Immortal Wind and Daoist Creed: the Seven Chapters of Xuanjun's Secret Sutra at the Beginning

I have reached the end of this book, a brief summary The language in the early stage of the book is relatively straightforward and rough, but due to the existence of the seven chapters of Xuanjun and the author's profound religious knowledge, people can read it with curiosity But in the later period, the author began to exaggerate the ruthlessness of immortals, so the protagonist wants to promote the red flag and build an immortal world. An equal world Although I know that many people like Chiqi's plot, in my opinion, immortals and mortals can never be equal, and this is Cthulhu's cultivation of immortals, just like humans can never be equal to mantises, let alone the introduction of the Internationale... This is my feeling, just for reference

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Preface: Those who admire the Tao are eager to learn, just like those who are immersed in the Tao. They all know things but do not know the way. I have often heard that it is not people who diligently seek knowledge, but those who know are diligent in seeking knowledge. But I know its fallacy. Those who know are not seeking people, but actually going out and chasing them away. Those who are profound and ruthless are like hawks and dogs chasing rabbits. Heavy clouds cover the sky, the rivers and lakes are gloomy, and the swimming fish are at a loss. Suddenly I saw Bo Mingshi moving, fortunately it was given by heaven, and I immediately took care of it. The fish was caught and killed, and the same was true for those who followed the road. Those who see carvings with their eyes will be healed by their understanding, those who hear the symphony with their ears will be healed by their intelligence, and those who have wonderful thoughts will be healed by their hearts. Volume 1: A single scorching fire can burn all things. How can fire survive when things perish? The Tao of one breath can comprehend all things, but where is the Tao when things die? The dung beetle turns the pill into pills. When the pill is complete, it is thought about carefully. If there are white worms left in the pill, the shell will be removed and cicadas will appear. He doesn't think about it, and he sneers and laughs? When a cook makes crab soup, he leaves a few feet behind. The crabs are already cooked, but the remaining feet are still moving. It's the living and the dead, gathering and scattering in one breath. There is neither life nor death, but people are planning to call it life or death. There are those who stand for death, those who sit for death, those who lie down for death, those who are sick for death, and those who take medicine for death. Waiting to die, there is no difference between A and B. Those who know it cannot see life, so they cannot see death. People are disgusted with life and death, and they are all serious troubles. For example, if you transform into a human being, if you have the aversion to life and death and the aspiration to transcend life and death, you will no longer be called a monster, but will not be called a Tao. When considering the dead, one may say that the dead one has something, some may say that the dead one has nothing, some may say that the dead one has both something and nothing, or one may say that the dead one does not exist and does not exist. It may be said that one should be happy, or that one should be afraid, or that one should be responsible, or that one should surpass. The more you become aware of your emotions, the more you will pursue your goals. Little do I know that my life and death are like the hands of a horse or the wings of an ox. They originally did not exist and will never exist again. Volume 2: If you eat a lot, your life will be long and your shape will be extended; if there is no moon and fire at night, people will not see me, and your shape will be invisible. What do you want to know, what do you want to do? While alive, one day dies, one day dies, one ten years dies, one hundred years dies. Although the actions of the undead person are wise, they are not called life, not death. Those in stillborn fetuses and dead eggs are both people and things. Although the world is huge, they don't know it. Those who account for heaven and earth are all aware of me. For example, if the hand does not touch the blade, the blade will not hurt anyone. My Tao is like a sword. If you use the edge to cut something, it will be sharp, but if you hold the edge with your hand, it will hurt. Volume 3: If everyone uses their souls to capture their souls, if there is more than enough gold, then there will be insufficient wood. The soul is hidden in the soul, and the soul is wandering because of it. Those who see that the soul has no distinction and analysis, and those who differentiate and analyze it are called heaven and earth, this is a bad habit of the soul. The dreamer's soul is indifferent to analysis, and those who analyze it separately and say "other" and "me" are the soul's habits. Fire generates earth, so God creates business; earth generates metal, and intention generates soul. What God moves is not named God, but is named Yi; what is moved by the mind is not named Yi, but is named Po. But the sage knows that I have no self, and knows that there is no self, and that everything exists because of thoughts and calculations. Therefore, I treat all things with their nature, not with their heart. Nature means that the heart is not yet mature, and if there is no heart, then there is no intention. If there is no fire, there will be no earth, and if there is no intention, there will be no soul. If there is no soil, there will be no gold. If one does not exist, all five will be destroyed. Not only can it conjure up all things in the world as soul, but it can also conjure up all things in the world as soul. Everything wonderful in creation is my soul, everything in creation is my soul, so there is nothing that can conquer me. With human power, there are things that can take over the creation of heaven and earth, such as thunder in winter, ice in summer, dead corpses walking, dead trees blooming, ghosts caught in beans, fishing in cups, painted doors opening, and earth ghosts talking. Not only can it conjure up all things in the world as soul, but it can also conjure up all things in the world as soul. Everything wonderful in creation is my soul, everything in creation is my soul, so there is nothing that can conquer me. If the heart conceals good and bad luck, it will be captured by spirit ghosts; if the heart conceals men and women, it will be captured by lustful ghosts; if the heart conceals deep sorrow, it will be captured by Shen ghosts; if the mind conceals carefreeness, it will be captured by crazy ghosts; if the mind conceals alliances and curses, it will be captured by strange ghosts; if the mind conceals medicine and bait, it will be captured by material ghosts. He uses his