Doomsday Marksman

I haven't read it yet, so I'll start making associations based on the title. It's actually difficult to write for the protagonist to use long-range attacks. It's pointless to gain points throughout the whole process if it's accurate. If you often do 1vN in order to arrange dangerous situations, your experience and equipment will increase too quickly and your combat power will easily collapse. If you reduce the income, you will be criticized for suppressing the protagonist. It's hard to write if you can't shoot accurately. In the early stage, you basically rely on luck, which makes the protagonist look dull. I am very impressed. There used to be an author who always loved to write about the end of the world + bow and arrow openings. He wrote two or three books. The protagonists are all sharpshooters. The slingshot starts well, limiting the power of the weapon. The problem of national conditions is that it is difficult to reasonably obtain hot weapons at the start, and it is difficult for ordinary people to have this technology. It is difficult to write a killer, military and police type of start. It is unreasonable for the killer not to be cold-blooded, and the cold-blooded plot is difficult to promote. Arranging a beautiful woman to fish in the team is annoying, and you cannot kill all the way. Too many military and police things will make you look like a virgin, and it is even more unreasonable to watch on the sidelines. There are only three weapons left at the beginning: bow, marbles, and throwing weapons such as throwing knives. Bows and arrows are the most intimidating and have full lethality. A slingshot + steel balls can easily blow up the head. But the difference between slingshots and bows and arrows is that the bows and arrows are easy to recover after clearing the map. There is no sense of violation when charging. Slingshots, steel balls and rocks are difficult to retrieve after being shot out. The amount of ammunition limits the protagonist's firepower. It can also rely on its silent and easy-to-conceal characteristics to write some sneaky, assassination and infiltration plots. In the mid-term, I changed my equipment, whether it was bows and arrows, or firearms. It just so happened that the enemies evolved into the appearance of elite monsters, bosses, and superpowers. It was perfect.

Can. Compared to firearms, bows and arrows, and crossbows, slingshots are the least difficult to use, and their lethality is not bad. There are no shortcomings except that the effective distance is a bit short. I don't know why few people write about slingshots.

After reading twenty chapters, I couldn't bear it anymore, so I set up a monument here. The protagonist is just okay in the first two chapters, but then becomes a bit of a virgin, and takes himself too seriously. He blames himself for his teammates being cold, even though it has nothing to do with the protagonist. He wants to save anyone he encounters, regardless of good or bad. The scarred man he meets later is clearly an enemy, but he is still too timid to kill. Moreover, he also has a strong sense of personal heroism. He is willing to sacrifice himself for others at every turn, luring zombies away by himself so that his companions can survive. Even though they have only known each other for a few days, they are like brothers in life and death. The writing style is generally depressing, without first suppressing and then improving, and it is not refreshing. It is completely a sadistic novel. The protagonist's character is also not good, very emotional, and very fragile. The survival of this kind of protagonist in the apocalypse depends entirely on the author. Readers who come to read apocalyptic novels generally tend to have protagonists who are decisive in killing and even darker. The author's savior Madonna protagonist is really difficult to accept. This kind of protagonist is more suitable for movies and TV series, but it is really not suitable for online novels. Personally, I feel that if you don't die in the apocalypse, you may not die, but if you don't have a strong mentality, you will definitely die. We will meet again indefinitely. Farewell🙏

The virus I hate the most is related to the protagonist, and it also gives the protagonist an awesome system. As a result, the protagonist put waste to use, and made the protagonist less indecisive and more decisive, leaving trouble forever and causing trouble for the protagonist.

Is anyone watching? I can't write anymore, brothers. I'm too busy working every day and have no energy to type. No one is looking at me so I cut it off...

That Wang Dabiao just didn't kick him and kept it to trick himself. The protagonist must be mentally retarded. Also, if you don't improve your attributes with experience points, you can buy medicine.

