Quick Transmigration: What Can I Do When the Mad Beauty Refuses to Be a Cannon Fodder?

The author's writing style is still good, but I've only seen two worlds so far. But apart from the heroine, there is no good female character in it. On the other hand, no matter how well the male characters do, they will eventually come clean and think that the female protagonist is pretty good. Seeing this makes me want to laugh. Is there no problem with male protagonists in the first world? Because when the person you like goes abroad, you raise a substitute. The one who liked Mu Chen obviously made Yuan Jianglai miserable. After the heroine came, he also wanted to kill the heroine. The heroine doesn't care. On the contrary, when a woman makes a mistake, he begins to punish evil and promote good. The original male protagonist of the second world immediately had a crush on the female protagonist. It doesn't matter who she is for a long time, he likes her even if she doesn't think her family is poor. On the contrary, every girl who appears in these two worlds has problems. Yuan Jianglai is in love and cannot resist the temptation. He wants to eat swan meat. Mu Chen. Hypocrisy, plagiarism, and a group of wealthy people actually keep arguing because of a little guy like Jiang Lai. It is simply unrealistic. In the second world, women also have something wrong with them. To tell the truth, it's either a clean slate or a clean slate. It's really irritating for men to watch.

To put things in perspective, the heroine lost (was drifted) away from the original male protagonist in the first task. . It's true that her rank is not as high as Su Ying's.

How to put it this way, I have seen many people in the book club express their rejection of Jiang Lai's relationship with the male protagonist of the novel, but they are the kind of people who love each other, and Jiang Lai and Shen Liao don't go to bed for financial gain, so I don't understand what there is to argue about. . Hiss, it feels messy even after cutting. .

Fast time travel means living countless lives, and there is no need to follow the same path to the end. It is not a feudal mentality. It is best not to have the same male protagonist. It seems stale and you experience different lives. Every time you time travel is a new life, and the male protagonist is not fixed. Many fast time travels have the same male protagonist in multiple worlds. It's very boring and doesn't have any sense of freshness. It's really impossible for the male protagonist to love the female protagonist forever and to die for her. In a short life, the shelf life between a man and a woman is at least two years or four years, and at most seven years. What's more, if you love the same person for thousands of years, you are not a cultivator who can be locked up for hundreds of years.

The three views are broken. The heroine is either a flower or a bitch. Even if she is a heroine, her three views are all crooked. The cannon fodder has become a villain, and the male protagonist has gone astray in various ways. There are not many normal people.

I was almost discouraged by the comment section at first, but I think the writing is really good, except for the fact that the villain is really well done.

Beautifully written! The opening chapter almost threw me off, but the ending was a surprise! Come on

In every world, the original female protagonist is the villain, and in the end she pays the price, and the original male protagonist will be whitewashed or the male protagonist will be normal.

The ending is really unexpected!

I won't comment on the male and female protagonists' perspectives, but just the final ending. This is the only book I've ever seen that is a quick time travel back to the real world. It's quite exciting, and it fills in all the previous pitfalls. The author often abandons the story at the end of the story when the male protagonist is the same person. There are only two situations: the two of them recognize each other and spread the dog food in the small world, and each story is similar and cannot be written; or the story returns to the real world and has a hasty ending, and the previous pitfalls are unclear and unexplained.