Siheyuan: Silly Zhu Is Not My Dad

Are you worried that you won't be able to make money in Xiangjiang? Buying some Tencent stocks is no better than buying antiques. Being a director of Tencent has a higher social status. . What's the point of fixing that broken furniture? . Otherwise, you can use your status as a Hong Kong businessman to open factories and help people find jobs. Stop doing antiques, it's boring

The protagonist keeps things in the courtyard, unless you don't go back to Hong Kong. Otherwise, I'll have to use firewood to cook when I get back.

I don't understand why the author makes He Xiao, Tang Yanling, and Huaihua behave in such ambiguous ways. I'm sick! First, deal with the relationship between Sha Zhu and Lou Xiao'e neatly. Second, deal with the relationship with the courtyard. Now that we have bought a lot of houses, we can just find someone to keep an eye on the ones behind. Finally, you can make some other layouts yourself. What's the point of having an affair with Tang Yanling Huaihua for more than ten chapters here? Disgusting reader

I hope the author will not waste such a good start. After reading the latest chapter, I feel that it is a bit too watery. At the current point of time, you can either start your own business and develop yourself at the peak of the times (the protagonist has this intention, but he is a bit too muddle-headed, eating, drinking and having fun every day and then passively getting involved in the nasties of the birds), or just like other Siheyuan fans, angrily criticize the birds (this depends on the protagonist) The starting point is that as the nominal father, if you really want Sha Zhu and Lou Xiao'e to be together, then try your best to make trouble, let the Jia family show their prototype in front of Sha Zhu, and then describe Sha Zhu's mental journey, and finally wake up, leave the Jia family, and be with Lou Xiao'e. This is the true reunion ending). Of course, as of now, the protagonist says he doesn't want to recognize Silly Zhu, but he still lives in the courtyard due to pressure from Lou Xiao'e. The current plot is a bit too frustrating for readers. Everyone in the Jia family makes unreasonable troubles and provokes all kinds of provocations. The protagonist always passively accepts them and never takes the initiative to attack. (Since we don't want to recognize each other, why not just let Lou Xiaoe give up and create some conflicts so that Lou Xiaoe can realize the inner feelings of Silly Zhu. The Jia family comes first, the biological son comes second, and Lou Xiaoe comes last. By doing this, on the one hand, we get rid of the author's so-called restriction by Lou Xiaoe and being forced to stay with Silly Zhu to cultivate father and son. Although the whole story is currently about the disgusting, deformed and twisted family relationship between the Jia family and Shazhu. On the other hand, the protagonist can also use his hands and feet to catch the resources of the Lou family and get on the train of the development of the times faster) The above directions are just my personal opinions. It would be a great honor if the author could see it. The current plot is too bland, and the protagonist is too passive. He is confined to the courtyard and has to passively cater to the farce of the birds. The Jia family and Yi Zhonghai took the initiative to provoke, and although the protagonist also fought back, it was not painful, and it was still weakening Silly Zhu's favor (although it was useless, after all, Silly Zhu had always been partial to the Jia family, and although he lent the protagonist a house temporarily, he chose to let the protagonist surrender or bear the responsibility for some small things or conflicts in daily life). Written in this way, a cool article is not a cool article, which seems very different. In the end, he might be kicked out of the courtyard by the birds in despair, which would really be a shame for adults.

He is really the protagonist in the book. I don't even want to pay for that courtyard house, and I don't even think about the people who come out of that courtyard. Except for the dead households, they are white-eyed wolves. Although there are not many introductions to the neighbors of the ordinary courtyard house, it can be seen that there are no good people. There is definitely a feng shui problem in this courtyard house!

The author's protagonist is He Xiao, who returned from Xiangjiang. He grew up in a courtyard. As the sole heir to the Lou family's property, isn't He Xiao's situation a bit small? And his temper is too good, right? While taking revenge on He Yuzhu, he also competed for the He family's property. And what was the purpose of taking He Daqing back to the courtyard in advance? Go back to the courtyard and be a kind old man? When the Lou family returns to the capital, they must reconnect with their previous connections, so why not take He Xiao with them?

I just have a question. The protagonist is a time traveler. Why does he have such a good relationship with Lou Xiaoe? A pit as big as a courtyard house, if you are pushed into it, will you really jump in?

Is this an interesting start? Come on!

If you say you don't admit it, can you really not care? Unless you leave Beijing, you will never escape, Silly Zhu, and your blood will be sucked. Just like being sick, can you ignore it? You feel strange now. While saying that you should ignore him, you stay shamelessly beside Silly Zhu. You don't want Silly Zhu's house to fall into the Jia family, but why should you take the house if you don't raise Silly Zhu? This is a confusing and crazy number of words.

Didn't the protagonist travel through time and space? It feels like I am writing about the original owner. How can you, a time traveler, restore the original owner to the original owner?