Love Letters Are Not Allowed in Exorcism Notes

I have read this book several times When I read the title introduction, I thought it was a cool article Who knew I saw Chapter 44 in one breath and wanted to call sos This This Where did the fairy grass come from, brother! Brother, what are you doing? This book is so well written It's really so good The structure is perfect, the succession and transition are quite clear, the story background is complete and detailed, the characters are written with flesh and blood, and the logic of character labeling and behavior is quite unified What are you doing! Why did you package the grass jelly into a cool article for the studio? What are you doing! Do you want to highlight the contrast? This is so good I haven't seen such a thoughtful novel in a long time What are you doing in choosing a name... Hurry up and change your name and introduction, brother · Even old bookworms can do it It's so good

It can be read if it is not a cool novel, but you don't give the protagonist time to grow up and there is no opportunity. Part of the plot is okay. The setting is well mixed with various cognitions and it is also interesting. The single heroine is not a problem. The biggest problem is where is the fun. It is not heart-warming or affectionate. It is neither scary nor life-like. It gives people the feeling of a hodgepodge. Overall, this novel is okay compared to most novels. What I want is a hodgepodge with novelty and plot. If the total score is 100 points, I will give it 88 points. Come on, work hard to make the stew better

What does my sister Mu Mu look like? Book friends, please give us some pictures.

My head hurts so much, it seems like I want to grow brains. This book is a bit poisonous. I don't mean poisonous. It means just like what is said in this book. Knowledge is toxic and will be eroded.

No more nonsense

1. The writing is good, the plot is smooth, and the author's writing style seems very comfortable 2. The world view is very curious 3. The female protagonist is also okay, I look forward to combining the two lines into one 4. I also read your 1807 Rebel Confessions book, but I didn't understand it very much since it was put on the shelf, so I can't comment.

The male and female protagonists of this book are thrown into the past by the future world in the book to solve the problem of time and space tides. They belong to different salvation plans, which forms the spy play style in the later part of the book. Because of this setting and the many iterations of the author's early outline, the book has two beginnings: male and female protagonists. Chapter 1-86, Chapter 118-147 are the male protagonists. Chapter 87-117, Chapter 148-185 are the female protagonists. The line is closed after Chapter 186. Both lines can be connected smoothly. New friends who have a sense of tearing are asked to jump to the chapter manually. 😆😆😆

Brother, this is a serialized online novel, not a physical book. The number of updates is only a small amount. The sudden appearance of the heroine and the disappearance of the original protagonist will give people an abrupt feeling, and it will easily break the game. It's a good novel and I don't want it to be ruined because of this.

To be honest, it would be great if you had half the male protagonist and half the female protagonist in one chapter. I haven't even finished the free chapter yet, so if you just cut to the female protagonist for more than a dozen chapters, I almost thought I had read the wrong book.

The author only updates the text, not the thread. He humbly accepts the opinions of readers and will not change them. The outline is there and the plot is designed, so you don't have to worry about writing it down (I did it on purpose)

