The Dragon’s Heir Arrives in Game of Thrones

It feels quite different from the main theme of Game of Thrones. Most people watch Game of Thrones for either political intrigue or war, but this one feels a bit like a mishmash. You could either have made the protagonist a wandering, heroic figure who travels without lifting a finger, or you could have followed Tiber Septim's example and unified the continent to establish a thousand-year…

After finishing "The Perverted Man," I read a few dozen chapters but couldn't keep going and decided to drop it. Let me explain why: I could tolerate the usual tropes like "the wife is attractive to both men and women" or "the perverted man has two bodies," being a seasoned bookworm. My reason is simple: the author's writing later felt more like a slice-of-life story disguised as Game of Thrones.

The protagonist is only 3 years old, why should he care about anything else? Anyway, his older brother successfully survived to adulthood. He's only 3 and always trying to cause trouble. The most important thing now is to survive until adolescence. Besides, the magic was exposed, and the first chapter was about a 3-year-old child.

The concept of Elder Scrolls plus Game of Thrones is quite appealing. However, after reading the first ten chapters, the three-year-old protagonist being forced to mingle with a group of adults feels too jarring. It would be much more engaging if the story were simply explained briefly and then jumped to a period of ten years or so.

With the true strength of the Dragonborn, why would they need to engage in political maneuvering or build an army? They could be an army all by themselves.

Dragon Language

Dragonborn in Skyrim grow extremely quickly, with an absurdly high skill ceiling. Their three core abilities—combat skills, stealth, magic, and dragon shouts—are incredibly comprehensive.

The biggest problem with this book is the protagonist's brothers. All I can say is, that's not how Game of Thrones is played.

Did the author downplay the Citadel's opposition to magic? In the author's writing, the Citadel's opposition to magic seems purely pragmatic: "We opposed magic before because it wasn't practical, but the protagonist demonstrated its power, so we accepted it." However, this doesn't align with the original work and setting materials.

While the world of A Song of Ice and Fire may not have the same level of depth as The Elder Scrolls, it is still quite complex, though the TV series doesn't delve very deeply into it. This is evident from the map; the series only covers the upper left area. The film *A Song of Ice and Fire* vaguely mentions the existence of Deep Ones, suggesting the existence of something indescribable.