I, the Lord of God, Recruit Witches to Make Money

After watching it, I think it's okay, but I can't stand the heroine Gao Liujing. The typical American free-spirited heroine is really hard to accept. Besides, the author doesn't know how to write about wits and adventures, so let's write more about daily life. The processing of those orders around Chapter 170 is hard to describe, there are too many flaws.

In my childhood, when I was a son-in-law

Qiuzhui

. . . Is it really invincible? . .

Damn it, I can't stand it anymore, it's all about women.

Another nanny story is said to be invincible, but it ends up messing with you, provoking you, and even trying to kill you. Some people may say, doesn't that mean the protagonist is not dead? Brother, is that a good attitude? It means that you want to kill but you are unable to do so, while the protagonist has the ability to kill but does not. What is this if not the Holy Mother? Reading any novel can make me nauseous, damn it

For a book like this where the main character is invincible in Japan, I'm curious if there are no more divine toilets in Japan? ? ?

Invincible harem story? Is it true invincibility or the kind of invincible at the same level but has to be wary of the old one? Is the harem all inclusive or only the ambiguous Qing Shui?

The Takayanagi family is too dramatic. It was the first Japanese manga I read in my childhood. Every time I see the Takayanagi family, I always have memories.

Little green is constantly coming, The eldest lady doesn't do housework, she has to wash vegetables when she gets home later, Jing is the Queen of the Sea

Looking at the role of Jing Gao Yanagi, I feel quite awkward. I thought it was my problem, but there seemed to be a lot of them in the comment area It feels like Fujiko Mine, or Xia He, who just flirts everywhere It is said that it is necessary to break through the strength, leaving aside the conceptual level ability of the protagonist to turn fiction into reality. You have to go out to find opportunities by yourself What should I say? If you rely on the power of the protagonist to break through, you can't talk to the protagonist on an equal footing? Are their statuses unequal? What kind of logic is this? There is a sense that the second generation of rich people do not want to inherit the family property and have to go out to start a business. They are beaten by society and have to inherit the family property. There is also the feeling of hanging up the phone at every turn. The author should really want to create a chic and independent female character, but it gives me the feeling that this female character is very strong. Just stay there Of course I don't deny it. After reading online articles for so many years, there is indeed some machismo. But I think this is more of a respect issue. Gao Liujing said that she wants to be equal, but she always puts herself on a higher side And the most important thing is that this kind of character should not appear in harem articles. In order to break through and be equal to the protagonist, she even sacrificed her life. How can she be a member of the harem (I have read dozens of chapters of the book) The character Gao Liujing really made me a little tired of it. I don't know why I was able to accept the protagonist having a harem in the future) I think the author really wants to write the character Gao Liujing well. You should pave the way for her first and don't exaggerate her pride from the beginning

The character Takayanagi seems out of place in this kind of subject matter. She looks like a character in an American movie. Some people in the comments commented that she is a bad girl like Machima. It is not the same thing at all. Bad women have a feeling of being able to do everything with ease. Takayanagi is just pretentious. She is weak and can't strategize. It feels like a child who is having trouble and runs away from home. She talks about a goal to brainwash herself. In fact, she just wants her family to find her directly. But it was written by the author in a nondescript manner, not bad but not bad, like a child. Sister Yu has no character at all.

He said he didn't want to be a superman, but in the end, the protagonist handled all the big and small things like a world nanny.

Overall it was okay, but in the middle and late stages it was obvious that I couldn't control the rhythm. Personally I feel there are problems: First, the tempo in the middle and late stages is too fast, and the lines between Rin, Komori and Akira were obviously completed a bit hastily. I can only say that Rin's confession line is a bit forced, and Komori's line I think can be written as a sister line. With the sisters pushing each other, I feel that it will fall into place in the end. There is obviously a bit of foreshadowing in the front, so I can only say it is a pity. Second, the number of people in the harem is a bit too large compared to the total number of words. The Hanama Line and the Adolfo Line are honestly unnecessary. It has nothing to do with the miko line, and Akira's line also feels a bit forced. It would be better to get rid of the line about three mikos or use the saved space to open a line about Komori sister. I think I'm quite interested in the sister line. Overall, it's pretty good-looking.

If the pattern is opened up, the protagonist's ability is not very useful for developing space. If you don't know how to make precision mechanical components, you can mass-produce rocket fuel and high-performance materials, and build a space elevator in a matter of days. There is no need to worry about consumables in nuclear fusion experiments. The protagonist directly rubs protium, deuterium and tritium with his hands to accelerate technological progress. 🤓

Although the author will not write this kind of plot, what I want to say is, is it possible that the half of the undercovers of the Winter God Sect are not really undercover, but the FBI holds shares in the name of undercover agents (it is not too much for the FBI to hold more than 50% of the shares of the Winter God Sect)

It's a book with excellent visuals, except for Gao Jingliu My first impression was not very good, especially Chapter 90, which is even more difficult to understand. Now that I've said it, it would be rude if Gao Jingliu didn't die. If she lived well, the previous description of her being free and easy would be like a joke. Forget it if I change the book. It may be a small flaw, but it just seems that this book is so satisfying except for Gao Liujing that it looks dazzling. I was running smoothly, and I was watching it comfortably, but then I got stuck when I saw Gao Liujing. It was like a speeding car that was hit by a pebble while driving around a corner. It was so uncomfortable.

It looks like this

I feel like the author is not very good at writing high-end power showdowns.

I contributed a huge amount of money and finished reading it.

Wait, I'm so stupid again, I'm just choosing to order, I'm too lazy to order everything

Already fully booked + 2 monthly tickets + 1000 reward, author, come on! The Jun Komori in my mind is as follows

I am participating in the Qidian [Vote for Online Literary God-level Famous Scenes] event. The original text of the famous scene I submitted is as follows. Come and discuss it with me! "What are you?" {"LinkId":"883432641","LinkName":"515 Book Fan Festival-Famous Scene Voting","LinkUrl":"QDReader://ataru. Qidian. Com/noah/883432641?_Viewmode=1&nocenter=2&f=tg"}

It looks great. I love reading it. I would like to ask what the group number is for the book club?

No update today, sorry