Green Dragon's Ancient Evil Simulator

After reading the Western Chapter, I personally feel that the author has never been able to grasp the positioning of the work. Starting from the core selling point, the author obviously has his own ideas to express. But more importantly, what kind of audience does your work serve? I don't know if you have thought about "who" you will serve most when writing the outline? What is your "selling point"? "Dragon" No matter what the online works, the stage and performance must be designed and customized around the protagonist. The protagonist, as the most important perspective, must give readers a lot of positive feedback, but I am afraid that this kind of feedback is not seen much in the works. The audience of dragon novels hope to see that the protagonist can bring positive feedback to the concept of "dragon". "Dragon" itself is the core and most important golden finger of the protagonist of the novel, no one else. In the eyes of most viewers, the dragon in the novel (or the protagonist's dragon design) is the most important setting in the entire work. There is no one setting that requires the entire stage and performance to revolve around it. The most direct positive feedback is the destructiveness or creativity brought about by the almost invincible and overwhelming power of the "dragon" in the most important inherent impression of the audience, and the unparalleled interaction that transforms the environment. And the work does not talk about the multiverse. In this small world, all kinds of monsters and monsters have come, and it is just like playing a soul-based game. It can be said to be "you die" at every turn. It can be regarded as directly contradicting the audience's inherent impression, which is the so-called "no dragon flavor". Moreover, the title of the book is somewhat problematic. "Green Dragon's Ancient Evil Simulator" - the title of the book is highly misleading. The title and the first few chapters are the most direct windows for potential readers to initially understand the work. "Green Dragon" and "Ancient Evil Object" are both evil dragons and powerful evil objects that can cause great disasters. It is easy to connect the two settings together. After reading dozens of chapters, I find that it is not what I thought at all, and I screamed that I was being cheated. If I wrote this title, I would definitely prefer that the protagonist be able to use this power, or even the source of power, and that it should be shown in the first few chapters as the biggest selling point to attract potential readers. There is also the problem of the protagonist's choice. The protagonist's dragon species usually determines the interest brought by the "dragon" concept itself. If you don't plan to write a more traditional evil dragon from the beginning (or think it is evil under the order of humanoid civilization), you should not use a setting with a highly stereotyped impression of a pure evil dragon as a starting point; if you change the protagonist to a gold dragon, silver dragon, steel dragon, or choose a rare dragon from the dragon book, or DIY a unique three-party setting, it will not affect the current protagonist's behavioral logic. To break this inherent impression, you need a very strong reason to convince readers, otherwise you will still be fighting against the readers' inherent impression. At the beginning, if you want the protagonist to be more individual, such as the alien dragon setting, you can even blur it and call it "dragon" instead of accommodating the dragon species. It is unique, but this will involve the second part - "Golden Finger". "Golden Finger" Generally speaking, the "golden finger" in dragon writing is the complement of "dragon", and then sublimates it to make the former more interesting. However, the core purpose of the "simulator" in this article is to predict the future and avoid danger. If this is a COC-themed work, it may be completely fine. However, Longwen and COC are two completely different extremes. Longwen's idea when encountering problems is frame A, and the strategy and wits used in the middle are just a polish and better frame A. As for the "simulator" in the article, it is an element completely separated from the "dragon", because it cannot violate the audience's most basic inherent impression of dragons. The chapters on "simulators" in the article have even surpassed the chapters on the real timeline by a large margin, and they usually end with "you die". However, most viewers have the inherent impression that "dragons" are not as easy to die, and they even force the opponent to beat them. This undoubtedly adds more negative perceptions to the audience. If you need to write a character with precognitive ability, it is better to involve him with a setting such as the time dragon, and combine it with a dragon species, the logic will still work. As it stands now, the skill in writing the outline and the lack of investigation of potential readers have led to a series of problems. Still needs to improve.

Grinding and grinding in special classes will not increase your strength. I don't deny that memory is useful, but you don't even have much strength and no amount of memory.

The book is probably ready to hit the streets, and Long Wen's audience has not even discovered it.

A group of people who have broken their shells will be the next ones to rush to the streets.

There are many shadows in this book, including simulator plug-ins and Longwen's unique developmental timeline article characteristics. The writing is a little immature but the descriptions are in place. This is a dragon book with great potential. Of course there are still a lot of trolls in the comments section. It is recommended not to read the comment section.

I didn't want to read it in 77 and 78. In fact, there were signs in the past. The plot behind Bugbear became less and less dragon-flavored. At this point, it was purely about constructs. Everyone likes dragon novels because they like the wild, unruly, domineering and ferocious nature brought by the dragon itself. However, the author's protagonist is not like this. He is also involved in the "intrigue" with the baron's palace. Are you writing a decryption?

Just one request, don't cut it. I think a lot of people are complaining about it, but I think it's really comfortable. You don't have to pursue making everyone satisfied and then change it badly. Keep this rhythm.

Even a baby dragon after hatching can't defeat a goblin, and it dies so many times...

