People in Liaozhai: I Stewed at the Beginning and Asked for Huangpizi

"Strange Stories from a Chinese Studio" is a novel about gods and ghosts composed of multiple prose stories, including stories about gods, demons, evil spirits, spirits, mythical beasts and humans. Xu Ke's version of A Chinese Ghost Story is an independent world where immortals and Buddhas are nowhere to be seen. The only way to survive is to rely on the exorcist himself to battle wits and courage with demons. No one in Xu Ke's version of A Chinese Ghost Story can ask for magic or ask gods for help. The second part is about demons causing trouble in the world, and there is no god to eliminate the demons. It is all up to the exorcists themselves. Many authors are confused now. In the world of Liaozhai, you can ask the gods who have appeared in stories such as Guan Erye, Zhong Kui, Thunder God, Ksitigarbha Bodhisattva, and the civil and military judges of the underworld for help. For example, the old demon from Montenegro said that he would be at the level of Yama of the Ten Palaces at most. If there were too many people who could beat him, he could be killed by burning a few prayers. The author of this book is one of them. He wanted to write the content of Xu Ke's version of A Chinese Ghost Story but didn't know how deep the water was in Guobei County.

It only takes a few days to complete one chapter, which is short and weakpowerful

The writing is really good. There are a little too many textual dialogues and it makes it seem wordy. The writing style is quite good.

Keep it first and look at it later.

The protagonist kills the monster by chance and gets the treasure. If he doesn't improve himself first and let others see it, he won't be able to kill the monster by chance every time, right? He won't be able to pick up the treasure by chance and save the day every time, right? Of course I will, because I am the protagonist, so if I have many opportunities, I can give them away to others. Because I am the protagonist, of course I have to be great and upright, and of course I have to have no utilitarianism. Because I am the protagonist, I can live happily until the end.

I've read Chapter 19 and it's hard to calm down. The reason why "Pujie" is "Pujie" is that it involves disgusting plots. The author is getting more and more serious about writing more, for fear that too many people will read his book and have to filter it out. What the hell, the protagonist, are you a wooden person? So after saving someone's life, you have to be responsible for the rest of their lives? Lord Buddha would not dare to play like this! If we really want to help others, we should ask the village chief to organize the whole village to collect a few hundred mosquitoes to pay the fine, right? This protagonist is like a stupid idiot. I enjoy being at the mercy of others. Author, if you have masochistic tendencies, you keep a diary. What novel will you write and publish? Now that you know that you are in ancient times and still in a world of monsters and monsters, don't you think more about it? The Buddha cuts his flesh to feed the eagle, and the protagonist uses his identity and happiness for the rest of his life to save people. Compared with the protagonist, the Buddha is ashamed.

I have an idea, but the writing is frustrating. The main character is able to cheat and then anyone can make calculations. He talks about being invincible, but it is of no use. Then the protagonist is in a kind of situation. I know someone is plotting against me, but I just don't want to take precautions

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It's really poisonous. Starting from Chapter 16, can anyone plot against the protagonist? In ancient times, how could a little country girl with nothing be so good? And plotting against the protagonist like this? Repaying kindness with revenge, the protagonist also promised that I really believe it. Friends who haven't read the book should not read this book. It's too poisonous. Let's go.

The character of the Virgin Mary with pig's feet, be careful!

Ah, I died of poison after reading Chapter 6. While thinking that I couldn't tell others about my time travel, I said words that others couldn't understand. It feels like the author's time travel is like playing, as if the protagonist knows that he is the protagonist and hides nothing. I slipped away

I'm speechless and frustrated. I'm being plotted and plotted against. Luck can also devour the master. Which person with great luck would be so unlucky?

You almost get killed every time. Do you know how frustrating it is to see such near misses?

One thing after another, the protagonist has no time to develop, and relies entirely on the protagonist's halo to kill monsters. There is a lot of bullshit, and the protagonist is stupid. Author, don't you change it?

Author, are you begging for food? It's not on the shelves yet, you set the fan value?

It's the first time I've seen a book that starts off so poorly that even jumping three or four pages doesn't affect reading at all.

The protagonist's setting is really rubbish, and it's so uncomfortable to watch. Apart from the author's luck, it's nothing. Nothing to watch

Why didn't you take the demon pill yourself first? Strengthen yourself first, feed the old man meat first, and then look for a little monster to save the old man? No way, no way, don't some people really think that they can take on little monsters on their own without any skills?

Why not change the name to Ren Zai Liaozhai: My grandfather is my external brain

I want to read the Liaozhai Shanhaishishijing, not to watch the little detective solving crimes on a daily basis, not to watch the protagonist cultivating in the yamen, but to watch the turbulent times in Kyushu.

It's so long, stop writing it.

Why is this protagonist so brainless?

Without these two protagonists, it would be a good book. Unfortunately, the protagonist is too annoying, useless and brainless. It is okay to rely on luck to promote the plot, but is it a bit reversed to describe the supporting characters so well and the protagonist so brainless? At least I want to see the protagonist being tricked and able to fight back, instead of just relying on luck and relying on the author's deus ex machina to save the protagonist every time. This is because the protagonist fights monsters and eats monsters to upgrade, rather than watching the protagonist get frustrated again and again and end up relying on luck again and again.

Tai Shui is too verbose. He can only say one thing in two sentences. He insists on giving various explanations here and there, and the explanations are particularly blunt.

Don't listen to others, it looks very good for now.

The previous part was okay, but I felt a little disgusted when I saw the part where I broke off the engagement with Xiaoqian. I used modern marriage law to say that the marriage was invalid while marrying two by myself.

Food and grass are full of lies and cannot be trusted. Good

The writing is very good and the plot is very interesting, but the main character always seems to be stupid and useless.

It feels like this is the rhythm of a eunuch.

Apart from being verbose and wasting the number of words, there is nothing wrong with it.