Let me tell you a few questions. If the protagonist grew up in the 70s and 80s, his behavior would be fine (overflowing sympathy, indecisive, and lack of opinion) But if he was born in the 90s or 00s, I can only tell the author that basically no. My wife was born in 1999 and is a teacher. She is the most empathetic person I have ever seen. She has been happy and carefree since she was a child. However, in her behavior module, she still has the ability to make decisions when she is right. I am afraid of being cruel. You don't need to mention the influence of the protagonist's mother's departure when he was a child. It's your most basic personality, an otaku. People are affected by information. Most of the time, they are washed away by the complicated information on the Internet. Moreover, he likes gun games. He is definitely not a compassionate person in his heart. He has a warlike and thrill-seeking nature in his genes. Second, any equipment will wear out unless there are rules. Third, modern people hate trouble and are more realistic. If a person helps a group of strangers and does not get the feedback he deserves, whether it is material or psychological, he will quickly lose patience. This is a shortcoming of human nature brought about by a fast-paced society. In my opinion, the protagonist can live a good life without their team, and there will not be so much emotional burden. Moreover, their team cannot bring necessary and indispensable help to the protagonist, so the normal situation is to go alone after starting. There's a lot more I want to say, but I'm too lazy to type, so I'll leave it at that. If you want to write a good character in a novel, you have to take in his environment, his growth experience, and use his psychology, his behavior, and his emotions to support the story with him as the fulcrum. Only in this way can you write a classic. The protagonist, supporting roles, and villains are all the same. There is also the era of the subject matter. Sometimes, writing some common sense and basic rules that conform to the era is about 30% successful. Come on, if you are a newcomer, the author is pretty good. I will read the next book. Forget this one, some settings are a headache to read.

It's my first time to write a book, so please bear with me if I don't write well You can complain or curse (just don't bring family members). Your suggestions are the source of my progress Thank you for your support! ! !

Is there logic? Are you afraid of a little pain and won't improve your physical fitness? The grass jelly is not really considered as food, which is a bit overwhelming for the protagonist.

The protagonist's personality is really unlikable, he gets moody at every turn, and feels inexplicably lost.

The well-written chapter 20 starts to spread the poison. . . It's outrageous. I understand that you want to write about the growth process of an ordinary person to a boss. The problem is that this is a novel, and you have no loyal readers. Who is interested in waiting for you to grow up slowly and see the frustration in the growth process. . I have made it clear that I will kill you all. If I can't get any useful information, I'll kill you. I can also establish a character who is decisive and decisive, and I have to isolate everyone.

I just saw a sentence, you have to save people even if you die, and you are a neighbor you don't know at all. You are so awesome that you risk your life to save a stranger, Holy Mother.

The subject matter is okay, but the protagonist is really not that good to be honest.

I read two chapters and couldn't stand it anymore. The setting for the protagonist was too low at the beginning. If it weren't for the protagonist, he would have been played to death.

If it is a man-made biochemical apocalypse, I hope the author will consider clearly why it triggered the apocalypse. You must know that there is a bustle and benefits come and go. It is impossible for a truly realistic organization to actively trigger the apocalypse. The most basic component of an organization is people. If a doomsday is triggered, there is basically no gain that can outweigh the losses. And there are not many people in organizations with this ability, so the vast majority of people will not agree to the doomsday. Even if they are triggered, not many people will continue to follow. An organization cannot be full of anti-human personalities.

The attack distance is too short. What can you do with ten meters? You said that within ten meters you can hit a hundred hits, but the hit rate gradually decreases from ten meters away. The protagonist is a virgin at the beginning, but he is still a virgin later. The most important thing is that he has no brains. The excavator is more than thirty meters away to save people... It's no problem for ordinary people to save 100 meters in 15 seconds, but the excavator is only a few seconds away from you, and you are ready to kill a good person!

So far I have only seen the first 20 or so. I don't know if the protagonist has made any changes in the future. Without a system, he is really a waste. His communication with people is very shabby. I can still watch it.

What the hell did you write after a female star came out? He caused trouble for the protagonist all the way, and then the protagonist came out to show off and slap him in the face, leaving him speechless.

Don't save those who deserve to be saved, keep saving those who shouldn't be saved, and don't kill those who deserve to be killed.

Mary reincarnates. Shennong is dead!

It's a good book. The author originally wrote it well, but it's a pity that it was trashed.

Seeing the female react, the protagonist stayed there, but the female reacted quickly after being bitten. It was really poisonous. It was so poisonous that the protagonist was a waste. Also, the plot was really good. It felt a bit both upright and upright. Is there any reward information? Could the organization that created the virus be so undisciplined?

666, Come on, be logical and have a climax. Don't be too cool.

Chapter 21, I can't hold on anymore and say goodbye..

Is there a doomsday? Not the Holy Mother, Decisive Killing, a novel written by one person