Emm, I only read the first dozen chapters and couldn't stand the rest. Personally, I think the title of the book could be changed to: The Author's Self-Happiness in Another World as the Dragon Queen and My Fool's Legendary Adventure. Then let's evaluate the content. The author writes about a green dragon, a real dragon. The golden finger is a simulated future. Points or memories are added based on the number of days of survival. This golden finger is destined to not live long, so the protagonist must be stupid and commit suicide. I can't stand this disgusting. As a real dragon, you can't eat dirt? Will cause diarrhea. . .

What a weak dragon. It has no basic spells and no training methods. The success of meditation depends on your appearance. The spells in the inheritance depend on your appearance. In terms of physical skills, it only has a heavy hit or skills. So what exactly did you gain from this inheritance? Got a name and told you to remember to drink milk? The good one has the inheritance dragon, written the same as the goblin

We're home. The old man left at 1:34 this afternoon and I didn't see him for the last time But I heard from my family that the old man's death was not painful and it was the last comfort. The old man has been with me throughout my childhood, and now it is my turn to keep vigil for him

Oh my gosh, this plot is getting weirder and weirder. The identity of the protagonist, the dragon, is getting more and more ambiguous. It's no different from a human lord. It's easy to die violently. It's too weird for your Vig to die suddenly. This kind of simulator has a problem. It's getting stronger and harder to die. There's no logic to dying violently. If you don't die violently, it will always be simulated.

The attributes of a real dragon, even a young dragon, are not comparable to those of low-level creatures like goblins. Written this way, how does it feel different from ordinary monsters? It's not like a dragon, it's like a worm.

Your dragon is too weak. The average attribute of a human professional who starts at 10 or more levels will not reach 12. A level 5 human professional can kill a hobgoblin. Your attributes are higher than those of a level 10 melee professional. You can't beat him. Are you sure you are not a dragon? The minimum requirement for human professions to take up a job is 10 points in related attributes. The wizard requires 15 points for warlocks. It seems like 12 points. Other high-end professions seem to be 12 points and the low end is 10 points. For example, in addition to the agility requirement of 10 points for shooters, the other 5 points are fine. The same goes for warriors and the like.

Dear readers, you can put it on the bookshelf, but you must read it. It is so important to read new books, even if you spend half a minute every day to read the latest chapters!

When simulating, go into the earth and eat dirt for thousands of years, and then come out to improve the strength of an ancient dragon. Dragons can live by eating earth. Although it doesn't taste good, it is better than dying outside all the time. If you really can't survive for that long, you can just survive for hundreds of years to improve your strength. When you are not simulating, you can enjoy the hot and spicy drinks. During the simulation, you can continue to succumb to the earth.

It is undeniable that the battle against the Wolf King and Goblin Bear you wrote earlier was good, but the later one was slightly worse. In fact, there are a lot of books about dragons, but there are only a few books that can really be read. If you don't change the style later, it will be normal. When you encounter enemies, you will just flash explosions and spell attacks. The power, bloodthirsty, and cruelty of the green dragon are not mentioned. Nowadays, everyone likes to watch fast-paced movies.

I have a question. The starting point of the book title "Green Dragon's Ancient Evil Simulator" is a summary of the theme of "Protagonist's Ability", right? So what does this "ancient evil thing" refer to? When I saw this name, I thought that the protagonist "can interact with" or "is" an ancient evil being, and he is a five-color dragon. I thought it was a book that was biased towards evil dragons. However, in the latest chapter, I haven't seen any power-based interactions between the protagonist and other characters except for the villain. I don't know if this is a mistake or if there are other arrangements?

It will be on the shelves at 12 noon tomorrow. Please place an initial order. Even if you only order Chapter 89, it only costs a dime to give Meng Xin the confidence to persevere.

Does the protagonist look like this?

The settings feel like they still need to be refined. The DND and Yintian universe systems are not well integrated. Both systems are highly complete. The current method of directly using relevant settings and terms will lead to a sense of fragmentation at the setting level. The DND system is actually more inclined to idealism and mysticism. The nature of extraordinary power is more unknown, conceptual, and without very clear logic. The astral world and the etheric world symbolize the two ends of spirit and matter. The two are dualistic and unified. Together with the theory of the four elements, the theory of the world, mystical philosophy, etc., The world view is constructed in the way of Western classical mysticism. The Yintian Universe is a very materialistic world. The so-called spiritual energy is only a phenomenon that can be explained. The basis of matter is not the four elements but basic particles. There are four basic forces. Gods do not need belief to exist, but only when gods exist can people believe. Believers are not servants and slaves of gods but followers of gods' ideas and people who walk with gods. The two have fundamental differences in underlying logic and narrative tone. If you want to integrate them, you need to make trade-offs. At present, it seems that there are still certain deficiencies in this aspect.

Green dragons and ancient evils? Isn't it something of a combat power level at all? Can we still fight?

What does ancient evil mean? Where is the ancient evil thing that I don't understand the title of?

If you finish the book, at least write a final reflection (

Just add more

When the Royal Capital Chapter begins, where is the timeline of the main world? Has it already penetrated the volcanic maze, or is it still before the rampage in the maze?

Old comrade, why do I feel that fewer and fewer people are reading your books?

I don't allow you to comment without me 🪖

The cover looks black to me, what should I do?