essence, this person uses his essence, and when the two essences compete, the spirit responds. Those captured by ghosts may interpret strange things, strange things, or auspicious things, and they will be proud. We don't call ghosts bowing, but we call Dao bowing. Over time, they will become dead wood, dead metal, dead ropes, or dead wells. Only the sage can be divine but not divine. He can control all things and grasp their opportunities. He can gather them, disperse them, and control them. His sun responds to all things, and his heart is at peace. Volume 4: If you see a person with a human head and a snake body, a person with no arms and fish scales, an earth cow and a wooden horse, don't be surprised. These strange things are not as strange as dreams, and dreams are not as strange as sleep. They have ears, eyes, hands, and arms, which are especially strange. Great words cannot be spoken, great wisdom cannot be thought. Dragons and dragons, snakes and turtles, fish and clams, dragons can all do it. A dragon is just a dragon. It cannot be a dragon, a snake, a turtle, a fish, or a clam. However, it is difficult for dishonest people to have self-confidence, but it is easy for them to believe in things. Therefore, there are those who chant mantras, those who serve gods, those who have ink characters, and those who change their fingers. They can all control the gods and Qi and change all things. The Tao is originally non-existent, and those who return things to the Tao will gain a breath; The venerable person who has gained the Tao can assist the world; the independent person who has gained the Tao can establish me. Those who know that what is beyond the reach of time can turn one day into a hundred years, and those who know that a hundred years can turn into one day; those who know that what is beyond the reach of the square can turn one mile into a hundred miles, and those who know that a hundred miles can turn into one mile; Those who have attained the pure Tao cannot be burdened by anything, and their bodies are light, and they can ride on phoenixes and cranes; To be is to be nothing, and to be nothing is to be. Those who know this way can control ghosts and gods; reality is emptiness, emptiness is reality, and those who know this way can enter gold and stone; up is down, and down is up; those who know this way can serve the stars; the past is the present, the present is the past, and those who know this way can divine things; people are me, and I am people. Knowing that images change from the heart, using this to observe the mind, one can become a baby girl; knowing that qi arises from the heart, using this to absorb the spirit, one can become a furnace. With this precious object, tigers and leopards can subdue; with this same object, water and fire can enter. Only a Taoist person can do it, and he can do it but not do it. Volume 5: The formation of earthen puppets includes nobles and lowly, scholars and women. Its texture is soil, its loam is human. A withered tortoise has no self, but it can see great knowledge; a magnet has no self, but it can see great power; bells and drums have no self, but it can see great sound; boats and chariots have no self, but it can see distant travels. Therefore, although I am a person with wisdom, strength, actions and sounds, I do not have a self. Just like beating a drum, the shape of the drum is what I have; the sound of the drum is what I feel. The song has passed, but the remaining sound is still there, but it will no longer exist. The shape of the drum is like my essence, and the sound of the drum is like my spirit. The rest of the sound is like the soul, knowing that the husband comes and goes quickly, so how can I have the energy of the five elements? Then all things in the heaven and earth are my essence, my spirit, my soul, my soul. Which one dies and which one lives? Qingluanzi has become a thousand-year-old, and Peach has become a thousand-year-old. A plowman who learns about oxen will become rugged, a hunter who learns about tigers will become brave, a fisherman who learns about water will become strong, and a warrior who learns about horses will become strong. All things can be for me. My body can be transformed into pinworms on the inside, lice and fleas on the outside, turtles and fishes on the inside, rats and ants on the inside. I can be all things. The shadows cast by monsters can kill me, and I am the one who knows and is ignorant, so I am everywhere in the world. Although the heaven and the earth are large, they have colors and shapes, numbers and directions. I have neither color nor shape, nor number nor square, but the existence of heaven, heaven and earth. Water can be separated or combined, but the spirit has no one; fire is the anointing and fuel spirit, and there is no self. There is no one with essence, so when the rice is peeled off, the essence remains. With spirit, there is no self, so ghosts rely on things to see the spirit. Those who are full of essence forget right and wrong, forget gains and losses, and what is here is not that. Those who hold the spirit are dim and bright, strong and weak, and what is there is not this. There is no home in oneself, and the form is self-contained. It moves like water, is still like a mirror, and responds like sound. Volume 6: Learning to shoot, to play, to play the piano, to play the harp, there is nothing that can be achieved in one breath, but the Tao is invisible and has no method, so it can be achieved in one breath. Those who are good at teasing and burning turtles in ancient times can show the past in the present, the present in the ancient, the high in the middle, the low in the low, the high in the low, the big in the small, the small in the big, the many in one, the one in many, the things in people, the people in things, the other in me, and the self in others. This is the way. Its origin has no present, its past has no past, its high has no cover, its low has no support, its big has no outside, its small has no inside, its outside has nothing, its inside has no one, its near has no self, and its far has no other. It cannot be analyzed, it cannot be combined, it cannot be described, it cannot be thought of. But it is muddy, so it is the Tao. Volume 7: There is nothing that is not heaven, nothing that is not fate, nothing that is not God, and nothing that is not Yuan. If things are like this, how can people not be the same? Everyone can be called Heaven, everyone can be called God, and everyone can be fatally connected to the Yuan. This heaven is not heaven, this god is not god, destiny is not destiny, Yuan is not Yuan. Therefore, those who are good at my Tao are those who know the heaven and the gods in one thing, and create the element of death. To learn from it, favor different names and analyze the same facts. After getting it, the agreement is the same and the different names are forgotten. Therefore, if you hear the truth in the morning, you may die at night.

