
Azuchi Momoyama Era
安土桃山时代
- Status
- Ongoing
- Length
- 203k Words
- Genre
- Historical
- Audience
- Male
- Subgenre
- Foreign History
- Updated
- 3y ago
- Source
- Qidian
Stats
0Monthly votes
1kRecommends
25Fans
97Chapters
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So in fact, Oda Nobunaga is the protagonist, and the time traveler just runs behind Nobunaga with a camera, right?
Pig's feet, domestic affairs, diplomacy and military affairs are not moving anywhere, it's just a third perspective, right?
The protagonist has never been successful. How can he be promoted and expand his territory? How can he participate in this game of power?
It's 100,000 words, but the book's performance is not very good. As a reader who has read many novels, I am shamelessly commenting on it. First of all, regarding the subject matter, historical novels are no longer considered popular at the starting point (compared to urban fantasy, etc.), And Japanese Warring States Period novels are even more niche among niches. This is an inherent disadvantage. It is not easy to write brilliantly and attract people. Second, the setting of the protagonist. For example, I am a lover of Japanese history, or a light player of Shino, and I have crossed the first hurdle and read this book. Then the protagonist I hope to see must at least be a named person or know someone named Those who are relatives, this kind of identity is better. These five are relatively famous in Japan's Warring States Period. Many history buffs and light players of Shino may have only had a taste of it. They don't know enough about the second-level celebrities, such as Mouri, Shimazu, Date, etc., Or have even never heard of their names. The author here chose the little-known Yusa family to make people feel less involved, or it is not clear who this person is. Thirdly, the three golden chapters of the novel are not handled well. As mentioned before, the protagonist is a Yusa family who is not well known, so the first three chapters contain a large historical introduction, which looks like it was directly copied from Baidu. If the author cannot change the setting of the protagonist, give the author a suggestion: lengthen the war at the beginning of the first chapter. Time travel to the beginning of the war. The protagonist travels to the battlefield fully armed, kills an Ashigaru that rushes over, and then kills Tayama with the help of his companions. In front of Zhaogao, there are some introductions about the protagonist, his companions and his camp. In the second chapter, the protagonist's companions got into trouble with Tianshan's guards. Tianshan took the opportunity to run away, and the protagonist chased them. After catching up, the two of them beat him twice symbolically and then Tianshan was killed. It ended with Tianshan being beheaded. The second chapter is interspersed with an introduction to the reasons for starting this war; the third chapter cleans the battlefield, and the protagonist is sent to be treated and praised. The protagonist sighs twice about the cruelty of the Warring States period and strengthens his beliefs (survive, leave a name in history, or enjoy life, etc.), Interspersed with an explanation of the background and situation of the current era, and then the protagonist decides how to go next (the outline is also written according to the protagonist's decision). This way, the first three chapters will have a much better look and feel, and I believe the reader retention rate will be further improved. Fourth, the image of the protagonist has not been established. Many times the protagonist is a dispensable image. The protagonist firstly has no courage to change the situation, and secondly, he does not have the ability to change the situation (unparalleled force, technology or intelligence, etc.) And is more like an ordinary person drifting with the flow. He does not even make good use of predicting the course of history in advance. Many times it is the same with him or without him, which makes it look like a running story. You have to give the protagonist a unique setting to make him different. Finally, there is no need for the heroine to come out too early. Readers prefer to see the protagonist paired with a big shot with a name, such as Aichi, Ningning, Chiyoda Mochizuki, or even Gui Die. You can have an original heroine or an unknown heroine, but it is difficult to write it well.
Take a bunch of copy and paste from history books and personal biographies and add an original character's perspective. Well, for example, it's a third-person original version of the Three Kingdoms. It's really easy to make money now.
This is a time-travelling person. If you are timid and afraid of death, just stand in line according to the script and never finish. Hug the monkey's thigh first. If the monkey dies, hug Ieyasu. Isn't it a stable country to hang out until death? Do you want to change Sekigahara? .
A book scarier than Poisonous Weed. This book is full of ramblings and makes no sense. Reading it means you haven't read it. There are things you can complain about after reading Poisonous Weed. This book seems to be about something at first glance, but nothing is written after a closer look.
It is written like a historical account, with no sense of participation. It is like a bystander, no different from a minion.
The protagonist must have faith and follow through. The protagonist of this book is just messing around, and who doesn't?
The Incident at Honnoji Temple began, and then where is the protagonist's sense of existence now? ? ? ? ? ? ? ? ? ? ? ? ? ?
Can the author briefly introduce his outline? I still can't tell what the outline of the story you wrote is? See if it is necessary to continue reading?
It's boring to look at, it feels like a running account
It's a very interesting book. The supervisor's perspective is like that of a history teacher giving a lecture. It's quite interesting to read.
It's very uncomfortable to read a book without pictures, especially for history novices.
It feels like the protagonist is just a walk-on
A question happens to be that this is a novel about the Warring States Period in Japan. I asked the protagonist if he had a custom-made pocket helmet with a "big green kanji" on top of it. If it is passed down in the future, it will be called the "big blue pocket" armor of the Japanese Warring States Period.
The protagonist is now separated from Tokugawa by Edo Bay
After reading more than twenty chapters, it is written in a running account style. There is no detailed description of any action. It can only be said that it is a summary of history and adds a little different characters. I hope it can be written later.
When I read Chapter 9, I felt like the protagonist was just messing around. Abandoned.
Many people upstairs have trouble reading and understanding.
The title of the book makes it clear that it is the audience's perspective of these historical dramas.