OK folks, I totally get it. Shi Yan is when the work is completed and the story ends. The anchor point is the supporting character setting. The president is equivalent to the background setting of the story, so there is a saying that the previous dynasty will be cut off. To trace back why it is particularly difficult to resurrect a person means that you have to reasonably obtain the recognition of the readers. For example, Eri Yi. The heroine can be successfully anchored because she comes from the fanbook. Regardless of whether it is written or not, she has an identity in the main work. However, several anchoring failures are equivalent to death in the main work, or she is not in the original outline. However, in this book she is the heroine, so the subsequent anchoring is successful. The male protagonist is equivalent to being skipped over from another work. The background setting is similar and there is the Secret Service and so on. However, he has no identity in this work, that is, he is a variable. The results of many things will change unpredictably due to the presence of the protagonist. To put it bluntly. The person in another novel is named Wang Yunxiao, and he travels to Wang Yunxiao in this novel. Although there is such a person, it is inconsistent with the setting of this book, but the world view and power system are related. Therefore, there will be a saying that anchoring is successful at some moments. Then the early stage of the story has the setting power of the later part of the book, and of course one punch crosses the river and breaks the tree. As for why foreign history cannot withstand the erosion, I understand it to be that the author conceived a work, originally wanted to have traditional foreign villains, and decided to change the outline step by step to only write about the national perspective, so the original historical settings were all overturned. And why a bunch of foreigners always want to come to China is because only in the country can the author write about you, which is a relatively stable appearance. As long as the villain is outstanding enough, he will have the opportunity to become the background setting in the next work, and writing fan fiction will not avoid you, which is the so-called anchor point. Fifty avenues, forty-nine Tianyans, escape one of them. This is the author's next work. Fan authors, and even everyone who wants to write a novel about the worldview, will borrow your setting and use it in their own world, which is equivalent to surviving an era of annihilation. Of course, you must be like a platinum author who can directly wipe out all creation and create a novel with the same setting, so that all subsequent novels cannot avoid you, then it is a stable survival. For example, the gods and Buddhas in traditional mythology, or Cthulhu, or the advancement sequence of the Lord of Best Friends, or the dragon clan of Jiangnan. The Dragon Girl is the rock of success that the author finished writing in the previous book, so it is always mentioned in this book. There are also signal flags. The signal flag is actually a place for fan authors to show their strength, or it can be said to be a turning point in the author's outline. Whether it's time travel, it's either time to travel to the critical moment or to the opening moment. The signal flag is the possibility. He needs the original author's setting of the background and the fixation of the original image. An example would be to travel through time as Hokage and become the Third Generation, Hinata, or a certain Uchiha before the Uchiha were massacred. If you don't make up your own family from scratch or make a fan work of ordinary people who wake up and kill them randomly, then you will be thrown into the street, unless your writing skills are good enough. This editor does not use the gods and demons or Sharingan in other works, but writes about one that no one has heard of, but has the ability to defeat the protagonist group in various ways. It's like a fight between two kids. One uses ultra light waves, and the other uses a hanging flying deer to absorb your light waves and bounce them back. Neither can he get the approval of Ultra Light Wave, but he will also be isolated as a fool. I understood this section after reading Chapter 150 of the Human World Chapter. I almost put it down after catching up to this point, but recently I found that there are a lot more chapters, so I picked it up and read it again. Of course, my understanding may be wrong, so I posted it first to see if anyone agrees with it. If you would like to know more about the story, there are no major spoilers in the above paragraph, so you can watch it with confidence.

Bad news: I didn't see Love Letter Good news: Exorcism Notes is quite interesting.

Recently, there have been a lot of outsiders coming to preach.

Chaos... It feels like there is no main line, and people have no expectations for the main plot. They don't know what the protagonist will do, and they don't know what the supporting characters will encounter. The main theme is a mess.

In order to prevent eating shit, my round "Where is Shennong?"

The first one or two hundred pictures are really okay. Although the dual-perspective narrative is a bit messy, it is also quite novel. The middle and later stages are really watery. There are many explosive points that are deliberately dragged out to become poisonous points. Yes, they name the male and female protagonists. They broke each other's vests. I relied on one big point for three chapters and couldn't figure it out. In the end, I couldn't figure it out in a secretive way. There were all kinds of ambiguities in the middle. Since you have marked the heroine, why don't you fucking do it. Then if you have done it, you can do it to the end. The two of them I can't please anyone at all, but things have improved in the middle period. The male and female protagonists are starting to feel like they're getting married, and all kinds of messy female characters are interspersed to drag out the plot and create ambiguity. I just rely on this. I can only say that this problem has not been solved. The author's generation It's impossible for a woman to get ahead, she's so greedy that she wants and wants at the same time. Among the popular characters in the early stage, no such person can be found in the later stage. Veronica, the white-haired nun, is a good example. In the middle stage, there are some problems with the male and female protagonists, making them all look different.

After reading about 200 chapters, I can see that the female protagonist is purely crazy, and the male protagonist is purely lustful towards the female protagonist. To be honest, I can't imagine the scene of these two people together, and to be honest, I think the male protagonist's struggle to survive is better, and the female protagonist's side was described for a long time, but I didn't feel any tension and excitement when watching it.

Fortunately, I saw that it was finished and ordered it as soon as possible. I couldn't stand it after reading a few chapters. The author was obsessed with his speechless relationship between husband and wife, and kept instilling the narrative of a great country. Loss of blood. . . .

