
I Raised a Time-Traveling Frog in the Mortal World
我在凡人养了一只旅行青蛙
- Status
- Completed
- Length
- 593k Words
- Genre
- Cultivation
- Subgenre
- Fantasy Cultivation
- Updated
- 3y ago
- Source
- Qidian
Synopsis
198Chapters
0Votes
2.5kRecs
11.1kFans
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Reader comments 28
Translated by Google Translate
Han Laomo is like a middle-aged man who climbs up to high risk step by step in a state-owned enterprise. Most people can't describe that feeling.
Has the frog broken through the shackles and come to the mortal world? , When will you break through to the perfection of swallowing and covering the sky 😂
Goldfinger is all written wrong. Mortals don't need all the miscellaneous things from the world. It would be more interesting to read an ordinary Goldfinger. Fast food articles are not suitable for ordinary people.
When you see that the chapter names are gone, you know that this novel is already gg
I have read a book called Next Door, which takes the mother of Han Laomo and becomes an in-law. Did the author have this intention?
Why don't you name your frog son? Frog son, how hard you work!
In fact, if you want to recruit Taoist companions, the original works of Nangong Ziling, Yuanyao Yanli, etc. Are all excellent choices. Why? Because they really ascended to the spirit world. They can soar under such poor conditions in the original work. If you invest in them now, the rate of return in the future will be huge. In the same way, Taoist couples are also natural allies, and judging from the original work, their characters are not bad.
I hope that the protagonist in the later stage will have his own path, his own opportunities, and his own skills. He will not follow Han Li in everything. He is not interested at all. Han Li already has an image because of the legend of Mortal Cultivation of Immortality. What about the protagonist? What does the protagonist look like? Also, the relationship between Chen Qiaoqian and Chen Qiaoqian was very stiff and a bit awkward. I hope it can be improved. The Traveling Frog is the golden finger of the protagonist. He doesn't need to get something of great value and usefulness every time, but he can't be a waste, downplaying its existence, and writing it is of no use at all. People who can stand at the top are all hexagon warriors (it can be bad, but there must be ways to make up for it), and there will be no obvious weaknesses. If you can't figure this out, the protagonist will be useless. Without opportunities, no one can reach the top of the mountain. Who can reach the top of the mountain without some luck, talent and background? What does the protagonist compare to others? You are just a country bumpkin from a small place. You are the true successor of the sect selected by the sect who transformed into a god and ascended to inherit the inheritance. Do you think the chance of talent cultivation will be worse? You must make use of everything you can. The Traveling Frog should help the protagonist improve. It is not just a matter of chance. It must be helpful to the protagonist when he needs help. Otherwise, with your fire and wood spiritual roots, why should you compare with the elites born from the spiritual roots of fire and wood, special physique, top talent of the Six Arts of Immortal Cultivation, inheritance of transformation, and life and death? The protagonist can't be someone who can't ascend, right? You can be weak and powerless for a while, but you can't be useless forever. You are no one's vassal, you are yourself, you have your own wonderful life, ups and downs, and temptations.
In fact, I feel that when writing about mortals, the most ideal Taoist companion in the early stage is Dong Xuan'er, after all, soft rice is quite delicious. The mother-in-law is in the Golden Core stage, and the demonic invasion is the father-in-law in the Nascent Soul stage. This smells so good, but not many people write ╮(‵▽′)╭
After watching The Mortal's Cultivation of Immortality, I'm reading what you wrote, and I'm not interested at all. I can't take off my clothes, and everything is based on the plot of Han Li and the story of a mortal. I write characters written by mortals. Do you have any original characters? Can the original plot serve the protagonist? It cannot attract the remaining readers of this book. It cannot stand firmly. It cannot advance the story based on the original mortal plot, solve some regrets of the mortal plot, form a deeper bond with mortals, strengthen cooperation with Han Li, achieve mutual benefit and win-win, and cannot attract mortal readers. You don't have both the old and new reader groups, so how can you get results? Look😡, what is the protagonist like?