I Came from Peach Blossom Spring

The scene where the helicopter enters the village was incredibly toxic. The beginning was great, but I didn't finish it because I couldn't stand that part of the plot. I'm not qualified to comment on the book's quality, but in my opinion, that part was truly damn toxic. It's like finding a book you're ready to read and then suddenly having an unbearable rotten apple spoil the whole thing—that feeling is truly disgusting and unbearable.

Lucky children are healed by their childhood, possessing the motivation to move forward and protect, preventing them from turning to the dark side. Unlucky children, however, use their childhood healing to become prone to turning to the dark side, ruthless, and inhuman. The early setup, with its heartwarming slice-of-life moments, is quite good.

You're quite skilled at selecting readers. First, you stubbornly refused to believe in gods even when presented with evidence. Then, you wrote a long story using a supporting character's perspective to explain the background. After that, you actively acted as a guide (translation: rare) while trying to win others' favor. It's really speechless.

The more I look at it, the more incomprehensible it seems. Other countries have already abandoned these rules, yet you still adhere to them. Your ultimate fate can only be destruction; all tools must operate within the same framework. Whether it's Western gods or the Black Dragon Society of an island nation, they have already integrated themselves with earthly power, providing various…

The opening is slow but solid, so it doesn't lose its rhythm. A rare author who can handle suspense well. I feel like I can recommend it even though I haven't read much. I've finished reading all the chapters. Now I'd like to add a few words. Well, I see a lot of people talking about poison and stuff, and I feel a bit helpless. Have we all become too used to authors pandering to us?

Chapter Thirty-Two: Death from Poisoning Two points 1. It's understandable to want to demonstrate one's value by leaving the valley, but is showing off one's culinary skills because one feels like they have a protagonist's halo? 2. The female lead even finds other people's houses dirty, so when someone brings her soup, let alone whether she's afraid the male lead will poison it, she shouldn't even think about eating it if she knew it was made by such an ugly person. I won't say more.

This protagonist is utterly uninteresting. He was alright before his grandfather died, but after that, the protagonist seems pathetic. All he does is find people; he's useless. If it weren't for the old cripple giving his grandson a power-up, I think the protagonist's life would be no different from his previous life.

It seems like I'm writing nonsense, but it also seems to make sense. You know that feeling, right?

A must-read novel for simps and masochists 🪖

I couldn't bear to watch the scene where the outsiders started killing people after entering the village, almost raping them. It was too cruel. They clearly realized something was wrong, but still did nothing. Don't say they lacked the ability; even if the foreigner was drunk and they didn't have guns, couldn't they just take people directly?