North American Gunslinger Detective

Let me make two points. The plot of the First Red Flame Battlefield is simply rubbish. If it were written like that, this book would be useless. Secondly, the last 200 chapters are too bland. The style of the whole book suddenly changed from American-style Iai to detective reasoning. There are fewer and fewer things to do, just like chewing wax. Even if you solve the case, you still have to do something. This is probably the reason for the decline in subscriptions in the later period. If I didn't like this style, I would never subscribe to the next 200 chapters.

It feels pretty good, keep it up, don't be too arrogant, and try to reduce the sense of cheating. According to your outline, after reading so many books, I feel that there are very few books about pure American police officers. Come on! It's very comfortable even if it's smooth and has occasional ups and downs.

Personally, I feel that this book is very different from other urban supernatural novels. I didn't feel much at first, but the longer I read, the more uncomfortable I became: Why is the protagonist still living in a rented house? It was then that I suddenly realized: this protagonist is too honest and honest 😏 According to the author's description, the protagonist's ability to see people and guns through walls is like a pure version of X-rays. The other protagonists who have this ability are not only prospecting for shale gas, but also a Las Vegas bully, or more utilitarian, reading documents through a briefcase and profiting from intelligence. The protagonist turned out to be an honest county police officer and turned into the FBI. The only profit he gained was the police light patent and his exit before the black swan. But I personally feel pretty good. The protagonist's abilities serve the purpose of the plot. He doesn't overly abuse his superpowers to destroy social order, and he doesn't transform into a fellow villager to do whatever he wants. It's really a breath of fresh air among the starting point Long Aotian 🤭

I hope I can have a chance to chat with the author. I really like it.

First time voting so many monthly votes

I like this book. The writing is very good, the pace and characterization are good. It is not a fast food, it can be used as a home-cooked stir-fry. The updates are slow and not frequent, so I am not in the mood to vote monthly. Would the author challenge himself to make a bet 🤤🤤🤤

Personal opinion, don't spray it if you don't like it Personally I think this is a very good novel. This is the first time I have read an American police novel. I feel that the content is very serious and simple. Work is just daily life. If it is feeling, maybe it is a little bit when killing criminals, arresting criminals, etc. The requirement for a female protagonist should not be that serious. No female, single female, multiple female, etc. Are all acceptable. However, as far as this book is concerned, it is a bit focused on the career of an American police officer. Personally, the highlight of this book is to see what the daily work of an American police officer is like. Personally, I don't think it matters about a female protagonist The main plot has not been revealed yet. Maybe it has something to do with the identity of the unknown protagonist? Daily life is pretty good, at least not exaggerated. If there is another career main line, maybe promotion? Isn't that what the police should do to build up performance? Cases are linked together into stories every day As for the rest, I know very little about it. The book titles are divided into American series, gunslinger, police detective, and American series. You may be able to see familiar movie characters. The gunslinger is the protagonist's plug-in, and the police detective is the professional route. I don't know much about the gunslinger, but the book review seems to say that it is related to supernatural beings. I don't know if it will appear in the future. Pure reality is also good, and I can accept it if there are supernatural movies.

Recommended by Long Kong, this is the most enjoyable American police novel I have read recently. If I continue with this line of thinking, it will definitely become popular based on my nine years of experience in reading novels.

After reading nearly 500 chapters, there are some things I can't say. I said the revolver is the romantic one, but it seems like it's just trying to sell the dog meat. Except for the first 200 chapters, the main character's weapon is the revolver. It appears less and less in the next 300 chapters. The gold finger provided by the soul travel is embarrassing, and the description of the supernatural system is just a taste. There are only a few chapters in 500 chapters. There were four or five supernatural incidents. We were attracted by the grand title, but the content was bland. What we wanted to see was a different system, not a ghost-traveling cop movie on a bad street. Every day, we were mixed up in the bloody police-civilian relationship in the unit. That was called a policeman, not a gunslinger. The plot of the police and criminal movie on the bad street at the beginning was more ups and downs than yours, so this is a gunslinger! Slow warming is not an excuse for paddling. In the first 200 chapters, the protagonist discovered that the world he was in was a certain movie world in the original world. Even if a normal time-traveler does not wake up to take over the world and lie drunk in the lap of a beautiful woman, he must at least be clear about the environment he is in. As mentioned in the previous article, the protagonist started to mess around and forget about the problem. There are also cheat skills. The protagonist is a time-traveler who comes with his own plug-ins. His occupation is a high-risk occupation in a country like Beautiful Country, where everyone has a gun. Oh, and there is also a world mixed with monsters. The protagonist himself knows it, but he is either picking up girls or paddling every day, and has basically never explored his own life-saving skills. Which time-traveler knows that he is in a supernatural world and is not walking on thin ice? How can this protagonist be so silly and happy every day?

