Myriad Worlds: The Sword Rises from Mount Hua

As for martial arts, Huashan was inherited from Quanzhen. In addition to looking for other magical skills, the main character's internal strength is to make Huashan's Kung Fu Quanzhen. In fact, to be honest, although Kung Fu may not be passed down much, Wang Chongyang is a Taoist, and there are many ideas that are inherited from Quanzhen. For example, Wang Chongyang advocated the unification of the three religions based on inner alchemy cultivation, advocating the unintentional forgetfulness of words, being gentle and quiet, having a sincere heart, thinking less and having few desires, and practicing as a monk; because of inner cultivation "seeking to return to the true nature", he advocated the combination of merit and deeds in the hope of becoming an immortal and realizing the truth, so it is called "Quan Zhen". He attaches great importance to the cultivation of sex and life. For example, he mentioned in "Fifteen Treatises on Chongyang Lijiao" and "The Eleventh Treatise on Mixing Xing and Ming": "Xing refers to the spirit, and destiny refers to Qi. If you see destiny, you will be like a bird catching the wind, fluttering and lifting easily, saving effort and easy to achieve." As for swordsmanship, the protagonist should follow Yang Guo's old path, from brisk to clumsy and heavy, from lifting as light as heavy to lifting as heavy as heavy. Walking lightly, Dugu Nine Swords is a sharp sword. If the protagonist has to cooperate with Hunyuan Gong to master the Xuantie Sword Technique, Xiaoao will be invincible Some people say that after practicing the Xuantie Sword Technique, he is so stupid. If he meets Dongfang Bubai, it will be over. Look at the original work: He jumped up, lifted the heavy sword, and practiced swordsmanship with the Divine Eagle when he came out of the cave. At this time, some of the fear had gone away. Although he was still avoiding more and blocking less, he was able to occasionally take advantage of the eagle's unparalleled wing power to counterattack. Practicing swordsmanship on the ground, unexpectedly falling off the high platform, you have enough time to use clever moves. Practice the sword like this for several days. When Yang Guo carried the heavy sword, his hand was no longer as heavy as before. He gradually felt comfortable stabbing and swinging. At the same time, I feel more and more that the swordsmanship I learned before has too many changes and too many tricks. I think of the eight characters left by Dugu Qiubei on the bluestone: "A heavy sword has no edge, a big skill has no workmanship." The state of it is far superior to all the most ingenious sword moves in the world. When he was fighting the divine eagle, he meditated on the destructive circuit of the sword move, but he felt that the more ordinary the sword move was, the harder it was for the opponent to resist. For example, if you thrust straight with a sword, as long as it is strong and powerful, it will be far more powerful than the magical sword moves such as the Jade Girl Sword Technique. This is a stunt that relies on strength to bully the weak, using the slow to beat the fast. It is a skill that seems clumsy. Dongfang Bubai dances, is there still a direct thrust that is fast?

Why do you want to save Qu Yang and Liu Zhengfeng? I can understand saving Liu Zhengfeng's family, but shouldn't Liu Zhengfeng and Qu Yang die?

The biggest problem with rigid appointments may be that there are too many great people involved, but it feels like the b-level can't keep up, which gives people an uncomfortable feeling.

Author, what do you think about the heroine? I thought about several possibilities 1. Each world is attractive and attractive, but it will not last long, and the writing style will be extremely strange. At present, I personally feel that Yilin is very stiff. 2. Write only one Yilin, and write the protagonist as a love interest. This way of writing is not the same as the wife and children who died before. There are two types of characters like Yilin. In this world, they naturally age and die. The protagonist develops her skills until she can ascend and then find a way to resurrect. That is to write a scene for Yilin in the early stage, then offline in the mid-term and finally online. Don't write about taking Yilin to ascend together, otherwise you will have to deal with more details. The second type is to be offline in the mid-term. Write the protagonist as a pursuer, just to move forward on the road. This is relatively simple and only writes the protagonist and some relatively outstanding supporting characters in the world.

Tian Boguang learned martial arts, you only cut off the penis and left the desire, then what have you thought about the consequences? In modern society, there are many incompetent people who gradually become perverted and start to abuse or even kill. I won't talk about it later.

Hey, the concept of martial arts is really good, but it's a pity that I don't know how to write plots. Once the conflicting character interactions are started, the writing is inexplicably awkward and the characters change.

When it comes to Dugu Nine Swords, the character the author created for the protagonist is ruined. It's boring and inconsistent.

The dead date is not good-looking, and no one from the starting point can write it well! When I was a kid, I had no idea what it was about!

After seven days of interruption, the new book investment failed. 😒

I think it looks great after the modification. The golden finger is gone. The martial arts concepts written by the author are very exciting. Come on, definitely subscribe and support!