I'm Guarding the Gate in Jiejiao

I have a question that I would like the author to explain. I have read more than 20 chapters so far. The protagonist blocks the creatures on the island due to "compensatory karma" and knocks them away and injures them without killing them. These creatures eat a bunch of weak creatures in order to recover from their injuries. Does the protagonist not have to bear part of the increased "compensatory karma"? How to calculate the cause and effect of the living beings who died in vain?

Come on and update. The path of this book up to the latest chapter is indeed good. It may not be liked by everyone, but it won't be particularly disliked by a considerable number of people. If there is an update, the results are likely to be even better. Also, let me briefly talk about my superficial views on the content as an ordinary reader. 1. The advantage of this book compared with serialized novels of the same theme is that the gatekeeper system can naturally introduce some familiar characters who appear in Fengshen without having to spend too much text on each person in order to establish the character (of course, some characters can or should be written and ink, which specific character depends on the author's choice of characters), which can be said to be very cost-effective. 2. This book has a rather special idea or setting, that is, the protagonist is the incarnation of a river. The river can naturally lead to the plots of other "maps" without damaging the main plot. However, I suggest that when switching "maps" to other plots, if the author really wants to spend a lot of space, I hope the author can create a core character that can stand in that branch plot, or optimize the writing style to make the content that is not so interesting to readers more empathetic. 3. The time set in this book can effectively allow the actual core climax to appear at the time the author wants to appear. You can write about Fengshen and Journey to the West. If you want to write more, you can write a lot. Of course, you can also detonate the climax at the right moment through "ten thousand years have passed in the blink of an eye", which will build up the readers' expectations. 4. Although the author's writing style cannot be said to be good, it cannot be said to be unreadable. It is probably the average or slightly lower level among all Qidian novels, excluding those that cannot be read within 10 chapters. I hope this can be maintained and perhaps optimized. 5. There is no logical poison. After reading the latest chapter, I can at least say that there is indeed no logical poison. As for preferences and personal cognition, it depends on personal preference. This can only be said that readers will inevitably be lost. 6. It is also very important not to develop the settings too quickly and conclusively. Expanding the settings too quickly and accurately will cause the subsequent plot to carry a lot of plot baggage.

The content has the same name as the protagonist, which is water.

Come on, update, it's well written

It looks good, keep writing, I will read it side by side

It suddenly occurred to me that the purpose of establishing religion is to educate. If you can guide and return the cause and effect, then you have strength. If you don't accept it all the time, you will feel that you have no ability. The capable will not escape from reality but will change the reality.

Engaging in system flow in the prehistoric times, speechless

All the great floods with systems cannot become popular.

It's hard to imagine that this book was written by Wan Jun. Xiaobai's novels are indeed very popular.

The prehistoric system has only half of the readers ... I'm really drunk, I've been through the prehistoric period, and I still come to the system. Interesting?

A common problem in prehistoric novels is that they worship the heavens, and other saints are villains, especially the original Tianzun, who is the standard suppressor of younger brothers, I am Lao Yinbi, and of course the big boss Hongjun Daozu who has lost his mind behind the scenes is indispensable.

I just want to ask you one thing, you were a reader before you became an author. Can you read it yourself?

I'm really convinced. The more I look at the protagonist, the more disgusting he becomes. It gives people the feeling that he is trying to intercept the teacher but is benefiting himself. He hid it and died of poison.

Shock! The top second-generation Duobao (the future Tathagata Buddha) actually had a back-and-forth fight with a zombie ancestor who was at a lower level.

The beginning of this book was joyful, but after the leader of Tongtian was prevented from signing the list of gods, the book became less successful. It's not interesting, it's always in the water

What the hell, isn't the protagonist the first to get started? Shouldn't it be the senior brother? Why do you still call others senior brother? Do the lion cubs of the grandchildren dare to call them by their real names? ? I vomited. Is the author Liang Jingru?

This book made me realize that novices from Qidian are the mainstream.

Water, just like the name of the protagonist, is water. I won't vote for anything. If you have this vote, it's better to vote for other sincere works. If the writing is good, you should listen to opinions with an open mind.

I saw the latest chapter of Tong Tian Chuan Shui and it was quite enjoyable, but there is one issue that I am not happy with. Can you add more ways to repay the karma? Every time I go to help the human race, I kill the water tribe, there is karma, and the result is to help the human race, but the karma is gone. What kind of logic is this?

The writing is too naive, but the rest is okay. It would be embarrassing if you didn't write about the prehistoric era that talked about cause and effect, wisdom, enlightenment, and calculation. For example, Styx, you don't have the courage to practice the law of killing. In fact, I think your writing style is not suitable for writing such embarrassing articles. It should be good to write about farming management and development.

The protagonist always hurts but does not kill. As a result, the monster goes out and sucks the essence of other creatures. This karma will also be counted on the protagonist. Cumulatively, the protagonist's karma is much higher than these people, so it is better to kill yourself.

The protagonist is supposed to be a guard at the gate, but in the end he stopped the students who were about to sign up. Although he was trying to intercept the teacher, he was only a disciple at best, and not yet a generation (the deputy leader was a pie drawn by Tong Tian). He had no right to stop others. This was not acting on his behalf. They don't let people in, they don't give a reason, and they don't identify themselves. Every time they drive people out, they are injured but not killed. Then they kill more creatures to recover, come back, and are driven out again. Repeatedly, the protagonist gets a bug and profits. Isn't this the equivalent of an official suppressing bandits and raising bandits to respect themselves?

After reading twenty chapters, the author must have paid for the ten thousand orders himself!

Tongtian said that if you go to the island, you are a disciple. If you set up a private checkpoint outside and prevent so many creatures from entering, what will happen outside? Tongtian can't afford it, and he doesn't want to accept disciples. What he said before doesn't count... He presses Tongtian's face on the ground and rubs it...

See if you see it, update soon

These chapters are too watery and have no actual content at all.

The more I write, the more cliches I play, and the real content is gone. To sum up, it is the love and death between the protagonists Hongjun and Sanqing, and nothing else is gone.

Update quickly😁

Hurry up, I'll give you all the monthly tickets

It's still good, please give it a try🧐🧐