I hope there are more scenes of melting dark chocolate in the book

Convergence for America. As a result, the supernatural was introduced, and it was thought to be a supernatural story with the flavor of exorcism. It turned out to be a spy movie, I thought it was a spy movie. The result is a working-class gangster movie. I thought it was a police movie. The result is a workplace novel... The advantage of Or is that the various rules that appear in the story are very detailed. Have a relatively in-depth understanding of the life of police officers in the United States. Although it is relatively boring in the early stage, it looks good. I'm reading a life fanfic. The golden fingers involved are of little use. That is to say, the protagonist is half as good as an ordinary person. The disadvantage is that there is no main plot. Although there are various cases, there are no shocking points. Police films are still expressive to a certain extent in movies and TV series, but the expressiveness and sense of substitution in novels are too poor. Because there is no sense of suspense. Conventional police movies usually make the protagonist suffer. Create opposition and contradiction, and finally feel the satisfaction of the protagonist being vindicated. But as a protagonist with superpowers, it's impossible to suppress him. It feels like taking a shit. At the same time, the main plot of this book is very weak. Later, I wanted to introduce agent series such as Mission: Impossible and "Red Flame Battlefield", but due to the author's writing description problems, and some big pitfalls in the previous design, the fanfic was not written halfway. It's neither good nor bad, and basically has nothing to do with the protagonist. As a result, it changed from a police and criminal detective story to a workplace story, with no conflicts or explosive points. I think this big hole in identity could have been designed with a double life or the identity of a double agent. But the author obviously couldn't grasp the writing style, so he gave up directly. It is equivalent to directly abolishing the main line in the early stage. In the end, the boss of the Cia line actually relied on a mainland hotel to bribe the killer. It's child's play. The author has experienced this obvious phenomenon several times, including tax issues in the early inspection room and identity issues in the CIA later. Anticlimactic The protagonist has poor initiative. Waiting for a super tool man, a violent hammer. It should also involve the gunslinger's ability line, so it should be cut directly. Maybe the superpower line conflicts with cⅰa's stepping stone plan in the author's opinion. The two are originally related, and if handled well, they can form a wonderful two-way story. Security can fill in the gaps of the inhuman performance of various agents in movies. Finally it became a workplace article. Especially later. A gunslinger agent, but he changed his station to join the management. It completely looks like it has become a workplace article, so in theory, the exciting part of this book will end with the solution of the problem of cⅰa line.

This last book is about to be finished. What is it written about? Why did it focus on the plot of exorcism when it is almost finished? I always think that the biggest advantage of this book is the sharp urban plot. There are gun battles, chases, revenge, terrorist attacks, and marksmanship lessons. The protagonist's plug-in makes the hero like a combination of Tom Cruise and Jason Bourne. A good book can make people feel like The Bourne Supremacy, Zero Zero Seven, White House Has Fallen, Sicario, and Shadow of the Chase. But in order to explain the background of the protagonist's time travel and Goldfinger, do you insist on relying on fantasy at the end? Obviously the fantasy part is the least outstanding part of the book. What is the author doing? I think the action scenes written earlier are quite professional and well-founded in the logic. Finally, I am ready to feed again💩

Isn't it a good idea to make the protagonist a white man? Why write about Chinese people without involving domestic plots?

The writing is too messy! What is the main line of your book? There is a hammer in one place and a stick in the other, and the protagonist is like a headless fly. You are writing for Meizong, not Zhutian. You can open a new map at any time. That's all, I just treat it as a sitcom. But there are too many inconsistencies. For example, the protagonist clearly knows John Witness, knows about the Continental Hotel, and has even dealt with it. How could he not know that there is a gang of beggars in New York? This is the plot of the movie. I would like to ask, did you think twice when you wrote the book?

Bad news, there is no book by you in a certain website, there is no book by you, author, I cry for you Good news, I can't watch the piracy and can only recharge, you have earned me several dollars😭

For example: 1. The main line of this book is the life course of the protagonist, the police detective Zuo Guo, but the branches (cases) under the main line are too scattered, so the cases are almost all gone at once. After they are solved, there is no follow-up, and there is no continuation of the context, just like pruning the branches in gardening to trim the tree (plot context) into a bare pole! This is also a great obstacle for the author to advance the plot! 2. There is no good entry point for adding film and television plots. The protagonists are either too hasty or have no sense of participation. Just like the protagonists of "The Gunslinger", "Red Flame", "The Bourne Shadow" and "The God of Death", they are all peripheral and dispensable. Obviously these are treasures, but those few coins are gone. For example, The Gunslinger can develop supernatural plots; Red Flame and The Bourne Shadow can expand connections; God of Death can be played in any way, increasing the legend of the protagonist; there are many other movies and TV shows that can be integrated, and it is recommended that the author consider more to find a good entry point, and the applications can be endless! 3. Improve the protagonist's ability. Now the protagonist's ability has reached a bottleneck. The protagonist's pistol shooting specialty is too single. The protagonist in John Wick's CQB has no power to fight back. The protagonist also needs a sniper shot. He can no longer be content with the status quo and wants to explode! 4. The identity of the protagonist needs to be improved. The core setting of "police detective" will not be changed, but the scope of law enforcement of the police detective must be expanded from one county to one city now, and in the future it will be expanded to a country or even the whole world. The setting of the old American police does not need to be in vain. The more places the protagonist can run, the more things he can write about, and the writing can be more exciting!

