Journey Through the Heavens, Starting with My Master

You wrote about movies and TV shows in the first two worlds, and the protagonist is such a macho man. The third world about Jiuzhou is a complete failure. I hate Jiangnan the most, so I can only give up.

In the era of guns and cannons, martial arts was just a hobby, not to mention how awesome it was. A time traveler would not practice martial arts seriously unless he had a particularly big obsession (system mission).

Learn martial arts and become an emperor yourself.

In the first world, in order to "suppress" the protagonist who broke the limit, he randomly created some "stimulant" and forced himself to use Ma San. What was originally a crushing game can still be played back and forth. Honestly, I find this quite boring and disgusting. The first world can be adjusted like this, but what about the other worlds after that? Will you do anything to force your opponent to stand up? If in the future world, there is no such operation of "forcibly promoting the opponent", then I can see it. If there is, then I can't stand Su. So, I would like to ask the author, will there be any more plots in the future where the opponent takes the stage like "Ma San takes medicine"?

What is Jiuzhou written about? After writing these two Jiuzhou dungeons, I can't figure out what the protagonist is here to do. The first two dungeons at least support the people to destroy the Qing Dynasty and the Ming Dynasty to eliminate the gold. In the end, the first dungeon of Kyushu is basically the people of Yingzhou pretending to be cool from the beginning to the end. In the end, the protagonist comes out to show off. The key point is that it does not explain why the protagonist did not show up throughout the entire process. Regardless of letting Yin sing the drama to the end, if the protagonist also wants to get the magic medicine, at least there is a reason, but it turns out that he knew that Yin was doing things and ignored him the whole time. The sailor was almost dead before starting to activate the protagonist's aura. The same is true for the second copy of Kyushu. I don't know why I chose the help-win camp, but things didn't go well. Are you happy to help Xing win today? Are you not happy to help someone named Ji tomorrow?

The protagonist is a bit funny. The Manchu Qing Dynasty is not a good thing, but Zhu Ming is not the same thing. These two are the sleeping dragon and the phoenix chick. How can the protagonist make the Ming Dynasty great again? With those millions of descendants of the Zhu family? The protagonist doesn't want to build his own power and return to the descendants of the Yan and Huang Dynasties. How can he continue to help the Zhu family? Li Zicheng understands better than the protagonist that the best choice is for the protagonist to become the emperor himself.

Hurry up and write the volume of the protagonist Kyushu. I will come back when it is finished.

With all your physical body, will your expressive attack power be worse than that of Datang? If you fight with speed and strength, you will still die.

I found that a lot of Infinite Flow novels are particularly well written when they don't have internal strength. They have style and original temperament. Without internal strength or other superpowers with more elements, the atmosphere is no longer there. Are there any Infinite Flow novels that recommend various fighting movies, such as Sha Po Lang, Ip Man, The Master, Shaolin Seventy-Two Rooms and other old Hong Kong style kung fu, Xie Miao's new police dramas, etc.

Why would you want to write about Kyushu? This plot is long and smelly