Dragon of Calamity

The premise of your writing is that the indigenous dragon is a dragon that humans have traveled through time. What about human wisdom? If you can't even control your own emotions and thoughts and are always being influenced by genes, how can you still do whatever you want? Isn't this just a puppet of the dragon's instinct? Isn't this just a soul that appears to be human but is essentially an aborigine? In the final analysis, what we want to see is the freedom of a human being rather than the freedom of a dragon. This setting is a failure. If the protagonist is an indigenous dragon who absorbs a time traveler's soul fragment in the egg and obtains a golden finger, then no one will say anything. The indigenous dragon should indeed be like this, but he is not, can you understand?

Ah? Aren't dragons without magic just big lizards? Why do all the dragon novels I read recently like this, this contrast between fish that can't swim.

Reading the latest chapter is a bit disgusting. Every time the protagonist sleeps, he is interrupted. Every time he sleeps, someone always comes out with revenge. And my sister is just a loser, the protagonist of Tiantiankeng, is she useless? Can't the protagonist be allowed to sleep for once without being harassed?

It is difficult to understand that in other books, the protagonist massacres a city and kills tens of thousands of people, just because of his inner likes and dislikes, for his own anger, or for his own or the so-called family's interests and majesty. No one said anything, but countless people praised a general who succeeded in killing ten thousand bones and was decisive in killing. Why kill ten thousand people and become a hero among millions? The protagonist only killed a few people, dozens of elves and half-orcs, and so many messengers of justice jumped out? Haha, is what you insist on really justice? You are just enjoying the pleasure of blaming others from the so-called commanding heights that are actually false Because the protagonist is a dragon, it is a serious sin for him to kill an individual. However, in the novel, people kill countless people and even more. Isn't it a sin just because they are human? Can you tell me why you don't resist? Are the reasons stated just?

After turning into a dragon, even the IQ is degraded. When you become a dragon, your outlook on life can change and you can be cruel, but your IQ should at least be online.

Don't do the same thing as the previous book, write a dragon that keeps turning into a human.

You don't need to read this book, the routine is exactly the same as the previous one, and Pig's Feet didn't even get a full nap. Pig's Foot's subordinates are also useless. This kind of failure that succeeds but fails is purely used to trap pigs' feet.

After all, I paid to watch it, so I can speak. I retired from the time when the male protagonist could summon his future self. I feel that this golden finger is like the author who went to the starting point author class. It cannot become the norm and is a trump card. Although it is understandable, it is really boring. Looking at all the talents, they are basically related to the body. In the end, there were many other talents as substitutes for summoning the future. In the end, I chose the one to summon the future. Although I don't watch it, I still want to talk about a few skills that can replace summoning the future 1. Similar to One Punch Man, the gene lock is temporarily opened, and the body will collapse for a period of time, but it is linked to the body of the evil god, and the body rises after recovery 2. Transformation ability, the shape can introduce some monsters from Monster Hunter's rampage form, after use, the whole body will lose power and be forced to sleep 3. The ability to integrate the biological stance and natural disaster ability into the body The power and characteristics are also transformation. You can experience the complete form in advance. After the end, you will temporarily lose the natural disaster talent, but the magic talent will be slightly improved In addition, I personally feel that each of these three is much better than your summoning the future. When I think of the author, you will summon the future when you encounter someone you can't beat, and then write a few chapters to recuperate. I feel a little sick. The routine really doesn't match your book. What we want to see is the ultimate body crushing everything.

As a newbie in DND, the author should have read Dragon Chronicles. I think the dragon ecology is good. It also appeals to me to beat up my brothers and sisters at the beginning. It goes against the bad tradition. But what did the mage say? The traditional fort mage in the web is also divided into water, fire, light and darkness. Isn't it awkward? Why not refer to dnd's spell factions such as evocation, protection, and conjuration? Comparing the two... For example: one side is the biological outline and species, and the other side is like the four legs of a primary school student. The division between the two legs seems illogical. In addition, high-level mage towns generally have their own mage towers. There are no high-end items such as mystery locks on the towers. It is always no problem to have the protective spells maxed out. In addition, it is necessary to trigger the sequence of life-saving magic skills to instantly teleport to an alien plane or return to the mage tower. How did the mage die? In addition, positional spells are physical damage, and only Master can be used to target other creatures, because iam Batman And a reminder, gods cannot be killed or even harmed by mortals. They may be defeated, but they also rely on the intervention of other gods, such as hostile gods granting artifacts. In fact, no matter how high the level of legend is, it is difficult to cause damage to a demigod with godhood 0, but in the lower planes. , The level of godhead can be completely understood as the level of the novel author. Divine power is the pen. If you want the character to die, you can die. In the realm of gods, there is no essential difference between dragons and earthworms. They only compete for divine power and godhead. Tiamat, who has low divine power, was killed by Gilgamesh, who has medium divine power. They are just editors, and no one can kill the other. If the protagonist really gets into a fight with Tiamat, it's best to find someone else first, or have relevant shielding spells. Oh, there is also the matter of ascension to the gods. You can only wait for the Lord God to give it, there is no way to get it actively. . This is the cake that ao has decided on, unless ao (editor-in-chief) fires himself, which is the calamity of the saint Of course, the above suggestions are for reference only

Collect villain lines. As title. Because the protagonist is a dragon and a villain, we collect some lines that are more stylish and handsome for the villain. I don't know much about it, and now I feel it's not enough. I can tell you what you know and let the protagonist use it in some suitable situations.