The Dragon’s Heir Arrives in Game of Thrones

It feels different from the main theme of Game of Thrones. I feel that most people watch Game of Thrones either because they want to watch the plot or the war. This book is a bit nondescript. You can either write the protagonist as a ranger hero and walk without a cloud, or you can just follow Tiber Septim to unify the continent and establish a thousand-year dragonborn dynasty. Using the setting of the Baratheon family is really unnecessary. Moreover, the setting of the Dragonborn in a low-demon world like Game of Thrones will be very restrictive. If it is strong, it can directly penetrate the world. If it is weak, it cannot reflect the true strength of the Dragonborn. At least as a bookworm for more than ten years who thinks he can understand the mainstream reading trend of the market, it is not fun at all. I don't even understand why the protagonist does so much. Why doesn't Revitalizing the Family directly write about Robert? Now this style of painting makes me feel like I'm watching "Awakening of the Dragonborn, the family follows the chicken and the dog to heaven", but it would be too boring to write about the mage-to-god style. Of course you can say that it will be mentioned later in the outline, but I don't think it makes any sense in u1s1. Besides, the atmosphere is so high that you can forcibly write the Baratheon family to death later. That is really an NT reality show.

After reading "The Dirty Man", I really couldn't stand it after reading dozens of chapters, and I was about to give up. Let me tell you my reasons: I can swallow those poisonous things about wives killing men and women, and "dirty men wearing double clothes". After all, I have been a bookworm for so many years. My reasons In fact, it's very simple. The more the author writes, the more he writes about daily life under the guise of a Game of Thrones. It feels like the male protagonist and two businessmen are fighting online, etc., But it's not. It's as bland as water. It's tasteless. It's a pity to abandon it. That's it. I hope to read the author's other books in the future.

The protagonist is only 3 years old now. Why do you care about all the troubles? Anyway, your eldest brother finally succeeded in lying down and survived until adulthood. He is only 3 years old and wants to make trouble all day long. Now the most important thing is to survive until he is a teenager, and the magic is exposed. The confession is that the first chapter is a 3-year-old child. The time traveler is awesome and has the golden hand, but a 3-year-old child teaches an adult. When doing things, I don't think people will feel scared. I'm not such a smart kid. I really want to make trouble and make the protagonist 3 years older to teach people not to scare people to death. {"TopicId":"783653801038053376","TopicName":"Comments"}

The setting of Lao Gun Weighted Game is quite interesting. After reading the first ten chapters, the three-year-old protagonist was forced to mix with a group of adults. It was too fragmented. I feel that it would be much more attractive if I could just explain it casually and skip to the plot of ten years ago.

With the true strength of the Dragonborn, what kind of tricks are necessary to build an army? It's all a one-man army.

Dragon Language

The Dragonborn of Ancient 5 grows extremely fast, and the upper limit is ridiculous. Three magical skills, combat skills, stealth, magic, dragon roar, etc., Very comprehensive.

The biggest problem with this book is the protagonist's brothers. I just want to say that this is not how Game of Thrones works.

Did the author downplay the Citadel's opposition to magic? In the author's writing, the school's opposition to magic seems to be purely out of pragmatism. "I opposed magic before because magic was not practical. The protagonist showed the power of magic, so we accepted magic." However, this is inconsistent with the original work and the settings in the setting collection. The school's opposition to magic is ideological. The school is trying to use various means to build a magic-free world while knowing the existence of magic, true gods, and dragons. To put it bluntly, it is even a bit devilish. This is by no means a pragmatic thing. For example, after the Academy City Long Family conquered Westeros, they clearly saw how powerful the dragons were, but they still worked tirelessly to guide their extinction. I originally thought that the protagonist's high-profile display of magic and the establishment of the Kingdom's Mage Academy would make the academy the opposite of the protagonist (and the kind of opposition based on ideology). However, the book simply said "Who doesn't want to learn magic" and the academy and the protagonist exchange information, and the academy awarded the protagonist an honorary bachelor. The author's writing style and plot are both good, but it was the school's attitude towards magic that made me completely unable to get into it, because I originally thought that the protagonist's fight against the anti-magic demons of the school would be very important. As a result, look at the comments section. Is the school behind the city still an important ally of the protagonist? It seems that the author did not take the "City Conspiracy" into consideration when writing the outline. This is too dramatic.

The upper limit of the world of ice and fire is indeed not as high as that of The Elder Scrolls, but the water in the world of ice and fire is actually very deep, and the TV series actually talks about it very little. You can tell by looking at the map. The TV series talks about the upper left area. In Ice and Fire, it was vaguely mentioned that there were even deep divers, who seemed to have indescribable existences. There are also the ancient oriental Dawn Kingdoms, the Golden Celestial Dynasty, and the Gemstone Dynasty. There is a lot to talk about.