Around Chapter 80, it starts to say that everyone is equal. This is not possible in the real world. How can we still hope for the world of cultivating immortals that focuses on talent? It is obvious that his own immortal cheat is the most unequal compared to others. If the author is really angry, don't delete it and let everyone discuss what other poisonous points there are.

The protagonist is immortal and is not locked up for research. He has been killed more than a dozen times and he has been accepted as his disciple and taught him how to become an immortal. It shouldn't be so obvious that he is seeking death.

Inexplicably, they sing the national anthem, they inexplicably want gods and ordinary people to be equal, and they inexplicably want everyone to be like a dragon.

Are all today's immortals these weird and weird? Are there no normal articles about cultivating immortals anymore? Is it another case of in-studio trouble?

It is worthy of being a daily guide, a pure abuser, plus a ZZ protagonist

If the Xuanjun Seven Chapter Secret Scripture is a normal immortal cultivation secret book (meaning that the name of the volume is consistent with the content), it is indeed quite awesome, and it will not be lacking for a long time to see. Volume 1: Immortal Sand Resurrection Seal - Resurrection Technique Volume 2: Meat Seal to Extend Life - Immortality Technique Volume Three: Capturing demons and arresting ghost seals - Raising ghosts Volume 4: The earth's call to test the seal and raising the dragon Volume 5: Taiyin corpse's deformation of the seal - reincarnation Volume 6: Ascension to the mysterious realm, Dingguan's seal - Ascension Volume 7: Zhengyi's descending of the holy power alliance's seal - Shaking the ancestors to beat people

The protagonist is both self-righteous and cowardly. It was so painful to watch.