Brother, your double-line writing is so messy. Originally, the male protagonist was reading it with great interest. Click, another line was opened here. At first, I thought I had accidentally changed the book, and the opening was inexplicable. Isn't this like taking off his pants and suddenly turning into a big and three-thick creature on the other side? I understand that the author wants to write well with double lines, but please don't be too blunt. If it doesn't work, just open two books.

From Confessions of a Rebel to this one, the ending has been rushed and the plot line has not been explained clearly. I originally thought I was going to continue writing a third book, but it turned out not to be the case, which is very speechless. You said you didn't want to write the confession book because your grades were poor. I remember that my grades were pretty good at first. Later, my grades were poor simply because you were too lazy to update, so I stopped writing it. Although I didn't directly supervise it, to be honest, it didn't make much difference.

Needless to say, dual viewing angles are indeed uncomfortable, but I feel that the main problem is not the dual viewing angles, but that the switching is very stiff. The male protagonist's perspective always changes to the female protagonist's perspective when the climax is coming, and the female protagonist's perspective is always confused and unclear about the situation, so it switches to the male protagonist's perspective. It feels much better later on

First of all, this is a good book. The character design is great. The setting of various bosses and events in the power system are very good. The narrative style is very fashionable. The various plots are played smoothly and smoothly. The writing is very good. The problem is that later the narrative gradually becomes scattered, and the progress of the main plot becomes slower and slower. The multi-perspective advancement of events is originally an advantage, but because of the scattered focus, skipping a few chapters does not affect the reading. The narrative form is greater than the completeness of the content. It can be said that in Shuiwen, I guess the experience of following the update will not be good.

The advantage is that the writing style is relatively comfortable, and I kept reading without realizing it. The disadvantage is that Chang Tan's information density is too low, and the plot progresses very slowly in half a day. It's uncomfortable and the male protagonist's combat power is too suppressed. He is purely a plot tool. Compared to the female protagonist, who has a lot of buffs (Divine Chosen, Master, Rich Woman, Secret Society Boss) and is dragged to play high-end games every day, the male protagonist is just a weakling with nothing. The male protagonist is very good just looking at the male protagonist, but every time I switch lanes and compare the two sides, I feel that the difference is too big. The novel is nearly halfway through, and the male protagonist only has an N-hand notebook with calculations. He studies popular martial arts. He is not sure about the direction of his path and cannot reach the second level. The cheap master he met at the beginning didn't even teach him a single move. No money has been made, no level has been upgraded, no romance has occurred, the plot is just about a soldier cracking part of a Western force's plan, the protagonist does not even understand the overall information of the events he is participating in, and the advantages of time travel are not reflected at all. Isn't this just life? What did you do in half the book?

If the author cannot control his desire to do fancy things, it will be difficult for him to achieve good results. The writing power of the first few dozen chapters of this book, in my opinion, is at least the beginning of Wanding. The results are endless, and a story line of a heroine is inexplicably created. And they are written separately, with the male protagonist writing dozens of chapters and the female protagonist writing dozens of chapters. Inexplicable. Other people's dual-line narrative is to push the male protagonist's story line for a while, and then insert the female protagonist's story. This is the first time I have seen this writing method in this book.

This is a work by a young literary author showing off his skills. The content has low information density and is very provocative. Comrades who are pharmacists should be careful.

Every time I click into the comment area, I always get lingering thoughts about the double-line issue. Obviously the writing is very good, but it criticizes this aspect that I never expected. Although it is indeed not a pleasant thing to change the style of painting without any foreshadowing, the world and story that the author has prepared so carefully have failed because of this kind of thing... At first, Mu Muxian did feel difficult to understand, and the style of painting was also completely different, but from an inclusive mentality, the two Both styles of painting are very attractive. In fact () Some people complain that the continuity of the story is interrupted because of this. It is really a pity. I thought that this kind of two lines go hand in hand and finally merge in a way that is very interesting like me. Is it true that most of the people are dissatisfied?

Such a novel is not on the list. I can only say that wild boar cannot eat fine chaff.

Readers who don't like to read dual plots, please listen to my advice. There are few novels with such good female protagonists in the whole starting point. It will be your own loss if you don't read them.

The ending was too rushed. It's better not to watch the last part of Shi Yan, because if you don't watch it, you still have some room for reverie. The front is pretty good.

Do you have any fans? I feel like I can write a lot more.