I'm so full of expectations and so angry, why don't we just admit each other openly and openly? Haven't you laid the groundwork in advance? Recognize each other through friends, then cure the disease, and the heroine helps him. How great. If you can save a person who is about to die, I think she can give you anything. She was eating cake, and suddenly there was shit in the sandwich. That's how I felt.

What kind of stuff are those who write books nowadays? Besides deleting and controlling reviews, what else can they do? The tricks in the entertainment industry are self-taught.

Everything else is okay, but the part about kidnapping the heroine makes me feel disgusting. The protagonist is really both responsible and upright, and wants to take advantage of other people's talents but is afraid of being backstabbed. Are you going to be the good guy and the bad guy? Being unclear about other people's character is the reason why you kidnap others? Is being able to save her life the reason why you treat others as tools? So what was the purpose of the plot that you laid out for more than a hundred chapters in the early stage of the story of two people who have been netizen confidants for several years? I also read the comments in the book circle. When one person thinks there is a problem with your plot, it may not really be your problem, but when many people think there is a problem with your plot, it must be the author who has a problem with your writing! To be honest, the part about kidnapping the heroine is really disturbing to the audience. Don't talk about wanting to see the character of the heroine, or she is afraid of backstabbing you. You have to know that the portal is in your hands. I don't know why the author thinks that the way the protagonist can save her life + the love of netizens (online dating?) + Openness + confession will be worse than the way the protagonist kidnaps her and plays like a monkey for a while!

There is not enough enthusiasm. It is clear that what you want to achieve is what you want to achieve, but you have to write it as if you are being asked to do it by others. The whole story lacks a sense of forge ahead and always uses the people around you to be in danger to promote the plot. The entire protagonist team lacks a clear purpose and subjective initiative.

Behind me is the earth, but there is no food being transported. We also set up a poison spot one kilometer away. Is there any problem transporting some food?

She's too young. It's better to just cut off the relationship line if there is a single female protagonist. I really want to be sexual in the book. It's better to go the scumbag route with multiple female protagonists. Don't express, don't refuse, and be irresponsible.

Why do novels of this type show martial arts training in public in the park, and in front of a few old men...

Now in the novel, if I have the opportunity, I would rather bring in an outsider than my own parents. How can I say that my parents are not accepting it, but outsiders are easier to accept?

The heroine Ruan Tang is quite a failure. Either don't deal with Xiaowan, or arrange it behind the heroine. The heroine in front has no sense of presence. Xiaowan is always with her. The relationship has become a bit warmer. The heroine suddenly fell from the sky. It's quite annoying to have a green plum fall from the sky.

The emotional drama is really bad. The author even wrote it so much that he was speechless.

The thing that bothers me is why not set it on fire? Since there are so many living corpses in the forest, just burn it. It's not like we would be arrested in modern times.

This is Ruan Tang's method of traveling to another world. . . I really can't figure out what magical brain circuit can write such a bloody plot. It's already 2024.

How lucky would the protagonist be to take something like Qingguo back to Earth for research? It is of great value, with extraordinary power and immortality. As long as the evidence is revealed, will those forces and big bosses who usually do things unscrupulously go crazy? Can the protagonist's researchers, whom he has never met, be able to withstand the temptation? Can a confidentiality agreement restrict people's hearts? And this thing also has serious side effects. It is parasitic, turns into a living dead, and is highly contagious. If something happens to happen, do you think the authorities will let you go? At that time, apart from hard steel, you will have to kneel down and lick the offerings before you can return to Earth.

I forgot why I deleted it from the bookshelf, but I remember that the writing was okay.

There are no big poisons, only small poisons pop up infrequently, which is a bit annoying

Thanks to book friend Shang Shanxian for the illustration

The first part is okay, but the following chapters are all skipped, giving people the feeling of being stewed in a big pot. It's the founding of a country in another world, it's martial arts training, it's the development of the earth, it's the cultivation of supernatural powers, and so on.

The author uses too many flashbacks, and it always feels like something is missing.

The first part was very exciting, but towards the end, I felt less and less afraid to write about things on Earth. Although it may be because I was afraid of 404, it doesn't match the title of your book, and it was well written in the first part. The last 20 chapters really felt like it was unfinished, and then it suddenly became a god-level civilization, and its strength suddenly increased, and it could compete with interstellar civilizations. It was really too sudden.

Are the volunteers over? Notify me of new books and old books.

After reading Chapter 37, I feel a bit like a literary youth.