Not even a little bit of pleasure, not even a little bit, it's poisonous every day, it's really poisonous

What is the Secret Sutra of Xuanjun Seven Chapters?

Isn't this trick just copying other people's tricks?

An introduction to the seven chapters of "Xuanjun's Seven-Chapter Secret Scripture" • "Xuanjun's Seven-Chapter Secret Scripture" comes from Luo Lao's "Fan God" and is held by the wise man Balsa in the dreamland town of Ussa. In "Dream Search for the Secret Land of Kadath", this book fell into the hands of the great elder Attar and was hidden in the Temple of the Ancient One in Ultha. •There are very few works that mention the "Xuanjun Seven Chapters Secret Sutra". The first-generation writer Derleth wrote "Border Lurker" to complete Luo Lao's unfinished work, and only said that the book was stored in the Miskatonic University Affiliated Library. Carter, who organized and expanded the setting of the Cthulhu mythology, only wrote in Carter's version of the "Necronomicon" that the Seal of Funa was stolen from the old library of Seraino by Ubo Sathra, and was recorded in the "Seven Chapters of the Xuanjun" written by Ubo Sathra or his illegitimate son. In Brian Lumley's "The Lord of the Insects", Julian Carstairs, a magician living in Surrey, England, has "The Seven Chapters of the Mysterious King" in his collection, but its contents are not included in the work. •The rulebook of the module set "The Mask of Nyarlathotep" records that this is an ancient Chinese book with a total of seven volumes, written by Hsan the Greater around the second century. In addition, when "Fan God" was published in the magazine, the book was mistakenly listed as "The Seven Cryptical Books of Earth" (The Seven Cryptical Books of Earth), and this translation was later included in the "Cthulhu Mythos TRPG". In Japan, in a reader's submission published in the September 1989 issue of the magazine "TACTICS", this work was marked in Chinese as "The Seven Secret Classics of Qishan". Hu San means "as cold as the sky and the ground" in Chinese, which refers to Leng Yuan. In addition, in the module "Teacher's Legend" published in "Cthulhu World Journey", it is said that the Chinese version of "The Seven Secret Scriptures of the Remaining" was introduced to Japan during the Kamakura period. ​                      B@Nord

As soon as I saw that the calico cat was female, I didn't want to see it anymore.

Wait, a good book doesn't have idioms to follow???? I'll start by throwing out some ideas, and then stay in formation, and the author can add some finer points~

The writing of this book is good, but there are great contradictions in the early plot design. It is mentioned in the beginning that the seven chapters of Lian Xuanjun failed to establish the foundation. Three days later, the Demon Dao Society directly practiced the human elixir (killed), and the golden finger obtained by the protagonist after traveling through time was very unnatural - immortal. Even the protagonist himself thought that these evil skills in Lian Xuanjun Chapter 7 can be resurrected repeatedly and cannot die, but in this Knowing the consequences of not practicing and having a golden finger, the protagonist is in panic all day long and hates Xuanjun Qi Zhang. He refuses to practice and refuses to eat. He waits until the day when the demon will check the progress of his training. Even if the demon kills the protagonist and the protagonist cannot die, why can't the demon be tied up and studied over and over again? In this way, the protagonist's biggest trump card will be exposed.

I roughly read a few chapters of this calico cat, and I probably found out what the problem is. It was originally about a weird cultivator, but the painting style of this calico cat is like a modern romance novel. According to our writing, it is off topic.

I hope that the ancient warlords will not be mixed together. Although the slogans of equalizing land and land may sound good and are easy to use, they are essentially the means used by feudal rebels to bribe farmers. People's rebellion is basically the same old way in order to become emperor and high officials. It is impossible for your protagonist to turn them into Gaomings with just a few words. If your protagonist really wants to rebel, why not just find a county and control the government officials there. On the surface, it belongs to the imperial court, but in fact, it becomes a base area. It takes 20 to 30 years to educate a second generation of Geming people with unified thoughts as a team. At this time, it is almost the time when the Five Dynasties and Ten Kingdoms are sweeping the world. If you don't have a team, you can conquer the world. To rule the world, you still have to compromise with the scholar-bureaucrats.

