From Conning Wang Duoyu to a New Career in Film and TV

The theme is unclear. You become powerful by changing other people's fates, not by being a businessman, director, or boss. In short, the level of sophistication is too low. You could call yourself a manipulator of fate, or a behind-the-scenes mastermind. With the character of Xia Luo you wrote, whether you elevate him or destroy him, it won't affect you.

You've whitewashed both main characters in "The Golden Years," making them utterly innocent and pure. You turned Wang Yongzheng into a gentleman and Zhang Anren into a hypocrite and villain. Our values ​​clash, so I'm outta here.

Dude, the more I think about it, the less I understand. The editor gave you a daily featured recommendation, and you immediately forced a decrease in your reading speed for the latest chapters, then started writing separate chapters about supporting characters. This pace... Hahaha, what were you thinking?!

The idea is good, but the plot is terrible. You have to understand that the appeal of this book is using characters from movies and TV shows to act in those shows, or using them to achieve certain goals and create a sense of satisfaction. It's not about endlessly rambling about childish commercial schemes.

Before writing about Charlotte, at least watch the movie carefully. "Just Once" was written by Charlotte himself, and he can play the guitar. He might not be able to play other instruments, but being able to play the guitar proves that he can read music. You should at least make the basic character settings passable.

He's all showing off and causing trouble, it's all Xia Luo's fault. If things don't work out, just give up and do it yourself. Otherwise, where are you going to see these supporting characters acting out a live-action movie? What's the point of watching this?

You should make Charlotte the main character; Charlotte is more like the protagonist.

It's alright, at least they removed the worst chapters, making it more acceptable. You started with a comedy film theme, then mixed in urban elements; even if you wanted to transition, you couldn't just jump straight into melodrama. Even if you incorporated elements from different movies and TV series, just a brief description would have sufficed. Don't go overboard, because you're already over eighty chapters; readers looking for that kind of thing wouldn't have followed the story this long.

I was drawn to this movie by the synopsis, and I wanted to see if the actors playing the characters in the film were in movies they'd acted in before, or movies they hadn't acted in. After all, many movies have terrible casting, and netizens have recommended those actors for those roles. Not watching for melodramatic business battles and romances, but rather how the protagonist sleeps with women.

I'm about to lose it too. Seriously, this isn't some behind-the-scenes mastermind story, yet you keep writing about Charlotte.