The protagonist's status as a firefighter in his previous life was not very good. Firefighters are now in the police force, but they were formerly in the military. They are all educated in patriotic ideas. If you travel through time in an American comic book, will you go back to your country? It's hard to write if you go back to China. If you don't go back to China, your writing will be awkward and awkward. There is a conflict between the set identity and the plot

I don't know what the author wants to write. The protagonist is like a worker ant, busy all the time, and the key is that he has money. You are really serving the American people wholeheartedly! I've read hundreds of chapters. The more I watch, the more tired I become, and the protagonist's mentality is not good either.

Jimmy and Nia are engaged. They are rewarded with 1314 points to wish them a lifetime of happiness🥳🥳🥳 After receiving the reward, they found out that they were in the top ten🤣

The story is too dry, and the behavior of the pig's feet is very awkward. If nothing else, he has been wearing it for so long, he is so young, and there are not even half a female around him, and then he killed so many people, people around him probably regard him as a pervert.

The more I write, the more boring it becomes. The plot is too long and not as interesting as the previous ones. There are too many boring plots.

Wasn't it said before that there would be very few people writing about supernatural events? How do you feel that you are now starting to focus on writing about supernatural events? People read your book to read American Iai, not to read Exorcism. They have already read other novels to read Exorcism. If you can't think of an original case, you can write about some cases from film and television works. It won't be embarrassing.

The protagonist's identity as CIA seems to have no benefits? I saved a year at first, but then I spent a lot of money to pay back taxes, and then it turned out to be a disadvantage. I wouldn't have had so many things if I didn't have this identity, but it just didn't feel worth it. What do you think?

As for the author, come out and say to me: starting from today, it will never be updated. I will not watch dramas, travel, or get sick. I will play no games, no hydrology. I will burst into words, life and death. I am the keyboard in the dark, the guard on the Great Wall of Internet; resisting the cold flames, the light at dawn, I dedicate my life and glory to code words, tonight and every night.

It feels like the protagonist has become a drifting character. What we want to see is a flesh-and-blood person who slowly grows up, but we can't see this at the moment. Since the beginning of the CIA plot, I feel that there is no motivation to subscribe, but I don't want the book to end, so although I can't contribute much, I still bite the bullet and subscribe.

The name of this book should be "American Pistol Butcher". If you read this book as a gunman story, I'm sorry, you will read it away. If you read this book as a crime solving story, you will curse your mother-in-law while reading it. If you read this book as a police story, you will abandon the book halfway through. The title of the novel caused readers to have too high expectations for the content. In fact, the novel's IQ is like an external pendant that often cannot be activated. Although the protagonist traveled through time and was fortunate enough to be gifted with talents, skills and gunman encounters, he spent all his free time in bars and drinking. He did not practice all the talents and adventures he learned, that is, he did not practice at all. If you think the protagonist has a simple mind and strong limbs, I'm sorry, but he is often beaten to a disability by others at close range, and he does not strengthen his body and hone his skills. If you can accept such a protagonist, congratulations, this book is suitable for you. Look at the first line. This book is about shooting, shooting, killing, killing, killing, killing. You don't need too many reasons. There are noble people who keep giving the protagonist an afterthought. Killing people all the way is this book.

It's very good, the plot is smooth, it suits my taste, it's reasonable, and it's much better than those movies that are airy every day!

The author's skills are too poor, he has no inspiration and care. It's really bad to plagiarize the plot of a movie. I got scolded and just kept a running account every day. Anyway, plot or not, it's all garbage. Are you willing to charge? Can't we use some snacks? Even though my level is poor and I don't work hard, I'm convinced.

It's better to watch the beauty variety show written by Li Yu next door. At least it updates quickly. It's very enjoyable to kill people and get promoted and make a fortune.

After watching 100+, I felt it was very bland. It can be seen that the author has put his heart into it. What kind of characters are he solving (drug dealers, gangsters)? In the context of North America, what is so strange about these? There is no climax. Wouldn't it be better and more attractive to arrange a case of a serial killer (this is also a feature of American TV series) to make the film famous? Nothing impressed me at all. Also, why would you simply write about time travel and rebirth? Why add so many unknowns to the original person who traveled through time? The more background you add, the more it makes me feel that this is no longer a world of novels, but a world of Truman. It's too orange. 8