I've been learning but haven't seen any progress. Did the protagonist become stronger by learning the exercises?

Let's do the activities first before opening the book. Let's build a supporting building first. Name: Identity background: Occupation and ability: Tentatively use this three-line format.

How to say it? I feel a little pity, the author is completely capable of writing better, and it's not a big problem. The content in the book is very substantial and can be discussed in detail. My suggestions to the author are: 1. First of all, since the title of your book is Seven Chapters of Mysterious Sutra, it must also have the concept of one volume and one chapter. The growth curve of the protagonist cannot be messy. Once the choice is made, you cannot be greedy. Otherwise, the things the protagonist has to fight will lose their oppressive power, and readers will lose the desire to read, because they are not sure whether the protagonist has other means of coping. 2. There are many Taoist classics citing arguments in the book, and the author has certain opinions, which is good, but what is the reader's actual experience of reading this kind of knowledge? We may think it is very profound and powerful, but the story does not mean that everything will be fine once you explain the setting clearly. The novel is the process in which the protagonist takes measures to escape some kind of death crisis and takes action. The settings in this book need to be planned and integrated through the seven chapters of the Mysterious Sutra in the title, and the pressure of the protagonist must be expressed directly to the readers. For example, in the air-conditioned haunted house, the pressure at the beginning of the book is that the haunted house is going to close down. It is the only thought left to the protagonist after his parents disappeared, so it is a death crisis from the heart, and the protagonist cannot lose it, so that the reader can empathize with and identify with the protagonist. And he got a mobile phone and a haunted house software, and then slowly started to revive the haunted house step by step. The software of the haunted house is very simple and straightforward, but the reading experience is very clear, it is supernatural and terrifying. As for the author, your thoughts are not very clear, and the weird atmosphere is not enough. The crisis mentioned above is very straightforward. I personally think that online articles need to be straightforward, especially in terms of emotions. And as mentioned in other posts, the author's character creation must also be well-developed. 3. There are two points in character description: either to expand the character image or to promote the development of the storyline. In short, I still feel it is a pity, because the author has a lot of creative content, and he is not worried about running out of things to write. He has so much material on Taoist traditional culture and folk customs, as well as the Cthulhu mythology. My idea is not to worry about the story having no content, so just bring out the materials and settings in your head. Instead, plan the outline and details, especially the key settings. Author, you can look at the table of contents of your book to see if you feel that the setting content is particularly dense. Basically, two or three chapters are a knowledge point, or even one chapter. This is very tiring for readers. We can't remember the plot content that is not much and has no knowledge points. The author can compare it with the catalogs of great gods or platinum writers. They even explain what they explain in chapters 20 and 30, which is just the name of a cultivation system, but they have not elaborated on it, because they know what the readers really care about. I hope the author can write well. He must persist and maintain enthusiasm. This is very important. Come on, may the fire be great.

The biggest problem for the author is that the updates are not strong enough. Everything else is irrelevant. Just write according to your own ideas. A novel cannot satisfy everyone's preferences. Don't listen to the experts in the comment area to teach you how to write a book.

Pretentiousness, hypocrisy, and hypocrisy are really poisonous to people. I don't understand why you wrote this useless protagonist?

Author, look at this hahaha😂

It's shit that even Dao Dao can't swallow.

A good book is a good book But the first one is a little imperfect at the end Perfect endings are usually not perfect So they are not very attractive A happy ending can only be remembered for a day or two and then forgotten But the sad past can be remembered for a lifetime Forever, forever So many good books have regrets Because it's impressive I feel the same It's very realistic and helpless Because this is the reality, I want to do it all, but I want to be perfect But it's always a lot worse The ending of the first chapter is too perfect It's too unreal It's not that attractive Oh, I'm disappointed to leave

The setting is quite good, the writing is okay, but the plot is not interesting. The most important thing about a novel is that the plot is good. If the plot is not good, it will be useless no matter how good the writing is.

Come on, author, the more you fight, the braver you become and never give up.

Starting from Chapter 7 of Xuanjun, I feel okay